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As a cultural and political commentator, Stanley Crouch in unapologetically contentious and delightfully iconoclastic. Whether he is writing on the uniqueness of the American South, the death of Tupak Shakur, the O.J. Simpson verdict, or the damage done by the Oklahoma City bombing, Crouch's high-velocity exchange with American culture is conducted with scrupulous allegiance to the truth, even when it hurts—and it usually does. And on the subject of jazz—from Sidney Bechet to Billy Strayhorn, Duke Ellington to Miles Davis—there is no one more articulate, impassioned, and encyclopedic in his knowledge than Stanley Crouch. Crouch approaches everything in his path with head-on energy, restless intelligence, and a refreshing faith in the collective experiment that is America—and he does so in a virtuosic prose style that is never less than thrilling.
"e;Publish and be damned"e;, Wellington's famous adage, runs like a leitmotiv through John Calder's memoirs. He has been damned by a censorious press, by politicians, by other publishers and by organs of the state for publishing books on sensitive issues. Damned also for publishing such authors as Henry Miller, William Burroughs, Alexander Trocchi and Hubert Selby Jr, as well as for bringing to public notice the abuses of the armies and security forces of colonial countries. He took on American authors who could not be published in the United States during the McCarthy witch-hunt. He exposed the atrocities of the Algerian and other African wars, and produced many books on British political, social and moral issues, which only a totally independent publisher could have done.Born into the most conservative of establishment families, John Calder has always gone his own way - seeking out literary genius and creating a greater awareness of the world we inhabit. His publishing programme contained a large proportion of the leading writers of the twentieth century, including Samuel Beckett, Eugene Ionesco, Luigi Pirandello, Alain Robbe-Grillet, Marguerite Duras, Heinrich Boell and such British authors as Howard Barker, Edward Bond, Steven Berkoff and Ann Quin. Anecdotes abound in these memoirs about Bertrand Russell, Alger Hiss, Graham Greene, J.B. Priestley, Jo Grimond and dozens of others whom the author encountered in his activities, both within and outside of publishing. This book is too outspoken to make many friends, but it will open eyes and upset apple carts. Never a saint, Calder is as frank about his own failings as of those of others.
“Perry is the best suspense writer in the business. . . . Pursuit is relentless, filled with twists and turns, that rare page-turner that keeps one reading late into the night to finish.” –The Boston Globe Thirteen bodies are found in a Louisville restaurant. When the police can find no suspect or motive, a victim’s family seeks the services of the enigmatic and solitary specialist Roy Prescott, known for his ability to find people who don’t want to be found. Working outside the law and willing to do what the police can’t, Prescott hunts the killer, an elusive adversary who is as smart, as methodical, as deadly as he is. The only way to conduct this pursuit is to goad the killer into believing that he must kill Roy Prescott. It is a contest fought from one end of the country to the other, and both men understand that when it’s over, only one of them will be alive.
In the tradition of the New York Times-bestselling work Manhunt, by James Swanson, comes a compelling nonfiction narrative about the pursuit and capture of Confederate President Jefferson Davis at the end of the Civil War.
The 1936 Yankees, the 1963 Dodgers, the 1975 Reds, the 2010 Giants—why do some baseball teams win while others don’t? General managers and fans alike have pondered this most important of baseball questions. The Moneyball strategy is not the first example of how new ideas and innovative management have transformed the way teams are assembled. In Pursuit of Pennants examines and analyzes a number of compelling, winning baseball teams over the past hundred-plus years, focusing on their decision making and how they assembled their championship teams. Whether through scouting, integration, instruction, expansion, free agency, or modernizing their management structure, each winning team and each era had its own version of Moneyball, where front office decisions often made the difference. Mark L. Armour and Daniel R. Levitt show how these teams succeeded and how they relied on talent both on the field and in the front office. While there is no recipe for guaranteed success in a competitive, ever-changing environment, these teams demonstrate how creatively thinking about one’s circumstances can often lead to a competitive advantage. Purchase the audio edition.
This book tests the critical potential of happiness research to evaluate contemporary high-performance societies. These societies, defined as affluent capitalist societies, emphasize competition and success both institutionally and culturally. Growing affluence improves life in many ways, for a large number of people. We lead longer, safer, and more comfortable lives than previous generations. But we also live faster, and are competition-toughened, like top athletes. As a result, we suspect limits and detect downsides of our high-speed lives. The ubiquitous maximization principle opens up a systematic gateway to the pleasures and pains of contemporary life. Using happiness as a reference point, this book explores the philosophical and empirical limits of the maximization rule. It considers the answer to questions such as: Precisely, why did the idea of (economic) maximization gain so much ground in our Western way of thinking? When, and in which life domains, does maximization work, when does it fail? When do qualities and when do quantities matter? Does maximization yield a different (un)happiness dividend in different species, cultures, and societies? ​
Fiction. Poetry. Women's Studies. Art. Film. Performance Studies. A character called X journeys through a present that is neither here nor there, but feels oddly proximate. She moves through landscapes of words, ever-shifting to host the groundless present, a place and time driven by her motivated, yet contextless pursuit. Narrative is always under construction. The preferred medium for X's peregrinations: a sentence, as capacious as a three-second video, a ten-year nap, or an unexplored hard drive. In this suspended world, X's sensorium is curious and alert, but also anguished, hesitant, and precarious: she feels around for sympathetic energies and familiar faces along the way. Along what way? A book like a body might be a room for waiting, a machine for memory, a sensuous thing, an image quickly glimpsed, a performance still ongoing... "You can change your rhythm in order not to panic I learned from BEIGE PURSUIT, a marvel of a book that fuses and transforms various overlapping wildernesses�that of the body subject to transformation, that of the anxiety of our current shared predicaments & the ways that anxiety is fueled to deaden response, & that of the imagination, prone to serious irreverent examination, having to constantly move within its own unfolding in words. X, pregnant, and our guide, is told by talking peonies describing the intimacy gradient that she can't enter her own home, & so it goes�it being the ordinary blasted bureaucratic temperament of the present. A present Sara Magenheimer illuminates by amplifying and grounding its absurdities in the daily chaotic filters of refusal and admission."�Anselm Berrigan "Is X pure data? There is mention of her bossy body, but is that body the whole wide world? The cosmos? The singularity? X is a mother, newly, but more pressingly, X is a blinking cursor; the promise of a word. X might be predictive text, but she herself is unpredictable. Is X atmosphere or algorithm? What's the big diff? Are you my (biological) father, the peonies might ask the mushroom cap, whose answer could be, 'Oh.' Rosemarie Waldrop has lunch in the ether with Lewis Carroll then meets Renee Gladman on a shopping mall escalator to dish. I trust this lysergic logic, shimmering through our present din."�Corrine Fitzpatrick
“Chase your dreams and follow your heart, no matter the cost” is the call of the world today. The opposite extreme, often advised by well-meaning Christians, is to lay down all of our dreams and passions, avoiding all self-interest. One narrative says to follow a passion, and the other says to lay it down. Both claim to offer happiness and purpose on the other side. But what does the Bible say about dreams, goals, and passions? With compelling illustrations from Dianne Jago’s unexpected journey in creating DeeplyRooted Magazine, along with thoughtful scriptural examples, Dianne shares an honest account of how God changed her plans and aligned them with His. As you read this book, you will be challenged to look upward instead of inward, seeing the God-given purpose of every Christian as the foundation of your “dreams.” Scripture shapes a believer’s pursuits and the gospel speaks to our passions. Instead of the one-size-fits-all formula for dream-chasing, A Holy Pursuit will help you identify whether it’s time to pursue, pause, or surrender a dream you hold.
From Normandy to the Caribbean Islands, this innovative biographical pursuit follows Adèle Hugo on her reckless journey of unrequited love – and the writer who chased after her more than 150 years later. It's 1863. The daughter of the most famous writer in the world, Victor Hugo, who has ambitions as a writer and composer, suddenly leaves her family's home on the Channel Islands bound for Nova Scotia. She is in pursuit of a young British soldier, with whom she is desperately in love, but who has rejected her. Eight years later, after stalking him to the Caribbean, where he's stationed with the army, Adèle Hugo is brought back to Paris by a benevolent former slave woman who has taken pity on her. She is admitted to an asylum where she dies decades later, rich from the inheritance of the rights to her father's books. This story of hopeless love has inspired writers, composers, and a well-known film by François Truffaut. Yet much about Adèle Hugo's tragic life has remained shrouded in mystery – not least the true character and identity of the soldier who ultimately contributed to her undoing. Mark Bostridge was drawn to Adèle's story in his twenties, thanks in part to the François Truffaut film, and has been following her story ever since. Now he sets out in pursuit of the truth about her, travelling halfway across the world, acting as sleuth and tracking down the descendants of the soldier she loved. In so doing he recognises the source of his fascination with the aspects of Adèle's life that reflect and parallel his own. The result is a moving book about the pain of loving too much and of parents loving too little; about the ways in which we are haunted by the dead; and about our insatiable appetite for other people's stories which possess us and invade our own lives. In Pursuit of Love is part memoir and part travelogue, as well as an invigorating new approach to the writing of biography.
The unforgettable Margaret of Ashbury returns in the second book of the trilogy that began with A Vision of Light. Margaret, a resourceful midwife, is living with the insufferable relatives of her third husband, Gilbert de Vilers, known as Gregory. She is carving out a life for herself and her daughters despite the hostility and greed of her in-laws. But when Gregory is captured in France and held for ransom, Margaret knows she must take action—her in-laws are too tight with money to be of any use—so she teams up with her old friends Mother Hilde, the herbalist, and Brother Malachi, an alchemist on a quest for the secret of changing base metals into gold. Together, the trio plan to rescue Gregory and bring him back to London, where he and Margaret can start a new life away from his meddling family. And thus begins a wild romp across fourteenth-century Europe. Murderous noblemen, scheming ladies, truculent ghosts, and a steady stream of challenges plague the journey. Margaret will need not only her special gift of healing, her quick mind, and her independent spirit but the loyalty of her friends and the love of her new husband to carry them all safely home.