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Altar Girl By: Spoon Dupuis Growing up, Leah never knew her father. In reality, it didn’t much matter to her everyday life. She and her mom were close, and she had wonderful friends. Upon her mom’s death, however, 16 year old Leah discovers her father’s true identity. She goes to meet him. He was nearly 6’6”, he wore a pair of tailored black slacks and a pure white shirt left open at the chest. His cold blue eyes seemed almost a light. He never stayed still always gliding back and forth almost like a dancer. His face held little expression, but he stared at her intently. He seemed too young, but plastic surgery could do amazing things. He was in almost perfect shape from what she could see. Her father, Warren, is the devil. Satan. Lucifer. The actual devil. As a devout Catholic, this is quite a pill to swallow. Altar Girl follows the twists and turns and other-worldliness of Leah’s new life, determining how to come to terms with her faith, her father, and his role in both her life and his own.
The daughter of uncompromising Ukrainian immigrants, Nadia was raised to respect guts, grit, and tradition. When the events around the seemingly accidental death of her estranged godfather don't add up, Nadia is determined to discover the truth--even if she attracts the attention of dangerous men intent on finding out what she knows through any means possible. Her investigation leads her to her hometown and to the people least likely to welcome her back: her family. In this thrilling prequel to the Nadia Tesla series, Nadia must try to solve the mystery surrounding her godfather's death--and his life. The answers to her questions are buried with the secrets of her youth and in post-World War II refugee camps. What Nadia learns will change her life forever.
The basis for the film starring Kieran Culkin. “Evoked with the rare, genuine sort of candor that made Holden Caulfield—and J.D. Salinger—famous.”—Vogue Set in Savannah, Georgia, in the early 1970s, this is a novel of the anarchic joy of youth and encounters with the concerns of early adulthood. Francis Doyle, Tim Sullivan, and their three closest friends are altar boys at Blessed Heart Catholic Church and eighth-grade classmates at the parish school. They are also inveterate pranksters, artistic, and unimpressed by adult authority. When Sodom vs. Gomorrah ’74, their collaborative comic book depicting Blessed Heart’s nuns and priests gleefully breaking the seventh commandment, falls into the hands of the principal, the boys, certain that their parents will be informed, conspire to create an audacious diversion. Woven into the details of the boys’ preparations for the stunt are touching, hilarious renderings of the school day routine and the initiatory rites of male adolescence, from the first serious kiss to the first serious hangover. “Fuhrman takes wicked pleasure in scraping teen innocence against the graveled, perverse underbelly of suburban childhood.”—Newsday “The freshness of Fuhrman’s novel comes from his ability to squeeze out of a time of transition universal evocations of rebellion against growing up . . . Fuhrman provides his story and characters with enough originality to keep the narrative clipping along and his reader totally absorbed.”—Chicago Tribune “Heartbreaking yet hilarious . . . chronicles a school year in the life of narrator Francis Doyle, an eighth-grader at the parish school of the Blessed Heart . . . can be compared to many of the classic coming-of-age novels.”—Publishers Weekly
One Sunday morning in 1993 a 16-year-old girl named Eliza Claps goes missing from a church in the centre of Potenza, Italy. Shortly before her disappearance, Elisa had met Danilo Restivo, a strange local boy with a fetish for cutting women's hair on the back of buses. Elisa's family are convinced that Resitvo is responsible for their daughter's disappearance, but he is protected by local big-wigs: by his Sicilian father, by a doctor with links to organised crime, by a priest who had vices of his own. Years went by and Elisa's family could find only false leads. 2002, and Restivo is now living in Bournemouth. In November that year, his neighbour is found murdered, with strands of her own hair in her hands. Once again the police are at a loss to pin anything on him. It's not until 2010, when Elisa's decomposed body is found in the church where she went missing, that the two cases are linked and Restivo is finally dealt with. Blood on the Altar combines a gripping true crime case with Jones's deep understanding of Italian culture - the impunity it offers to the powerful - he so expertly demonstrated in his bestseller: The Dark Heart of Italy.
• Doña Bernadette Vigil, the working partner of don Miguel Ruiz and a fully initiated Nagual woman, reveals the authentic tradition of Toltec self-mastery. • Includes exercises from the ancient spiritual path that take the practitioner from Jaguar Knight and Eagle Knight through Nagual Master. • Provides a program of 11 Agreements for continuing the spiritual journey. The Toltec people of ancient Mexico possessed powerful knowledge, passed down secretly through generations of Naguals, that enabled them to achieve a remarkable psychic and spiritual balance. These spiritual warriors learned to discipline their thoughts and emotions, channeling their energy into unconditional love for themselves and others and transforming their world in the process. With the understanding of one who has walked the path, dona Bernadette Vigil--a full Nagual, or shaman, in the Toltec tradition--guides readers through the effective training techniques practiced by Toltec warriors for centuries. By following the practices of the spiritual warrior, readers will experience the amazing sense of peace and contentment that comes from finally breaking free from layers of self-limiting thoughts and fulfilling their true potential as human beings. More than a handbook for personal change, Mastery of Awareness challenges readers to transform the collective dream of the planet.
Provides a simple and easy-to-understand definition of words. "Helped me understand the relevant issues in class." "The terms are relevant and it was nice to have a compact resource readily available." These are just a few of the outstanding comments from students who class-tested a prepublication version of Saint Mary's Press(R) Glossary of Theological Terms at schools such as The Catholic University of America, Marquette University, Seattle University, and Loyola Marymount University. This handy guide gives students the basic knowledge of Catholic theological terminology they need for further academic study and for a good, solid general understanding of the Catholic faith. This glossary is the ideal resource for college instructors faced with introducing undergraduate students to Roman Catholic theology--and a highly useful companion for students who find introductory theology and religious studies confusing and challenging--and it is the logical first step toward Catholic theological literacy. Here students get beginning definitions or working explanations that serve as the basis for helping them become involved in genuine theological dialogue, discussion, and discovery. The perfect supplement or companion for many different introductory theology and religious studies courses, the glossary is: comprehensive in its inclusion of terms concise in its definitions very user-friendly The entry for each term includes: a reference to the language origin an indication of the theological content a summary statement of the contemporary meaning An indispensable guide to the theological terms students will encounter as they begin--and continue--their studies, the Saint Mary's Press(R) Glossary of Theological Terms is today's answer to the pressing need for improving Catholic literacy in today's beginning theology students.
The 1960s-1980s were turbulent decades for the Catholic Church as it struggled to navigate the waters of racial injustice and the women's movement. Douglas reviews parochial teachings on race relations, integration, and gender roles, revealing the conflicts faced by a black girl trying to come to terms with her faith.
“Deft and lovely...The perfect weight, in all ways. It’s suitable for a vacation, and you can describe it in one inviting line, but then it keeps unfolding and deepening, taking unexpected turns.” —The New York Times Book Review To four girls who have nothing, their friendship is everything: they are each other’s confidants, teachers, and family. The girls are all named Guinevere—Vere, Gwen, Ginny, and Win—and it is the surprise of finding another Guinevere in their midst that first brings them together. They come to The Sisters of the Supreme Adoration convent by different paths, delivered by their families, each with her own complicated, heartbreaking story that she safeguards. Gwen is all Hollywood glamour and swagger; Ginny is a budding artiste with a sentiment to match; Win’s tough bravado isn’t even skin deep; and Vere is the only one who seems to be a believer, trying to hold onto her faith that her mother will one day return for her. However, the girls are more than the sum of their parts and together they form the all powerful and confident The Guineveres, bound by the extraordinary coincidence of their names and girded against the indignities of their plain, sequestered lives. The nuns who raise them teach the Guineveres that faith is about waiting: waiting for the mail, for weekly wash day, for a miracle, or for the day they turn eighteen and are allowed to leave the convent. But the Guineveres grow tired of waiting. And so when four comatose soldiers from the War looming outside arrive at the convent, the girls realize that these men may hold their ticket out. In prose shot through with beauty, Sarah Domet weaves together the Guineveres’ past, present, and future, as well as the stories of the female saints they were raised on, to capture the wonder and tumult of girlhood and the magical thinking of young women as they cross over to adulthood.
From New York Times bestselling author Jane Feather comes the first of a wonderful new trilogy, The Blackwater Brides, set in the sensually im-proper Georgian period, in which three noble brothers discover they will be forced to find brides under highly unusual circumstances. Jasper Sullivan, Earl of Blackwater, needs a prostitute. Not in the usual way, however. His wealthy uncle’s will promises to divide his huge fortune among his nephews if each rescues a fallen woman . . . by marrying her! And since Jasper’s estates were already mortgaged to the hilt before he inherited them, when he catches a pretty young prostitute trying to pick his pocket, he immediately makes his proposal. Clarissa Astley is not at all what Jasper believes. The orphaned daughter of a prosperous merchant, she is searching the seedier districts of London for her young brother, abducted by their evil guardian, who wants the little boy’s inheritance. But she needs powerful help, and the darkly handsome Earl of Blackwater is certainly that. So she pretends to be exactly what he assumed— a risky charade for an innocent virgin. But when passion flares between Jasper and Clarissa, the deception becomes even more difficult to handle. . . .