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The author looks at the movies, actors and actresses he feels deserved Oscars but didn't get them. Looking at each year from 1927, Peary lists the nominees and winners of each season and explains why the wrong film or person was frequently honoured.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
This is the first book of its kind. Aubrey Malone has gone back to the start of the Oscar ceremonies and discovered that mistakes have been made every year in the choice of what has been deemed “best” in the categories of acting, directing, producing and the subsidiary awards. He has identified all the great stars (Garbo, Montgomery Clift, Peter O’Toole, Barbara Stanwyck, etc.) who never held Oscars in their hands, and also iconic directors like Stanley Kubrick who were never thus honored. Why were some people over-rewarded by the Academy and why did others fall below the radar? The author outlines all of the extraneous factors leading to voting choices, and how Oscar pariahs have often been subsequently (or even posthumously) awarded for the wrong films to make up for omissions in a given year. With both wit and wisdom he has written an “alternative” history of the Oscars that will be required reading for both academics and film buffs alike. It tells the story behind the story. “If there were Oscars for research, Aubrey Malone would be right up there with the best of them.” (Film Ireland)
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
They made fans go crazy and censors apoplectic, spent fortunes faster than they made them, forged Rembrandts and hung them in major museums, went on trial for committing statutory rape with necrophiliac teenage girls, reinterpreted Hamlet as an incestuous mama's boy,and swilled immeasurable quantities of spirits during week-long parties on wobbly yachts. They were "The Bundy Drive Boys," and they made the Rat Pack look like Cub Scouts. Their self-destructiveness was spectacular, the misanthropy profound, but behind the boozy bravado was a devoted mutual affection. The Bundy Drive Boys' un-bowdlerized stories have never been illustrated so well or told so completely as within Hollywood's Hellfire Club. Author Gregory William Mank also wrote It's Alive!: The Classic Cinema Saga of Frankenstein and Hollywood Cauldron.
This lively, opinionated, and playful look at the movies is a must-read for film buffs, and for anyone interested in gender, sexuality, and popular culture. One thing's for sure. After reading Flaming Classics you'll know you're definitely not in Kansas anymore.
Brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism.
Tom Clavin and Danny Peary chronicle the life and career of baseball’s “natural home run king” in the first definitive biography of Roger Maris—including a brand-new chapter to commemorate the fiftieth anniversary of his record breaking season. Roger Maris may be the greatest ballplayer no one really knows. In 1961, the soft-spoken man from the frozen plains of North Dakota enjoyed one of the most amazing seasons in baseball history, when he outslugged his teammate Mickey Mantle to become the game’s natural home-run king. It was Mantle himself who said, "Roger was as good a man and as good a ballplayer as there ever was." Yet Maris was vilified by fans and the press and has never received his due from biographers—until now. Tom Clavin and Danny Peary trace the dramatic arc of Maris’s life, from his boyhood in Fargo through his early pro career in the Cleveland Indians farm program, to his World Series championship years in New York and beyond. At the center is the exciting story of the 1961 season and the ordeal Maris endured as an outsider in Yankee pinstripes, unloved by fans who compared him unfavorably to their heroes Ruth and Mantle, relentlessly attacked by an aggressive press corps who found him cold and inaccessible, and treated miserably by the organization. After the tremendous challenge of breaking Ruth’s record was behind him, Maris ultimately regained his love of baseball as a member of the world champion St. Louis Cardinals. And over time, he gained redemption in the eyes of the Yankee faithful. With research drawn from more than 130 interviews with Maris’s teammates, opponents, family, and friends, as well as 16 pages of photos, some of which have never before been seen, this timely and poignant biography sheds light on an iconic figure from baseball’s golden era—and establishes the importance of his role in the game’s history.
While John Ford (1894-1973) remains one of the most influential and revered directors in film history, he is also one of the most frequently misunderstood. One widespread assumption is that he was almost exclusively a man's director, dismissive of, or at best not well attuned to, the stories, perspectives and concerns of women. This book forthrightly challenges such an assumption, giving readers a richer understanding of the director's view of the world and of the women as well as the men who inhabit it. Taking a fresh look at dozens of Ford films, both familiar favorites and under-appreciated gems, it focuses on the complex and diverse female characters in them as well as the actresses who so ably portrayed them.