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Sarah Gorham recounts her childhood education as a rebellious, insecure, angry girl shipped overseas to a tiny international school perched on a mountain shelf in Bernese-Oberland, Switzerland. There, boot camp style, she experienced deprivation, acute embarrassment, and keen educational guidance, all in the name of growing up. The Swiss landscape influenced her with its paradoxes: unforgiving slopes and peaks; government-controlled hills and valleys--so, too, the languages she's obliged to learn: one ruffian, the other militaristic. Though her stay lasted a mere two years, her time there was so crucial in her transition to adulthood that she returns to those years decades later, each and every night in memory and dream. There are brief forays into the science of surviving an avalanche; Sherlock Holmes's faked demise at the Reichenbach Falls; the origins of meringue; and the history of homesickness and its spiritual twin, Sehnsucht. In her travels Gorham tracks an adolescent experience both agonizingly familiar and curiously exotic.
Centuries after the Plague on terraformed Luna, recovering humanity faces its greatest threat, an orbiting asteroid colony prepared to destroy them. Using his beamship to explore the far reaches of the forested world of Luna was a joy for Charles—being on the other side of the world put him out of the reach of the people who were trying to kill him. But duties at home called him back to Stampz, where a new Alpine refugee had appeared with a bad attitude and a ready blade when she felt threatened. Plus, he really didn’t mind making deliveries for Duke James who had provided a safe refuge for his people, but getting back into the public eye put him back in danger, and when he barely escaped destruction again, it seemed a great idea to play dead. But was that wise, or was letting his enemies think they had succeeded actually the worst thing he could have done? Alpine Destiny is the third and final book of the Lunar Alpine trilogy. Henry Melton has been crafting the Project history line since the 70s, building an alternate history of mankind that stretches from the current day to a new destiny among the stars.
Your Eyes Will Be My Window reclaims the two erasures of Esta Plat. Murdered in Ukraine by Nazi troops in 1942, evidence of the life of Esta Plat was preserved in a bundle of her letters until the letters were tossed into a dumpster and destroyed. Haunted by the inheritance of survivor's guilt and shame in a family that kept no Old World keepsakes except her grandmother's one-sentence memory of Esta Plat, Jodi Varonis compelled to sift through records of Europe's genocidal past. Pitting grandiose Holocaust memorials against the act of bearing witness, Varon confronts the limitations of history, folklore, archival data, and survivor testimonies. Seeking solace in ritual, she challenges her upbringing as an outlier Jew in the Rocky Mountain West to provide a window to the meaning of cultural displacement in immigrant communities. When an ethnic German woman's corpse was discarded across from Varon's rented flat in Baden-Württemberg, the homemade memorial for Nadine E. prompts a meditation on violence against women and girls as a weapon of suppression and war. The record of unfiltered emotions among Kindertransport survivors in Europe, journalists in Ludwigsburg, and archivists and guides in Jerusalem, Your Eyes Will Be My Window is a defiant exercise in honoring the lost.
Early in Brooke Champagne’s childhood, her Ecuadorian grandmother Lala (half bruja, half santa) strictly circumscribed the girl’s present and future: become beautiful but know precisely when to use it; rationalize in English but love in God’s first language, the superior Spanish; and if you must write, Dios help you, at least make a subject of me. Champagne’s betrayal of these confounding dictates began before they were even spoken, and she soon started both writing and hiding the truth about whom she was becoming. The hilarious, heartbreaking essays in this collection trace the evolutions of this girlhood of competing languages, ethnicities, aesthetics, politics, and class constraints against the backdrop of a boozy New Orleans upbringing. In these essays, Champagne and members of her family love poorly and hate well, whip and get whipped, pray and curse in two languages, steal from The Man and give to themselves, kiss where it hurts, poke where it hurts worse, and keep and spill each other’s secrets—first face-to-face, then on the page. They believe and doubt and reckon with the stories they tell about themselves and where they come from, finally becoming most human, most alive, in their connections to one another.
Prodigals, a memoir inessays, explores the life of Sarah Beth Childers’swildly creative brother, who committed suicide at twenty-two, and her life with him and after him, through the lens of the Biblical parable of the Prodigal Son. This book examines the ways Childers’s brother’s story was both universal and uniquely Appalachian. While the archetype of the prodigal son carries all its assumed baggage, the Appalachian setting of Prodigals brings its own influences.Childers foregrounds the Appalachian landscape in her narrative, depicting its hardwood forests, winding roads, mining-stained creeks and rivers, hill-clinging goats and cows, neighborhoods and trailer parks tucked between mountains. The Childers family’s fervent religious faith and resistance to medical intervention seemsnormal in this world, as doestheir conflicting desires to both escape from Appalachia and to stay forever at home. Weaving in the stories of other famous prodigals, including Branwell Brontë, the alcoholic brother of the Brontë sisters; Jimmy Swaggart, the fallen televangelist;Robert Crumb, her brother’s beloved author of sexist and racist comic books; and even herself, Childers examines the role of the prodigalwithin the intimate tapestry of family life and beyond—to its larger sociocultural meanings.
• Biography of a seminal, but often unheralded, figure in high-altitude climbing • Written by his son, Tony, Frank Smythe was himself a prolific author • Important addition to Mountaineer Books’ Legends and Lore series Frank Smythe, like Eric Shipton, is associated with early Everest explorations and was a member of three expeditions to the mountain. At a time when it was ungentlemanly to make a living by climbing, Smythe wrote more than a dozen popular books based upon his travels to high places -- one of them being the first ascent of Kamet (25,447 feet) in 1931, which was the first time any climber had gone beyond 25,000 feet. Two years later, he reached the highest point climbed on Everest (28,200 feet). He also climbed in Britain, the Alps, Canada, and Alaska. He and Graham Brown established two new routes on the Brevna face of Mont Blanc. In short, he has serious climbing credentials. As the title hints, this is a biography by Frank’s son Tony, but it isn’t based solely on personal memories; Frank was away from home for long periods and died when Tony was only fourteen. Instead, this book is based on thirteen years of research: Frank’s parents’ meeting and marriage, Frank’s early school years, his first climbs, his training for various jobs, his gradual rise to fame and fortune, his friendships, his war years, and his sudden death are all covered. Like his father, Tony has a strong understanding of how to tell a story that appeals to both climbers and general lovers of nonfiction adventures.
Brian Doyle himself explains it best: “A few years ago I was moaning to my wry gentle dad that basketball, which seems to me inarguably the most graceful and generous and swift and fluid and ferociously-competitive-without-being-sociopathic of sports, has not produced rafts of good books, like baseball and golf and cricket and surfing have . . . Where are the great basketball novels to rival The Natural and the glorious Mark Harris baseball quartet and the great Bernard Darwin’s golf stories? Where are the annual anthologies of terrific basketball essays? How can a game full of such wit and creativity and magic not spark more great books?" “‘Why don’t you write one?’ said my dad, who is great at cutting politely to the chase." And so he has. In this collection of short essays, Brian Doyle presents a compelling account of a life lived playing, watching, loving, and coaching basketball. He recounts his passion for the gyms, the playgrounds, the sounds and scents, the camaraderie, the fierce competition, the anticipation and exhaustion, and even some of the injuries.
At age fifty, when many hope to slow down, and what’s left, as the poet Kobayashi Issa once wrote, is “clear profit,” John Griswold was starting over—-again—-in a position he had worked decades to achieve. His family moved down the Mississippi Valley, expecting to create a good life with new friends. What they found instead was a society “organized tightly by race, church attendance, and family name,” which in its corruption, laissez-faire corporatism, gun love, and environmental degradation foretold the heightened problems of the United States in an era of deepening political division. Taking his cue from classical Asian poets such as Basho, Griswold begins to journey, to gain perspective, and to find his own narrow road. He travels around the rim of the Gulf of Mexico and to writers’ homes in Russia and New Mexico; attends the protests at Standing Rock; walks the Basho Trail in Japan; and reports on the wholesale slaughter of a Texas rattlesnake roundup and the cruel weirdness of the Angola Prison Rodeo. Over eight years, Griswold bears witness, pays homage, and finds he is able to define and speak with gratitude about what is most important to him: his children, wholeheartedness, and the act of trying. In the gap between complexity and a little peace and quiet, there is a way to profit anew.
Pandora's Garden profiles invasive or unwanted species in the natural world and examines how our treatment of these creatures sometimes parallels in surprising ways how we treat each other. Part essay, part nature writing, part narrative nonfiction, the chapters in Pandora's Garden are like the biospheres of the globe; as the successive chapters unfold, they blend together like ecotones, creating a microcosm of the world in which we sustain nonhuman lives but also contain them. There are many reasons particular flora and fauna may be unwanted, from the physical to the psychological. Sometimes they may possess inherent qualities that when revealed help us to interrogate human perception and our relationship to an unwanted other. Pandora's Garden is primarily about creatures that humans don't get along with, such as rattlesnakes and sharks, but the chapters also take on a range of other subjects, including stolen children in Australia, the treatment of illegal immigrants in Texas, and the disgust function of the human limbic system. Peters interweaves these diverse subjects into a whole that mirrors the evolving and interrelated world whose surprises and oddities he delights in revealing.
My Withered Legs and Other Essays is a collection of personal essays by Sandra Gail Lambert that reflects upon her experience becoming a writer alongside discussions of disability, queerness, and aging. A seventy-year history of disability is threaded throughout these essays and intertwined with writing that celebrates lesbian love, explores the slapstick moments of life, and shares the obstacles and triumphs of becoming a writer later in life. The essays chronicle times of interruption and then adaptation as the disability skill of always just figuring it out becomes tested with age and with illness. Throughout the book, Lambert engages with topics of ageism and ableism through storytelling rich with wit and contemplation. From childhood Lambert believed as a disabled person she was “ice floe material” rife for abandonment, and during the pandemic she ticks off the additional comorbidities—age, fatness, cancer, a heart attack—that groups her with the expendable. In the essay "Gimp Humor," she is threatened with a ticket for not coming to a full stop while strolling along in her wheelchair. Underpinning the humor is an analysis of whiteness and the wariness that can be lodged, or not, in a body. Other essays reimagine the meaning of "Old Lady Dabbler," recount kayaking among a hundred alligators, and tell the romantic, laden-with-power-dynamics tale of two lesbians in their sixties who fall in love. Another essay explores the family story, truth embellished with fiction, of Lambert’s mother finding an unexploded bomb nestled in her parents' bed. This tale of the London Blitz delves into the increasingly common experience of "emergence" after a disaster and the necessity of becoming, especially for marginalized communities, our own first responders.