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From America's favorite traveler, the sights, sounds, and people of America's Gulf Coast.
Swim out into the Pacific and look back to the shore. To the couple kissing in the hot afternoon, and the young girl rollerskating along the front, and the family setting up camp on the soft, warm sand. To the blues and yellows and pinks of fierce, determined revelry. Santa Monica, where the wooden pier juts out into the Pacific Ocean, marks the end of Route 66. The great American journey west culminates here, and it is on this short stretch of coast that Sarah Lee began shooting her photographic series in 2015. In West of West Sarah Lee and Laura Barton explore the idea of the West in shaping American identity, with its idealism and notions of the frontier, and what the American West means in an age of political turbulence, when the East is the rising global force and the frontier is shifting once more.
In 1967 the Peace Corps sent P. F. Kluge to paradise - or so the American possessions in Micronesia seemed. His assignment was as noble as it was adventurous: to help the people of those half-forgotten Pacific islands move from old to new, so that paradise would have prosperity and freedom as well as physical beauty. He immersed himself in the lives of the diverse peoples of the islands. He composed speeches for their leaders. He wrote a stirring manifesto that became the Preamble to the Constitution of Micronesia. He began a friendship with a man who would one day be president of Palau. And then, a generation later, P. F. Kluge went back. . . . The result is a book the New Yorker called "remarkably effective," the Economist deemed "terrific"; a book Smithsonian Magazine found to be "written from the heart." The Edge of Paradise shows the impact and ironies of America's presence in an undeveloped part of the world, how perhaps there's no way "a big place can touch a little one without harming it."
"The past quarter century has witnessed the emergence of a scholarly appreciation of American art in California. Yet assessments of the early modern (pre-1950) have been haphazard. Now in one bold volume, these scholars have remedied that deficiency. Thanks to the rich essays of this wonderful book, the art history of California--and the nation!--is graced with further light."--Dr. Kevin Starr, State Librarian of California "The authors of these essays illuminate a diverse and compelling history, one in which what happened at the geographic edges sheds new light on the European points of original. A lively and valuable contribution, not just to regional history, but to the making and transmission of modernism."--Whitney Chadwick, Professor of Art History, San Francisco State University "A welcome and overdue evaluation of the distinctive history of modernism in California, these essays sensitively explore a cultural terrain at once familiar and strange, surveying memorable achievements from painting to photography to architecture and film. The authors provocatively suggest the centrality of 'edges'--wherever they are found--to the national tale, and demonstrate it through significant developments on our western margin. A must for any serious student of American art and culture."--Charles C. Eldredge, The University of Kansas "An engrossing examination of modernist practices in California before the Abstract Expressionists and beatniks came to town. It includes art scenes peopled by Mexican muralists, European artists in exile, third-generation Californians, idealist photographers, and immigrant artisans."--Wanda Corn, Professor of Art History, Stanford University "These fascinating essays do much more than fill a major gap in our understanding of American regionalism. Their scope is superb because of the inclusive range of their definition of 'art, ' the varied ethnicities of the artists discussed, and the distinctive impact of environment, light, and culture on California art. A dazzling treasure, as pleasing to the eye as it is to the mind."--Michael Kammen, Professor of History, Cornell University
In his most challenging work to date, journalist and author Tom Coffman offers readers a new and much-needed political narrative of twentieth-century Hawaii. The Island Edge of America reinterprets the major events leading up to and following statehood in 1959: U.S. annexation of the Hawaiian kingdom, the wartime crisis of the Japanese-American community, postwar labor organization, the Cold War, the development of Hawaii's legendary Democratic Party, the rise of native Hawaiian nationalism. His account weaves together the threads of multicultural and transnational forces that have shaped the Islands for more than a century, looking beyond the Hawaii carefully packaged for the tourist to the Hawaii of complex and conflicting identities--independent kingdom, overseas colony, U.S. state, indigenous nation--a wonderfully rich, diverse, and at times troubled place. With a sure grasp of political history and culture based on decades of firsthand archival research, Tom Coffman takes Hawaii's story into the twentieth century and in the process sheds new light on America's island edge.
During the 17th century, the Western border region of North America which existed just beyond the British imperial reach became an area of opportunity, intrigue and conflict for the diverse peoples - Europeans and Indians alike - who lived there. This book examines the complex society there.
Islands at the Edge of Time is the story of one man's captivating journey along America's barrier islands from Boca Chica, Texas, to the Outer Banks of North Carolina. Weaving in and out along the coastlines of Texas, Louisiana, Mississippi, Alabama, South Carolina, and North Carolina, poet and naturalist Gunnar Hansen perceives barrier islands not as sand but as expressions in time of the processes that make them. Along the way he treats the reader to absorbing accounts of those who call these islands home -- their lives often lived in isolation and at the extreme edges of existence -- and examines how the culture and history of these people are shaped by the physical character of their surroundings.
Jon Sealy's arresting novel takes you into the go-go world of Miami 1984, where a businessman with CIA ties is about to risk it all in a money-laundering scheme.
In his most challenging work to date, journalist and author Tom Coffman offers readers a new and much-needed political narrative of twentieth-century Hawaii. The Island Edge of America reinterprets the major events leading up to and following statehood in 1959: U.S. annexation of the Hawaiian kingdom, the wartime crisis of the Japanese-American community, postwar labor organization, the Cold War, the development of Hawaii's legendary Democratic Party, the rise of native Hawaiian nationalism. His account weaves together the threads of multicultural and transnational forces that have shaped the Islands for more than a century, looking beyond the Hawaii carefully packaged for the tourist to the Hawaii of complex and conflicting identities--independent kingdom, overseas colony, U.S. state, indigenous nation--a wonderfully rich, diverse, and at times troubled place. With a sure grasp of political history and culture based on decades of firsthand archival research, Tom Coffman takes Hawaii's story into the twentieth century and in the process sheds new light on America's island edge.
Written in an interlaced diary format, the stories of pilot Millett and intrepid passenger and companion Buss, this volume shares the modern-day adventure of touring the country in a self-piloted private airplane.