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The book describes how Lisa Meitner, of Jewish heritage, found herself working as a physicist at the Kaiser Wilhelm Institute in Berlin when the Nazis came to power in 1933; how she was hounded out of the country and forced to relocate to Sweden; how German chemists Otto Hahn and Fritz Strassman continued with the project – on the effect of bombarding uranium (the heaviest known element at the time) with neutrons, a project which Lise herself had initiated, being the intellectual leader of the group. It describes how Hahn and Strassmann, with whom she kept in touch, came up with some extraordinary results which they were at a loss to explain; how Lise, and her nephew Otto Frisch, who was also a physicist, confirmed what they had achieved - the ‘splitting of the atom’, no less, and provided them with a theoretical explanation for it. This laid the foundation for nuclear power, medical-scanning technology, radiotherapy, electronics, and of course, the atomic bomb - the creation of which filled Lise with horror. It describes the crucial part that Lise played in our understanding of the world of atoms, and how deliberate and strenuous attempts were made to deny her contribution; to belittle her achievements, and to write her out of the history books, even though Albert Einstein said she was even ‘more talented than Marie Curie herself’. The author is fortunate and honoured to have been granted several interviews with Lise’s nephew Philip Meitner – himself a refugee from the Nazis - who with his wife Anne, provided much valuable information and many photographs.
A Sunday Times bestseller, the real story behind the mastermind of the most famous breakout in history—The Great Escape. While the most famous images from the 1963 film The Great Escape include either a motorcycle or a ball—but definitely Steve McQueen—Richard Attenborough played the part of “Big X,” the British mastermind behind the greatest escape in history. Like the subject of the film, “Big X” was a real person. Roger Bushell was the mastermind of the mass breakout from Stalag Luft III in March 1944. Very little was known about Bushell until 2011, when his family donated his private papers to the Imperial War Museum. Through exclusive access to this material, as well as new research from other sources, Simon Pearson has written the first biography of this iconic figure. Born in South Africa in 1910, Roger Bushell was the son of a British mining engineer. On May 23, 1940, his Spitfire was shot down during a dogfight over Boulogne after destroying two German fighters. Over the next four years he made three escapes, coming within one hundred yards of the Swiss border during his first attempt. His third (and last escape) destabilized the Nazi leadership and captured the imagination of the world, forever immortalized by Hollywood. Simon Pearson's revealing biography is a vivid account of war and love, triumph and tragedy—and one man's attempt to challenge remorseless tyranny in the face of impossible odds.
How a writer who investigated scientific anomalies inspired a factious movement and made a lasting impact on American culture. Flying saucers. Bigfoot. Frogs raining from the sky. Such phenomena fascinated Charles Fort, the maverick writer who scanned newspapers, journals, and magazines for reports of bizarre occurrences: dogs that talked, vampires, strange visions in the sky, and paranormal activity. His books of anomalies advanced a philosophy that saw science as a small part of a larger system in which truth and falsehood continually transformed into one another. His work found a ragged following of skeptics who questioned not only science but the press, medicine, and politics. Though their worldviews varied, they shared compelling questions about genius, reality, and authority. At the center of this community was adman, writer, and enfant terrible Tiffany Thayer, who founded the Fortean Society and ran it for almost three decades, collecting and reporting on every manner of oddity and conspiracy. In Think to New Worlds, Joshua Blu Buhs argues that the Fortean effect on modern culture is deeper than you think. Fort’s descendants provided tools to expand the imagination, explore the social order, and demonstrate how power is exercised. Science fiction writers put these ideas to work as they sought to uncover the hidden structures undergirding reality. Avant-garde modernists—including the authors William Gaddis, Henry Miller, and Ezra Pound, as well as Surrealist visual artists—were inspired by Fort’s writing about metaphysical and historical forces. And in the years following World War II, flying saucer enthusiasts convinced of alien life raised questions about who controlled the universe. Buhs’s meticulous and entertaining book takes a respectful look at a cast of oddballs and eccentrics, plucking them from history’s margins and spotlighting their mark on American modernism. Think to New Worlds is a timely consideration of a group united not only by conspiracies and mistrust of science but by their place in an ever-expanding universe rich with unexplained occurrences and visionary possibilities.
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Although fantasy and supernatural literature have long and celebrated histories, many critics contend that the fantastic and the supernatural have no place in the logical, rational, world of the detective story. This book is the first extensive study of the fantastic in detective fiction and it explores the highly debated question of whether detective fiction and the fantastic can comfortably coexist. The "locked room" mystery--which often uses the fantastic as a red herring to eventually be debunked by reason and logic--has long been among the most popular subgenres of detective fiction. This book also explores stories featuring almost supernaturally gifted detectives, stories where the supernatural is truly encountered, and stories with ambiguous endings. Close to 500 detective stories from 1841 to 2000, in which the fantastic or supernatural plays a central role, are discussed and analyzed. Although not all the stories are judged to be successful as detective tales, in the great majority, the fantastic enlivens the tale and deepens the mystery without weakening the detective elements.
Life magazine described the Shaver Mystery as "the most celebrated rumpus that rocked the science fiction world." Its creators said it was a "new wave in science fiction." Critics called it "dangerous nonsense" and labeled its fans the lunatic fringe. Whatever else the Shaver Mystery was, it became a worldwide sensation between 1945 and 1948, one of the greatest controversies to hit the science fiction genre. Today these stories of the remnants of a sinister ancient civilization living in caverns under the Earth are an all but forgotten sidebar to the historical record. The Shaver Mystery began as a series of science fiction yarns in Amazing Stories nearly 70 years ago. The men behind it, Ray Palmer and Richard Shaver, were derided and seldom understood by a fandom that did its best to sweep them under the carpet of history. Though Ray Palmer was one of the earliest and biggest names in SF fandom, credited with many firsts in his field, his fannish brethren have roundly ignored him, thanks to the Shaver Mystery. What is the truth behind these men and their "mystery"? This is the question writers and editors that promoted the Shaver Mystery try to answer as they reveal the behind-the-scenes story of the phenomenon known as "Shaverism."
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