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Collects Fantastic Four (1961) #11 and Annual #3; Amazing Spider-Man (1963) #96-98 and Annual #5; Daredevil (1964) #7 and #47; Silver Surfer (1968) #5; Thor (1966) #179-181; Marvel Premiere #3 and material from Captain America Comics #3 and #16, Suspense #28, Amazing Adult Fantasy #11, Amazing Fantasy (1962) #15 and Spectacular Spider-Man Super Special. Celebrate the career of a true Marvel Visionary! In the days before World War II, a teenager named Stanley Lieber ran errands in the Timely Comics offices. Soon, “Stan Lee” published his first story — and before long, he was running the show! In the 1960s, Lee and Jack Kirby transformed super hero comics with the Fantastic Four — whose success sparked a line of smash hits that created the Marvel Universe! Presented here are some of the greatest stories written by “The Man,” from rarely seen tales from Lee’s earliest days to unforgettable adventures starring his most iconic co-creations with Kirby, Steve Ditko and others — including the FF, Spider-Man, Thor, Silver Surfer, Doctor Strange and Daredevil!
All Amazed celebrates the life and work of the late Roy Kiyooka (1926-1994), one of Canada's first multi-disciplinary artists whose work transcended categorical and cultural exclusivity. At various periods of his life, Kiyooka was a painter, sculptor, teacher, poet, musician, filmmaker, and photographer. When Kiyooka arrived in Vancouver in 1959, he was already one of Canada's most respected abstract painters. His modernist stance at the time inspired a generation of Vancouver painters to reach beyond regionalism. In the sixties and seventies, Kiyooka began to write and publish poetry and produce photographic works; the best known of these, StoneDGloves (1969-1970), is both a poetic and photographic project. In all of his projects, he saw the position of the artist as being in opposition to the institutions of art. The shape and scope of Kiyooka's work continues to be revealed, seven years after his death. Based on a major multidisciplinary conference at the University of British Columbia organized by such luminaries as Michael Ondaatje, Daphne Marlatt, Scott Watson, and John O'Brian, All Amazed pays tribute to a remarkable artist and poet who continues to amaze and astound us. Includes essays by Roy Miki, Henry Tsang, Sheryl Conkelton, and Scott Toguri McFarlane, as well as numerous black and white images of Kiyooka's artwork.
Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019 MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020 Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.
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This third volume in Mike Ashley's four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the