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Features all the parts and instructions to build movable pirate models, along with fun facts about pirates.
Features all the parts and instructions to build movable dinosaur models, along with fun facts about dinosaurs.
Full-colour throughout, The Rough Guide to Paris is the ultimate travel guide to one of Europe's most elegant cities. With 30 years experience and our trademark 'tell it like it is' writing style Rough Guides cover all the basics with practical, on-the-ground details, as well as unmissable alternatives to the usual must-see sights. At the top of your to-pack list, and guaranteed to get you value for money, each guide also reviews the best accommodation and restaurants in all price brackets we know there are times for saving, and times for splashing out. In The Rough Guide to Paris: - Over 50 colour-coded maps featuring every listing - Area-by-area chapter highlights - New guidance for gastro-tourists - Top 5 boxes - Things not to miss section Make the most of your trip with The Rough Guide to Paris.
Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.
Conceived in the 1960s, Walt Disney’s original plans for his Experimental Prototype Community of Tomorrow (EPCOT) outlined a utopian laboratory for domestic technology, where families would live, work, and play in an integrated environment. Like many of his contemporaries, Disney imagined homes that would attend to their inhabitants’ every need, and he regarded the home as a site of unending technological progress. This fixation on “space-age” technology, with its promise of domestic bliss, marked an important mid-twentieth-century shift in understandings of the American home. In A Small World, Davin Heckman considers how domestic technologies that free people to enjoy leisure time in the home have come to be understood as necessary parts of everyday life. Heckman’s narrative stretches from the early-twentieth-century introduction into the home of electric appliances and industrial time-management techniques, through the postwar advent of television and the space-age “house of tomorrow,” to the contemporary automated, networked “smart home.” He considers all these developments in relation to lifestyle and consumer narratives. Building on the tension between agency and control within the walls of homes designed to anticipate and fulfill desires, Heckman engages debates about lifestyle, posthumanism, and rights under the destabilizing influences of consumer technologies, and he considers the utopian and dystopian potential of new media forms. Heckman argues that the achievement of an environment completely attuned to its inhabitants’ specific wants and needs—what he calls the “Perfect Day”—institutionalizes everyday life as the ultimate consumer practice.
The Rough Guide to Paris is the ultimate insider's guide to Europe's most elegant and romantic city. Inspirational photography, neighborhood-by-neighborhood accounts, and detailed, full-colour maps help you get the most out of a visit to Paris, whether that means the Eiffel Tower and a boat trip on the Seine, or visits to offbeat art galleries and hidden-away gardens. Frank, incisive reviews take you straight to the best of the city's cafés, restaurants and nightlife venues, from the ultra-stylish to the magnificently traditional, and tell-it-like-it-is listings help you find the right accommodation for your budget, whether that's a boutique design hotel on the Left Bank, a grand classic on the Right, or just a perfect budget hideaway. The Rough Guide to Paris is the perfect companion for a city break or a longer stay. Now available in ePub format.
The ninth in the series of IMA Conferences on Cryptography and Coding was held (as ever) at the Royal Agricultural College, Cirencester, from 16–18 Dec- ber 2003. The conference’s varied programme of 4 invited and 25 contributed papers is represented in this volume. The contributed papers were selected from the 49 submissions using a - reful refereeing process. The contributed and invited papers are grouped into 5 topics: coding and applications; applications of coding in cryptography; cryp- graphy; cryptanalysis; and network security and protocols. These topic headings represent the breadth of activity in the areas of coding, cryptography and c- munications, and the rich interplay between these areas. Assemblingtheconferenceprogrammeandthisproceedingsrequiredthehelp of many individuals. I would like to record my appreciation of them here. Firstly, I would like to thank the programme committee who aided me - mensely by evaluating the submissions, providing detailed written feedback for the authors of many of the papers, and advising me at many critical points - ring the process. Their help and cooperation was essential, especially in view of the short amount of time available to conduct the reviewing task. The c- mittee this year consisted of Mike Darnell, Mick Ganley, Bahram Honary, Chris Mitchell, Matthew Parker, Nigel Smart and Mike Walker.