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Alvar Aalto and The Art of Landscape captures the essence of the Finnish architect’s landscape concept, emphasising culture and tradition, which characterised his approach to and understanding of architecture as part of the wider environment. From the forests of his youth to sights from his travels, Alvar Aalto (1898–1976) was influenced by outdoor landscapes. Throughout his career, he felt the need to shape the terrain and this became a signature of his architecture. Divided into five chapters, this book traces Aalto’s relationship with landscape, starting with an analysis of his definitions and descriptions of landscape language, which ranged from natural references and biological terms, to synonyms and comparisons. It includes beautifully illustrated case study projects from the 1950s and 1960s, discussing Aalto’s transformation of different landscapes through topography, terracing and tiers, ruins and natural elements, horizon outlines, landmarks, and the repetition of form. Featuring archival sketches, garden drawings, and plans, the book also contains Aalto’s text ‘Architecture in the Landscape of Central Finland’ from 1925 in the appendix. This book provides fascinating, untold insights into Aalto’s relationship with landscape and how this developed during his lifetime, for scholars, researchers, and students interested in architecture and landscape history, landscape art, and cultural studies.
"Alvar Aalto and The Art of Landscape captures the essence of the Finnish architect's landscape concept, emphasising culture and tradition, which characterised his approach to and understanding of architecture as part of the wider environment. From the forests of his youth to sights from his travels, Alvar Aalto (1898 - 1976) was influenced by outdoor landscapes. Throughout his career, he felt the need to shape the terrain and this became a signature of his architecture. Divided into five chapters, this book traces Aalto's relationship with landscape, starting with an analysis of his definitions and descriptions of landscape language, which ranged from natural references and biological terms, to synonyms and comparisons. It includes beautifully illustrated case study projects from the 1950s and 1960s, discussing Aalto's transformation of different landscapes through topography, terracing and tiers, ruins and natural elements, horizon outlines, landmarks and the repetition of form. Featuring archival sketches, garden drawings and plans, the book also contains Aalto's text 'Architecture in the Landscape of Central Finland' from 1925 in the appendix. This book provides fascinating, untold insights into Aalto's relationship with landscape and how this developed during his lifetime, for scholars, researchers and students interested in architecture and landscape history, landscape art and cultural studies"--
Alvar Aalto and The Art of Landscape captures the essence of the Finnish architect's landscape concept, emphasising culture and tradition, which characterised his approach to and understanding of architecture as part of the wider environment. From the forests of his youth to sights from his travels, Alvar Aalto (1898-1976) was influenced by outdoor landscapes. Throughout his career, he felt the need to shape the terrain and this became a signature of his architecture. Divided into five chapters, this book traces Aalto's relationship with landscape, starting with an analysis of his definitions and descriptions of landscape language, which ranged from natural references and biological terms, to synonyms and comparisons. It includes beautifully illustrated case study projects from the 1950s and 1960s, discussing Aalto's transformation of different landscapes through topography, terracing and tiers, ruins and natural elements, horizon outlines, landmarks, and the repetition of form. Featuring archival sketches, garden drawings, and plans, the book also contains Aalto's text 'Architecture in the Landscape of Central Finland' from 1925 in the appendix. This book provides fascinating, untold insights into Aalto's relationship with landscape and how this developed during his lifetime, for scholars, researchers, and students interested in architecture and landscape history, landscape art, and cultural studies.
An authoritative study of the interrelationship between modern architecture, landscape, and site strategy as viewed through the work of five prominent architects Modern architects are often condemned for a seeming disregard of site considerations such as climate, topography, and existing vegetation. Noted landscape and architectural historian Marc Treib counters this prevailing view in an authoritative and unprecedented survey of 20th-century buildings and their landscapes. Exploring a range of architectural, philosophical, and theoretical approaches, Treib investigates the site strategies of five prominent modern-period architects: Frank Lloyd Wright (1867-1959), Ludwig Mies van der Rohe (1886-1969), Richard Neutra (1892-1970), Alvar Aalto (1898-1976), and Luis Barragán (1902-1988). The character of the sites on which these architects worked dramatically affected their architecture and gardens, a fact illustrated by Wright's "organic" regard of the desert; Mies's evolving divorce of building from terrain; Neutra's transformation of the "realities" of the site; Aalto's use of the forest metaphor and interior landscapes; and Barragán's architectonic conversion of the land. Fully illustrated with rarely published archival drawings and plans, accompanied by the author's own exceptional photographs, this book presents the spectrum of architectural responses to the constraints of site, climate, client, program, building material, region, and nation. Taken as a group, the work of these five architects sheds important light on the consideration and influence of the site and landscape on the practice of architecture during the 20th century.
Der Architekt und Designer Alvar Aalto (1898-1976) war einer der wichtigsten Vertreter organischer Gestaltung im 20. Jahrhundert. Seine Architektur fasziniert bis heute durch natürliche Materialien und skulpturale, geschwungene Formen. Für das Sanatorium in Paimio entwarf Aalto 1932 den ersten Freischwinger aus Holz, seine Savoy Vase (1936) gilt heute als das Symbol finnischen Designs schlechthin. Die Ausstellung gibt einen umfassenden Einblick in das Werk Aaltos, präsentiert seine wichtigsten Bauten, Möbeln und Leuchten und geht den Inspirationen nach, die sein Werk prägten. Schlüsselthemen sind Aaltos Dialog mit wichtigen Künstlern wie Hans Arp, Alexander Calder oder Laszlo Moholy-Nagy, seine intensiven internationalen Verbindungen, seine Auseinandersetzung mit Fragen des rationalen Bauens, aber auch seine Suche nach einer Gestaltung, die stets den Menschen in den Mittelpunkt stellt. 0Exhibition: Vitra Design Museum, Weil am Rhein, Germany (27.09.2014-03.01.2015).
A definitive intellectual history of landscape urbanism It has become conventional to think of urbanism and landscape as opposing one another—or to think of landscape as merely providing temporary relief from urban life as shaped by buildings and infrastructure. But, driven in part by environmental concerns, landscape has recently emerged as a model and medium for the city, with some theorists arguing that landscape architects are the urbanists of our age. In Landscape as Urbanism, one of the field's pioneers presents a powerful case for rethinking the city through landscape. Charles Waldheim traces the roots of landscape as a form of urbanism from its origins in the Renaissance through the twentieth century. Growing out of progressive architectural culture and populist environmentalism, the concept was further informed by the nineteenth-century invention of landscape architecture as a "new art" charged with reconciling the design of the industrial city with its ecological and social conditions. In the late twentieth and early twenty-first centuries, as urban planning shifted from design to social science, and as urban design committed to neotraditional models of town planning, landscape urbanism emerged to fill a void at the heart of the contemporary urban project. Generously illustrated, Landscape as Urbanism examines works from around the world by designers ranging from Ludwig Hilberseimer, Andrea Branzi, and Frank Lloyd Wright to James Corner, Adriaan Geuze, and Michael Van Valkenburgh. The result is the definitive account of an emerging field that is likely to influence the design of cities for decades to come.
An intellectual biography that reconsiders the influence of Aalto's Finnish origins and explores geography as a dominant theme in the history of modern architecture Perhaps no other great modern architect has been linked to a native country as closely as Alvar Aalto (1898-1976). Critics have argued that the essence of Finland flows, as if naturally, into his quasi-organic forms, ranging from such buildings as the Baker House in Cambridge, Massachusetts, to iconic 20th-century designs, including his Savoy vase and bent-plywood stacking stools. What did Aalto himself say about the importance of nationalism and geography in his work and in architecture generally? With an unprecedented focus on the architect's own writings, library, and critical reception, Eeva-Liisa Pelkonen proposes a dramatically different interpretation of Aalto's oeuvre, revealing it as a deeply thoughtful response to his intellectual and cultural milieu--especially to Finland's dynamic political circumstances following independence from Russia in 1917. Pelkonen also considers the geographic and geopolitical narratives found in his writings. These include ideas about national style and national cultural revival, and about how architecture can foster cosmopolitanism, internationalism, and regionalism. Expanding the canonical reading of Aalto, this work promises to influence future inquiries on Aalto for generations to come.
Discover the gentler face of modernism in this introduction to Alvar Aalto, the Finnish architect who defied the slick geometries set by the International Style to prioritize soft, poetic, undulating forms. Whether a villa, a sauna, or a lamp design, Aalto's organic structures championed environmentally sound and progressive design with a deep-rooted sense of humanity and home.
This title reveals Alvar Aalto's creative performance through a series of conversations with the members of his atelier spanning a period of 50 years from 1944 tom 1994. Over 60 projects covering the full range of Aalto's work are discussed, giving the reader a sense of his practice.
The first book on the use of robotic technology in landscape design that introduces new, dynamic methods and previously inconceivable scenarios for implementation. The Department of Architecture at ETH Zurich has been researching the integration of robots into the architectural practice, both in design and the fabrication process, for some time. This book--created in collaboration with the chair of Christophe Girot, Gramazio Kohler Research, and Marco Hutter at ETH Zurich's Robotic Systems Lab--is the first to investigate the use of robot-based construction equipment for large-scale soil grading in landscape architecture. As landscapes evolve due to ever-changing environmental conditions, the application of autonomous systems that respond to the environment rather than perform predefined and static earthwork is of particular interest in this field. Robotic Landscapes sheds light on a series of groundbreaking experiments in an interdisciplinary collaboration of landscape design, environmental engineering, and robotics that aims to make landscape architecture sustainable and ecological in the long term.