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This book investigates amaXhosa circumcision and the psychological processes involved. Lauraine Vivian employs concepts such as resilience, orthodoxy, broken men, and reciprocity to examine the experiences of men who have developed mental health issues in relation to their initiation into manhood. The chapters cover sensitive topics such as physical injury, pain, harm, and women’s agency. Drawing on the stories of over seventy amaXhosa men, the book provides rare insight into circumcision and psychotic experience.
Master's Thesis from the year 2005 in the subject Sociology - Relationships and Family, University of KwaZulu-Natal (Howard College), course: Gender Studies, language: English, abstract: Male circumcision evokes emotive responses with those who either support or oppose the practice. It is an area of human interaction that has remained outside the public arena as a result of cultural taboos, but has increasingly come under public scrutiny due to the deaths of young boys as a result of unhygienic circumcision. Some taboos raise the spectre of death over anybody who dares to divulge the secrets of the ritual to outsiders. Male circumcision has resulted in public debates due to death and fatalities of some boys who undergo the ritual, but not much has been done to investigate the impact that male circumcision has on the social lives of the circumcised living in urban areas. This study investigates some of the reasons for the practice of traditional male initiation rituals by amaXhosa males who reside in Clermont KwaDabeka (Durban); and explores analyses and assesses the social meaning and effects of male circumcision. An analysis is offered about some of the gendered constructions related to sexual pleasure as an effect of male circumcision as perceived by Xhosa men and women living in Clermont-KwaDabeka. The processes involved in circumcision rites for the circumciser and the circumcised are examined in order to establish the context for the study and to extrapolate the processes in order to reflect on the meaning of the ritual. The study highlights the ongoing debate as to whether circumcision may be practiced as a health intervention strategy, and suggests that male circumcision has no impact on the sexual pleasure experienced by women, and concludes that female orgasm (s) is a problematic issue that needs further investigation. The study also conceives male circumcision as a cultural practice, and as a social construction that is gendered. The study recommends further interrogation of the issues pertaining to culture, sex, sexuality, gender, masculinities and male circumcision in order that this will serve as an intervention towards socialization of boys, and help them in making informed decisions before undergoing initiation. Keywords: Ukwaluka; Ukusoka; gender; sexuality; culture; masculinity; sexual pleasure
Zimbabwe's Cultural Heritage won first prize in the Zimbabwe Book Publishers Association Awards in 2006 for Non-fiction: Humanities and Social Sciences. It is a collection of pieces of the culture of the Ndebele, Shona, Tonga, Kalanga, Nambiya, Xhosa and Venda. The book gives the reader an insight into the world view of different peoples, through descriptions of their history and life events such as pregnancy, marriage and death. "...the most enduring book ever on Zimbabwean history. This book will help people change their attitude towards each other in Zimbabwe." - Zimbabwe Book Publishers Association Awards citation
Circumcision is the surgical removal of the foreskin. It may be performed for medical, cultural or religious reasons. Circumcision performed for a medical indication is relatively uncontroversial, but the routine circumcision of male infants is often a hotly debated topic. Jews, Muslims and some Western societies practise routine neonatal (new-born) circumcision. The Xhosa practise adult ritual circumcision as part of the initiation into manhood. New research has shown that it reduces the risk of HIV transmission. Therefore circumcision is becoming fashionable in countries with high incidence of HIV. Circumcision on the whole is a relatively minor and safe procedure. While there does appear to be some proven medical benefits to circumcision, these are at best quite modest. Only a small percentage of patients suffer complications, which are usually minor and self-limiting, but isolated cases of severe and debilitating complications do occur. The latter scenario is fortunately exceedingly rare in a more controlled environment however in the traditional environment, THERE IS A LOT THEY ARE NOT LETTING OUT.
Surgical Guide to Circumcision is a compendium of the who, what, where, why, and most importantly, the how of circumcision. Given that one third of the world’s males have undergone this most ancient of surgical procedures, a contemporary resource on the subject is in order. Most circumcisions are elective with no acute medical necessity; that is, most are done for cultural reasons. Thus, in addition to being a standard surgical guide for those who perform circumcision, this book is an anthology of circumcision, from its prehistoric roots to its present day admixture of religion, culture, and medicine. Surgical Guide to Circumcision is a fully illustrated, step-by-step guide to the most common techniques of circumcision and addresses aspects such as informed consent, religious and cultural sensitivities, pre-exam, post-care, pain control, and prevention and management of potential complications. Written by experts in the field, Surgical Guide to Circumcision will appeal to family physicians, pediatricians, obstetricians, midwives, nurses, urologist, and anyone with a general interest in circumcision.
This book is a must-read for serious Christians hoping to obey the Great Commission to make disciples in Africa. Vernon strikes an admirable balance between academic depth and practical application, helping us to appreciate the interface between the gospel of Jesus Christ and the traditional African worldview. I heartily recommend this book to all thinking Christian leaders in Africapastors, teachers, and missionaries. Kevin G. Smith, DLitt, PhD Vernon Light wrote this book with an apostolic passion in the way the apostles presented and proclaimed the Gospel to world religions and cultures. It is an exciting study of African traditional religion and its relation to Christianity. It shows that for Christianity to thrive and be relevant, biblically and transformationally, in Africa, firstly, Christian scholars and theologians are needed who understand and address Africas traditional heritage and Western modern, postmodern, and pluralistic ideologies and, secondly, the Gospel must be contextually, relevantly, meaningfully, and practically taught through an effective discipleship program. The book, based on extensive research and massive use of resources, is a valuable tool for students, pastors, scholars, and theologians interested in the state of Christianity and religious change in Africa. Professor Yusufu Turaki, PhD Much more than being a useful resource, this is a book with a mission. Like Jeremiah of old (Jer 20:9), Vernon is a man with a passion and message from God to the society to which God has called him. Like Jeremiah, Vernon is totally convinced of the absolute truth of his message in the midst of a myriad of conflicting opinions and that his message will change society from disaster to hope. Would that it is heard! Professor David T. Williams, DTh The Rev. Vernon E. Light (BSc, BDHons, MTh) is a member of the academic staff at the South African Theological Seminary.
Winner of IASPM Book Prize, given by IASPM, 2023 This book is an ethnographic study of sound archives and the processes of creative decolonization that form alternative modes of archiving and curating in the 21st century. It explores the histories and afterlives of sound collections and practices at the International Library of African Music. Sound Fragments follows what happens when a colonial sound archive is repurposed and reimagined by local artists in post-apartheid South Africa. The narrative speaks to larger issues in sound studies, curatorial practices, and the reciprocity and ethics of listening to and reclaiming culture. Sound Fragments interrogates how Xhosa arts activism contributes to an expanding notion of what a sound or cultural archive could be, and where it may resonate now and in future.