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Henry Slesar was a science fiction author during the Golden Age of the genre, writing not just for the leading magazines, but for movies and television, most notably Alfred Hitchcock Presents and Rod Serling's The Twilight Zone. Included in this volume are 10 of his classic tales THE SHOW MUST GO ON DREAM TOWN HEART MY FATHER, THE CAT RELUCTANT GENIUS THE DELEGATE FROM VENUS THE STUFF THE SUCCESS MACHINE BRAINCHILD A MESSAGE FROM OUR SPONSOR If you enjoy this volume of our best-selling MEGAPACK® series, check your favorite ebook store for "Wildside Press Megapack" to see the 400+ other volumes, covering not only science fiction, but fantasy, horror, westerns, mysteries, and many other subjects.
This third volume in Mike Ashley's four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the
Unbelievable begins in Philadelphia,.. PA, in the late 1940s with an..adolescent trying to understand life.. as a man. He's not aware of rich or.. poor, happy or sad, black and white,. or the real difference between man. and woman. Sometimes naïve about life, family, and friends, he tries to adjust to the various situations that come to him during his life. His feelings of equality to other men pertaining to brains, bravery, and brute strength is always questioned through his life. He deals with problems of envy, lust, hate, grief, and forgiveness in his own way. Always wanting to be a better person, he separates in his mind right from wrong and searches for people to trust in his life ahead. His ups and downs and depressions cause him to withdraw from a normal life. He develops addictions and desires to constantly overcome to make him a better person. His writing skill of poems and jokes and his belief in God will get him through knowing God's purpose in life is not to be questioned by mortal man. His personal tragedies in his life overwhelms him to the brink of suicide. However, his memories of a few people that influence his life brings him back to reality. He's determined not to give in and take his own life. Instead of giving up, he turns his life around to make himself a better person.
Throughout the ages, comets, enigmatic and beautiful wandering objects that appear for weeks or months, have alternately fascinated and terrified humankind. The result of five years of careful research, Atlas of Great Comets is a generously illustrated reference on thirty of the greatest comets that have been witnessed and documented since the Middle Ages. Special attention is given to the cultural and scientific impact of each appearance, supported by a wealth of images, from woodcuts, engravings, historical paintings and artifacts, to a showcase of the best astronomical photos and images. Following the introduction, giving the broad historical context and a modern scientific interpretation, the Great Comets feature in chronological order. For each, there is a contemporary description of its appearance along with its scientific, cultural and historical significance. Whether you are an armchair astronomer or a seasoned comet-chaser, this spectacular reference deserves a place on your shelf.
Providing an overview of the entire thriller genre, this book examines over 160 movies from classic Hollywood and British studios, including such essential film noir entries as "Murder, My Sweet," "The Dark Corner," "The Maltese Falcon" and "Afraid To Talk." Great cinema detectives are represented by William Powell (all six of his Thin Man pictures are detailed and discussed), Basil Rathbone (Sherlock Holmes), Warner Oland (Charlie Chan), Sidney Toler (Charlie Chan), Peter Ustinov (Hercule Poirot), Margaret Rutherford (all four of her Miss Marple films are covered), and others including the Saint, the Falcon, Bulldog Drummond and Philo Vance. From director Alfred Hitchock comes "Notorious," "Saboteur," "Number 17" and "Rich and Strange." A few comedies and spoofs, such as "Satan Met a Lady" (an amazing re-make of the original "Maltese Falcon" with Bette Davis and Warren William) and "Who Done It?" (with Abbott and Costello) round out the survey.
On July 20, 1969, the world stood still to watch American astronaut Neil A. Armstrong become the first person ever to step on the surface of another heavenly body. Upon his return to Earth, Armstrong was celebrated for his monumental achievement. He was also--as NASA historian Hansen reveals in this authorized biography--misunderstood. Armstrong's accomplishments as an engineer, a test pilot, and an astronaut have long been a matter of record, but Hansen's access to private documents and unpublished sources and his interviews with more than 125 subjects (including more than fifty hours with Armstrong himself) yield the first in-depth analysis of this elusive, reluctant hero.
Family Newspapers? provides the first detailed historical study of the modern popular press's coverage of sex and private life, from the start of the mass newspaper reading boom in 1918 to the triumph of the Sun's sexualised journalism in 1978. In this period, newspapers were at the heart of British popular culture, and Fleet Street's preoccupation with sex meant that the press was a hugely significant source of knowledge and imagery about sexual behaviour, personal relationships, and moral codes. Focusing on changing ideas of what sexual content was deemed 'fit to print', Adrian Bingham reveals how editors negotiated the tension between exploiting public curiosity about sex and ensuring that their journalism remained within the bounds of acceptability for a 'family newspaper'. The study challenges established interpretations of social change by drawing attention to the ways in which the press opened up the public discussion of sexuality before the 'permissiveness' of the 1960s. Exploring the spectacular diversity of the press's sexual content - from advice columns to pin-ups, from court reports to celebrity revelations - Bingham offers a rich and thought-provoking investigation of a media form that has done much to shape the character of modern Britain.
The years 1955-1959 in Communist China included striking fluctuations and successes for Mao Tse-tung's Party, and the working out of the first Five-Year Plan for economic and agricultural development. This newly integrated picture of five crucial years pioneers the use of documentation for dealing with Communist China.