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"After looking for him in the poems, we search for him in the prose. The pursuit of the Other in Pessoa's work is never-ending," writes Edwin Honig. Essential to understanding the great Portuguese poet are the essays written about (and by) his heteronyms-Alberto Caeiro, Ricardo Reis, and Alvaro de Campos-the several pseudonyms under which he wrote an extraordinary body of poetry. In Always Astonished, Pessoa and his several selves debate and discuss one another's work, revealing how Portuguese modernism was shaped. Fernando Pessoa is one of the great voices of twentieth-century literature, and these manifestos, letters, journal notes, and critical essays range through aesthetics, lyric poetry, dramatic and visual arts, and the psychology of the artist. He gives us, too, a singularly heterodox political position in his strange work of fiction, The Anarchist Banker.
“A narrative composed of brutal honesty, tenderness, and an aching love for God. I could not put it down.” —Sue Monk Kidd, author of The Secret Life of Bees In the middle of her life, acclaimed memoirist Beverly Donofrio thought she’d found a safe haven in a beautiful town in Mexico—until she was awakened in her bed by a rapist. As she writes in this fierce, unflinching account: “This was not supposed to happen. I was supposed to have escaped: I had hot flashes and liver spots and was in the final stretch.” Here Donofrio wrestles with anger toward her attacker and toward life, yet realizes her despair is not unlike that of other friends who are struggling with grave illnesses, loss of jobs, deaths of loved ones. Hoping to heal from trauma, Donofrio turns to prayer while journeying to five very different monasteries. A testimony to how anyone who is broken can move away from fear and anger toward grace, Astonished will not only be read and shared by fans of Donofrio’s previous books, but also by anyone who hopes to be inspired by Donofrio’s strength and her search for faith, healing, and identity.
Rosemary Blake's Wintering is a thoughtful collection of poems of landscape and memory. The poems recall a childhood filled with the loss of a beloved father, but also with the light and beauty of the Australia landscape. Canada provides a way of seeing into this past with its loss and longing; a way which explores the contrast of the seasons, the reversals of winter and summer and the particular beauty of the Canadian landscape. The poet comes to see this country, no longer as a metaphor for longing, but with wonder.Wintering is an outstanding first book of poems, certain to receive a warm reception.
As a novelist who has spent years crafting and refining his intense and oft outrageous “Demon Dog of American Crime Fiction” persona, James Ellroy has used interviews as a means of shaping narratives outside of his novels. Conversations with James Ellroy covers a series of interviews given by Ellroy from 1984 to 2010, in which Ellroy discusses his literary contribution and his public and private image. Born Lee Earle Ellroy in 1948, James Ellroy is one of the most critically acclaimed and controversial contemporary writers of crime and historical fiction. Ellroy's complex narratives, which merge history and fiction, have pushed the boundaries of the crime fiction genre: American Tabloid, a revisionist look at the Kennedy era, was Time magazine's Novel of the Year 1995, and his novels L.A. Confidential and The Black Dahlia were adapted into films. Much of Ellroy's remarkable life story has served as the template for the personal obsessions that dominate his writing. From the brutal, unsolved murder of his mother to his descent into alcohol and drug abuse, his sexual voyeurism, and his stints at the Los Angeles County Jail, Ellroy has lived through a series of hellish experiences that few other writers could claim. In Conversations with James Ellroy, the author talks extensively about his life, his literary influences, his persona, and his attitudes towards politics and religion. In interviews with fellow crime writers Craig McDonald, David Peace, and others, including several previously unpublished interviews, Ellroy is at turns charismatic and eloquent, combative and enigmatic.
Reproduction of the original: To Leeward by F. Marion Crawford
Autobiography of Mark Twain or Mark Twain’s Autobiography refers to a lengthy set of reminiscences, dictated, for the most part, in the last few years of American author Mark Twain's life and left in typescript and manuscript at his death. The Autobiography comprises a rambling collection of anecdotes and ruminations rather than a conventional autobiography.
Heartbroken after surviving from an unexpected car accident with his wife Jennies, Brian is desperate and giving up all hope to live without her. He engulfs in silence, misery and alcoholic. But when he forces himself to accept a job from his father in law, also is his boss, which is made for him to return his birth city in Viet Nam where he's going to work with his Uncle Tim whose is President of Eastern Bank to clinch an important contract has been arranged. His entire world suddenly has changed and his life turns upside down by quirk fate when he accidentally bumps into a woman outside of the airport, who resembles his dead wife, and then following her to where she works. More astonishing is she's an employee of Eastern Bank, also is his uncle's secretary. His heart turns over and quickly in love after knowing her name is Ngan. Getting closer to Ngan and trying to win her heart, Brian intrigues with his uncle to take a mailman job instead to disguise his character. And from there, they became more than just colleagues, but as so often happens in times of need friendships are forged, and after Brian is acting as an actor to pretend Ngan's beau to visit her family, and then secretly helps Ngan to rework her project. They are each surprised at the intimacy of their working and spending days and the impact their encounter brings: Warm, crying, laughing, witty, and as wise as ever. They're falling madly in love and Brian has to return to Viet Nam to get married Ngan. With a happy ending when Ngan is immigrated to America at last, Brian has a different thought about the fate that God has created. Having Ngan in his life, as if God has brought Jennies' life back on earth for reuniting with him that makes Brian doesn't believe in tears which is he has been crying for, and learning along the meaning of true love, and ultimately, what fate really is.
David Eliot’s future seemed secure with his engagement to Marly Tranter, the daughter of the incredibly rich and powerful Sir Bertram Tranter. As an architect, David seemed to fit right in with the family, even if it included a golden collar. But the mission on which Sir Bertram sent David and Marly to Portugal created havoc in everyone’s plans, including the preposterous Mr. Easter, the eccentric Lady Pearling, and Teresa, Senhora Silva’s delightful and beautiful niece. What David finds out when he gets there, changes his perspective on his life and future. This book offers a fresh and interesting blend of romance and good humor, with a strong feeling of the way of life of Portugal before tourism invaded and changed the country forever.
My Heart Is Not Blind: On Blindness and Perception is a collection of stunning portraits of blind and visually impaired people taken by photographer Michael Nye. Each image is accompanied by an intimate story told by the subject concerning his or her experiences and unique perspective. The causes of vision loss range from genetic predispositions (retinitis pigmentosa) or disease (glaucoma) to external circumstances such as accidents (struck by a train) or violence (gunshot wound). The people in this diverse group differ not only in their particular conditions and losses but also in their cultural and socio-economic backgrounds. Taken as a whole, however, the accounts of adapting to changing modes of perception are bound by a common theme of resilience, revealed in shared reactions and unexpected insights. The subjects depicted in My Heart Is Not Blind share their experiences and unique perspectives in a personal narratives that accompany their respective portraits. Most speak of the transition from sight to vision loss, and how that has changed—and not changed—their ability to perceive the surrounding world. Some question the classification of blindness as a disability. One participant proposes that blindness may, in some ways, even aid in perception, musing, “if you can always see the sun, you can never discover the stars.” My Heart Is Not Blind offers a window into the world of the blind and visually impaired, revealing surprising similarities and fascinating differences alongside compelling accounts of survival, adaptation, and heightened understanding. The collection invites us to reconsider what we think we know about blindness in order to gain a deeper understanding of vision and perception.