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Is she being paranoid? Or facing a deadly threat? Suspecting she’s being followed, Scarlet Wills hires local PI Austin Beaumont. But when a brutal attack lands Scarlet in the hospital, it’s clear they’re up against a rapidly escalating threat. Posing as lovers ignites passion that threatens their determination to keep things strictly professional. And they’re running out of time to catch someone who’ll stop at nothing to make Scarlet his… From Harlequin Intrigue: Seek thrills. Solve crimes. Justice served. Discover more action-packed stories in the Beaumont Brothers Justice series. All books are stand-alone with uplifting endings but were published in the following order: Book 1: Closing In On Clues Book 2: Always Watching Book 3: Innocent Witness
A case from the past Could change their future New chief of police Jake Love is just settling in when information on a cold case pops up. Bringing closure to the murder at Vincent Vineyard is his top priority. And having his girlfriend, Ella Bowman, at his side helping with the investigation should have drawn them even closer. But when Ella’s connection to the powerful family leads to threats, the truth’s revelation might destroy them both. From Harlequin Intrigue: Seek thrills. Solve crimes. Justice served. Discover more action-packed stories in the West Coast Crime series. All books are stand-alone with uplifting endings but were published in the following order: Book 1: The Heart-Shaped Murders Book 2: Danger in the Nevada Desert Book 3: Homicide at Vincent Vineyard
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Red Like Wine, The North Fork Harbor Vineyard Murders, is a sometimes comical, always intriguing mystery fermenting in quaint North Fork Harbor on eastern Long Island, NY - an area transitioning from farming-and-fishing village to wine-based, tourist destination. But as city crime writer Vin Gusto and his former girlfriend, photographer Shanin Blanc discover, more than wine is being made at the vineyard. When a renown but reclusive winemaker turns up dead in a vat of his own juice, Vin and Shanin try to solve the crime and repair their relationship and careers amid the murders and mayhem.
Another perfect summer is in full swing on Martha's Vineyard when Charles Williams arrives for the vacation of a lifetime. Charles is one of thousands who are there for the celebration of the 1975 blockbuster JAWS. Very little has changed since it was shot there almost forty years ago; however, Martha's Vineyard proves to be less than idyllic. The gruesome evidence of a fatal shark attack is discovered in the ocean while in Edgartown, vacationers fall victim to an unknown killer. Police Chief Laurie Knickles enlists the help of her friend and amateur sleuth, Charles Williams, as they suspect no one will be safe in the water or on land until they solve The JAWSfest Murders.
‘A very funny page-turner. Fantastique!’ Adam Kay, Comedian and author of This is Going to Hurt 'A writer of immense wit and charm.' Paul Sinha, ITV's The Chase THE FIRST NOVEL IN THE ENTHRALLING FOLLET VALLEY SERIES, BY TV/RADIO REGULAR IAN MOORE Richard is a middle-aged Englishman who runs a B&B in the fictional Val de Follet in the Loire Valley. Nothing ever happens to Richard, and really that’s the way he likes it. One day, however, one of his older guests disappears, leaving behind a bloody handprint on the wallpaper. Another guest, the enigmatic Valérie, persuades a reluctant Richard to join her in investigating the disappearance. Richard remains a dazed passenger in the case until things become really serious and someone murders Ava Gardner, one of his beloved hens ... and you don’t mess with a fellow’s hens! Unputdownable mystery set in rural France, by TV/radio regular and bestselling author Ian Moore – perfect for fans of Richard Osman's The Thursday Murder Club, Julia Chapman, or M.C. Beaton. Praise for Death and Croissants: 'Death and Croissants is a far funnier book than a story about a bloody murder has any right to be.' Josh Widdicombe, BBC's Mock the Week 'This is like two great books in one, a tricksy whodunnit, and a really, really funny story.' Jason Manford 'Ian is one of my favourite writers; this is hilarious and a great mystery too.' Janey Godley 'Good food and a laugh-out-loud mystery. What more could anyone want in these dark times?” Mark Billingham ‘Death and Croissants is such a relentless rollercoaster ride of laughs and twists, it should come with a height restriction and health warning.’ Matt Forde ‘Sharp, slick and surprising – like the author himself – Death and Croissants is the Loire Valley’s answer to Murder on the Orient Express. I’d marry him tomorrow (Richard, the protagonist; Ian too).' Cally Beaton ‘Though I disagree with the opinions on muesli and the hen naming system that are in this book, I will let those pass and say that it is funny, pacy and very entertaining! It also has short chapters – I find many modern novels take far too long to get to the next chapter, but there's no hanging about here.’ Robin Ince 'I’d never connected the words “death” and “croissants” before, but now they’re inextricably linked. It’s a rollicking qui-dunnit with as many twists as the Loire itself'. Stephen Clarke, author of 1000 Years of Annoying the French 'Moore's French whodunnit is an engaging caper through the Loire Valley with an expat reluctant hero mixed up with a Maigret-like rural cast, a glamorous heroine and a couple of Mafia killers. It is finely paced, truly funny and written with a wry detachment that conjures up a gentler age of murder mystery.' Charles Bremner ‘Just like the Loire’s other great export, Sancerre, Ian Moore’s prose is reassuringly dry, beautifully constructed, and deeply satisfying. The Follet Valley series is a pleasure you’ll return to again and again.’ Marty Wilson, former Australian Comic of the Year Everyone is wanting Moore! - what people are saying about Ian Moore: ‘Charming, witty, a brilliant read.’ Sarah Millican ‘There are a great many comedians who think that they can also write books, myself included, but very few who can rival Ian Moore’s immediate warmth and skill with language.’ Jon Richardson ‘Ian Moore is a brilliantly funny writer and that’s all there is to it.’ Annabel Giles ‘Everything its author is: immaculately turned out, sharp and consistently hilarious.’ Mark Billingham ‘What a strange and wonderful sight Ian Moore must present in the Loire Valley – an English Mod kicking around rural France with a young family, a few goats and big dreams of the good life. His brilliant book is warm, funny and big-hearted – easily the best Englishman-abroad memoir since Gerald Durrell was in short trousers and knocking around pre-war Corfu.’ Tony Parsons ‘So well written and funny you feel you’re there flailing with him in the chicken coop. Warm, tender and incredibly funny. Treads that perfect balance between thigh-slappingly hilarious and heartbreakingly human: a unique and wonderful book.’ Isy Suttie ‘Ian Moore is a brilliant comedian whose wit is as sharp as his dress sense and he has managed to take that on stage story telling brilliance and put it in his writing. A great read – even if you're French!’ John Bishop, Comedian and Broadcaster
A dead whale is floating along the south shore of Martha's Vineyard, blowing an ill wind across the entire island. Edgartown Police Chief Laurie Knickles is on her honeymoon, leaving the capable Detective Jack Burrell in charge. When an Edgartown socialite is found murdered in her home, Jack must decide whether or not to call the Chief back from her Nantucket vacation. In Oak Bluffs, three young women-Alice, Trish, and Virginia-are opening a clothing store, Pretty Vineyard Girls, on Circuit Avenue. The three friends have worked hard for this and nothing-not even an abusive ex-boyfriend turned stalker-is going to stop them. When one of the women goes missing, it's time to call in Police Chief Jefferies. As the evidence mounts in Edgartown, Detective Burrell's murder case looks like a sex crime. The Edgartown and Oak Bluffs police departments realise they're working the same case just in time to discover a second body.
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.