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-Padma Shri and late Hindi author Shivani's memoirs of studying at the experimental school set up by Rabindranath Tagore. -A rare view and stories of life inside the Ashram, of how the students' intimate relationships and interactions with Tagore and other towering personalities shaped them. -Includes tributes to other iconic personalities who called Shantiniketan their home, such as Satyajit Ray and Pandit Hajari Prasad Dwivedi. -Written with such warmth and filled with laughter, this book can be enjoyed by both adults and children. -Translated into English for the first time by Ira Pande, the author's daughter and Sahitya Akademi winner for her translation of Manohar Shyam Joshi's T'ta Professor This charming memoir is a loving homage to a grand institution and its legendary gurus. Written from the perspective of a child and young girl, it retains the freshness and innocence of an age when experimental education was not merely a trendy movement. Shivani's vivid pictures of the Ashram and portraits of her teachers and fellow students remain as alive as they seemed when she first wrote this memoir nearly fifty years ago. Along with the moving tributes she wrote when some of her beloved contemporaries passed away, this slim memoir is a sort of diptych that captures the spirit of the Ashram and the liveliness of its inmates, many of whom went on to become iconic Indians. Shivani's recall of her time there takes the reader into an enchanted garden that remains as inspirational to her as it was when she went there all the way from Kumaon a lifetime ago.
An enchanting and joyous exploration of life and creativity at the geographical edges of the modern world Who is a provincial? In this subversive book, Sumana Roy assembles a striking cast of writers, artists, filmmakers, cricketers, tourist guides, English teachers, lovers and letter writers, private tutors and secret-keepers whose lives and work provide varied answers to that question. Combining memoir with the literary, sensory, and emotional history of an ignored people, she challenges the metropolitan's dominance to reclaim the joyous dignity of provincial life, its tics and taunts, enthusiasms and tragicomedies. In a wide-ranging series of "postcards" from the peripheries of India, Europe, America, and the Middle East, Roy brings us deep into the imaginative world of those who have carried their provinciality like a birthmark. Ranging from Rabindranath Tagore to William Shakespeare, John Clare to the Bhakti poets, T. S. Eliot to J. M. Coetzee, V. S. Naipaul to the Brontës, and Kishore Kumar to Annie Ernaux, she celebrates the provincials' humor and hilarity, playfulness and irony, belatedness and instinct for carefree accidents and freedom. Her unprecedented account of provincial life offers an alternative portrait of our modern world.
Analyses the phenomenon of western Indophilia, its ideological and affective composition, and its political implications in late-colonial British India. Argues that Indophile deployments around transnational projects like abolishing indentured labour and global Hinduism, while anti-colonial, were not necessarily emancipatory.
This book analyses Rabindranath Tagore’s contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath’s experiments with drama/theatre in the context of the theatre available in nineteenth-century Bengal, and explores the innovative strategies he adopted to promote his ‘brand’ of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance Studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre.
This new addition to Springer’s series on Key Thinkers in World Education tracks the intellectual and philosophical journey of a trail-blazing innovator whose ideas have fired the imaginations of progressive educationalists for almost a century. The volume’s in-depth analysis of the educational philosophy of Bengali polymath Rabindranath Tagore offers an unrivalled focus on his highly influential views. Tagore—poet, internationalist, humanist, and the first non-European to win the Nobel Prize for literature—lived on the cusp of change between two momentous centuries in world civilization and foresaw the dissolution of colonialism and the globalization of culture. His ideas on education placed the creative individual at the centre of the quest for knowledge. Eschewing the artificial distinctions between elementary and higher learning, he advocated the importance of sowing the seed of humanism as early as possible, and fostering the individual’s enjoyment of education as well as their courage to challenge conventions. In doing so, he anticipated the modern concern with critical thinking at the same time as he was encouraging independence of thought and action as a counter to colonial oppression and condescension. Concise yet thorough, this volume on one of the most original thinkers of the last century covers every aspect of Tagore’s highly original educational philosophy.
In this study, Sartori closely examines the history of political and intellectual life in 19th- and 20th-century Bengal to show how the concept of 'culture' can take on a life of its own in different contexts, weaving the narrative of Bengal's embrace of culturalism into a worldwide history of the concept.
Includes section "Reviews and notices of books".
Edward John Thompson -- novelist, poet, journalist, and historian of India -- was a liberal advocate for Indian culture and political self-determination at a time when Indian affairs were of little general interest in England. As a friend of Nehru, Gandhi, and other Congress Party leaders, Thompson had contacts that many English officials did not have and did not know how to get. Thus, he was an excellent channel for interpreting India to England and England to India.
Rabindranath Tagore composed over 2000 songs that are revered and sung by Bengalis everywhere. However, they remain mostly unknown to listeners from other communities. This book brings the Nobel Laureate’s unique music — Rabindrasangit — to a global audience, with a lucid introduction by Ananda Lal as well as selected songs in international transcription and English translation. It includes an essay written originally in Bengali by the celebrated filmmaker Satyajit Ray, himself a Tagore student and music composer. Ray presents his thoughts on Rabindrasangit, its nuances, music, history, and usage. Lal has also translated this essay into English for the first time. The book also presents for the first time faithful staff notations of all 41 songs in three of Tagore’s major plays — Rakta-karavi, Tapati, and Arup Ratan — providing a thematic unity to the music section. This volume will be of interest to Tagore and Ray enthusiasts and specialists, musicologists, and students of music, theatre, literature, performance studies, and cultural studies. It will appeal not only to scholars but to general readers wanting to know more about Tagore’s songs, as well as directors, arrangers, composers, and singers who may wish to perform or interpret the songs transcribed.