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A focal point for many cities and towns across the Palmetto State, rivers provide key elements, such as commerce, transportation, sustenance, and recreation, in establishing a community's identity and prosperity. The Catawba River is no exception. Flowing down from the Piedmont region of North Carolina, this river has enjoyed a long and fascinating history with the people of the Carolinas, from early American Indian tribes to the first settlers of the colonies to today's generations living in York, Chester, and Lancaster Counties. In this volume of over 200 images, many seen here for the first time, you will take a visual journey through a special part of South Carolina, where the Catawba River functions as the life vein for the region and its people. Along the Catawba River is not only a celebration of this beautiful river, but serves as a fitting testimony to the hard work and determination of the people who have carved out successful lives along and near its bountiful banks. As you thumb through these pages, you will meet the region's everyday citizens, such as farmers, merchants, and community leaders; visit the early one-room schoolhouses that dotted the landscape; explore the home and farms of turn-of-the-century families; travel down unpaved streets and into early mills, general stores, and churches; and see the people at work and at play in the area's smaller communities, such as Van Wyck and Brattonsville, and in the larger cities of Rock Hill, Chester, and Lancaster.
A focal point for many cities and towns across the Palmetto State, rivers provide key elements, such as commerce, transportation, sustenance, and recreation, in establishing a community's identity and prosperity. The Catawba River is no exception. Flowing down from the Piedmont region of North Carolina, this river has enjoyed a long and fascinating history with the people of the Carolinas, from early American Indian tribes to the first settlers of the colonies to today's generations living in York, Chester, and Lancaster Counties. In this volume of over 200 images, many seen here for the first time, you will take a visual journey through a special part of South Carolina, where the Catawba River functions as the life vein for the region and its people. Along the Catawba River is not only a celebration of this beautiful river, but serves as a fitting testimony to the hard work and determination of the people who have carved out successful lives along and near its bountiful banks. As you thumb through these pages, you will meet the region's everyday citizens, such as farmers, merchants, and community leaders; visit the early one-room schoolhouses that dotted the landscape; explore the home and farms of turn-of-the-century families; travel down unpaved streets and into early mills, general stores, and churches; and see the people at work and at play in the area's smaller communities, such as Van Wyck and Brattonsville, and in the larger cities of Rock Hill, Chester, and Lancaster.
Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors. In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.
A thousand unique gravestones cluster around old Presbyterian churches in the piedmont of the two Carolinas and in central Pennsylvania. Most are the vulnerable legacy of three generations of the Bigham family, Scotch Irish stonecutters whose workshop near Charlotte created the earliest surviving art of British settlers in the region. In The True Image, Daniel Patterson documents the craftsmanship of this group and the current appearance of the stones. In two hundred of his photographs, he records these stones for future generations and compares their iconography and inscriptions with those of other early monuments in the United States, Northern Ireland, and Scotland. Combining his reading of the stones with historical records, previous scholarship, and rich oral lore, Patterson throws new light on the complex culture and experience of the Scotch Irish in America. In so doing, he explores the bright and the dark sides of how they coped with challenges such as backwoods conditions, religious upheavals, war, political conflicts, slavery, and land speculation. He shows that headstones, resting quietly in old graveyards, can reveal fresh insights into the character and history of an influential immigrant group.
Based on reports from American repositories of manuscripts.
A remarkable collection of southern women's journal writing from 1828-1929. The primarily invisible lives of women of that era-teachers, slaves, widows, landowners -- are documented here, from farm journals to poetry.