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En enquêtant sur Solomon, le maître bâtisseur de New York à l’origine de l’immense pont en construction, Blacksad découvre que l’empire du faucon est bâti sur un monceau de cadavres dont Iris Allen, la directrice de théâtre, n’est pas la première victime. Piégé par Solomon, Weekly est alors accusé du meurtre. Une véritable course contre la montre débute pour Blacksad afin de réunir les preuves innocentant son ami et permettant de faire tomber l’architecte tout en renouant avec son amour, Alma, dont le rôle dans cette affaire sera déterminant. Suite et fin du diptyque réalisé de mains de maîtres par Juanjo Guarnido et Juan Diaz Canales !
Everyone's favorite cat detective is back, and yes, we mean John Blacksad. This time, he's on a particularly thorny case, as he's responsible for protecting the president of a mafia-infiltrated union. This new four-volume story of the bestselling series takes us from soaring heights to terrifying depths as Blacksad navigates from the lofty world of New York theatre to the seedy nether regions of the city, where the criminal classes ply their questionable trades. Towering above them all is the figure of Solomon, a construction magnate well on his way to rebuilding the five boroughs, come hell or high water. Print release by Dark Horse Comics, summer 2022.
The Eisner- and Harvey-winning story begun in Blacksad: They All Fall Down • Part One comes to a thrilling conclusion as private investigator John Blacksad finds himself in a race against time to save his best friend from the electric chair! Weekly’s been framed by Lewis Solomon, the power behind New York’s construction boom, but the king of the hill has built his empire on a mound of corpses, including union attorney Kenneth Clarke and theater director Iris Allen, and Blacksad must take out their killer before he can take down Solomon. But with Weekly in stir and cops on his heels, the feline detective is minus an ally—and the sudden reappearance of his lost love Alma promises a dangerous distraction as he seeks to uncover the truth. This explosive new story written by Juan Díaz Canales, illustrated by Juanjo Guarnido, and translated for English-language readers by Diana Schutz and Brandon Kander, concludes in Blacksad: They All Fall Down • Part Two, on sale in November 2024.
Die einzelnen Beiträge dieses Bandes sind unterschiedlichen Formen der Wiederbelebung des Platonismus innerhalb der antiken Philosophie gewidmet. Besondere Aufmerksamkeit ist den Themen der Einheit und der Schönheit, des Geistes und der Erkenntnis, der Seele und des Leibes, der Tugend und des Glücks sowie der politischen und der religiösen Dimension des platonischen Denkens gewidmet. Ausgehend von Platon und Aristoteles werden die Verwandlungsformen von Platonismus, insbesondere bei den Neuplatonikern Plotin, Porphyrios, Jamblich, Themistios, Proklos und Marinos sowie bei den christlichen Autoren Augustin, Boethius und Dionysios Areopagites untersucht. Die Autoren des Bandes knüpfen dabei in vielfältiger Weise an die Arbeiten von Dominic J. O’Meara an. Die Weiterführung seiner Ansätze rückt insbesondere die spätplatonische Ethik in ein neues Licht. Die jeweiligen Studien tragen darüber hinaus zur Erforschung der vielfältigen Bezüge der Platoniker aufeinander sowie auf andere Denker bei. Das Buch macht in seiner ganzen Breite das Erneuerungs- und Verwandlungspotenzial des antiken Platonismus deutlich.
Among the hundred or so tombs of post-Alexander date excavated by Roman Ghirshman between 1947 and 1952 on the mound of the “Ville des Artisans” at Susa, six are remarkable for their construction and burial contents. Shortly before his death in 1979, Ghirshman, director of the French “Mission de Suse” from 1946 until 1968, had started to write up his final report. Based on his notes, the authors have engaged to publish these tombs, together with the original plans, drawings and photographs of the burial goods. The grave contents consisted mainly of pottery, but also included glass vessels, figurines, metal objects and other small finds. The study of the material from these large vaulted subterranean structures indicates that they were most likely intended as family tombs, thus remaining in use for several decades and should be dated in the first or second century AD. Similar tombs are known at other sites in the region of Susa, and even in Mesopotamia, e.g. at Seleucia on the Tigris. A synthesis of the evolution in tomb architecture and typology, as well as the burial practices, for the whole site of Susa between the Seleucid and early Sasanian periods (third century BC to third century AD), is also presented, based on the short reports and unpublished excavation notes of Ghirshman, in addition to unpublished reports by his predecessors at the site.