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In 1659, fourteen-year-old Mary Newbury keeps a journal of her voyage from England to the New World and her experiences living as a witch in a community of Puritans near Salem, Massachusetts.
Summer maybe cooling off but things are heating up for the Witch girls. It's easy for the girls to be distracted with a new school term starting, new boys to flirt with and old boyfriends to flirt with. But somewhere across the dimensions, a new enemy lurks in an icy prison and the girls, must prepare to suffer the consequences of Witch.
Sheriff Tucker Spencer is speechless when he finds an almost-naked woman asleep in his bed. Mary Elizabeth Chandler, the woman who broke Tucker's heart by marrying a philandering politician, has returned to Trinity Harbor to ask for Tucker's help. Original.
Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which award-winning author Rivka Galchen’s writing is known, Everyone Knows Your Mother Is a Witch is a tale for our time—the story of how a community becomes implicated in collective aggression and hysterical fear. The year is 1619, in the German duchy of Württemberg. Plague is spreading. The Thirty Years War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katherina Kepler is accused of being a witch. An illiterate widow, Katherina is known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It’s enough to make anyone jealous, and Katherina has done herself no favors by being out and about and in everyone’s business. So when the deranged and insipid Ursula Reinbold (or as Katherina calls her, the Werewolf) accuses Katherina of offering her a bitter, witchy drink that has made her ill, Katherina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katherina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets. Provocative and entertaining, Galchen’s bold new novel touchingly illuminates a society, and a family, undone by superstition, the state, and the mortal convulsions of history.
Dick Stewart was recently inducted into the 2016 New Mexico Music Hall of Fame Richard Stewart is one of those large numbers of fanatical early ’60s rock-and-roll guitarists, who never received national attention and all its glory but, instead, came darn close regardless of the frequent and, on occasion, precarious roadblocks that he encountered, especially during the innocent years of early rock and roll. He endured excessive corporal punishment at school and at home; he explored and mapped privately owned lots in which he and his neighborhood, preteen gang members built forts; he was a Pachuco in an Hispanic gang while in high school; he witnessed despicable bigotry toward Native Americans, Mexican Americans, and African Americans; he fought forest fires in the Pacific Northwest, one of which nearly took his life; he suffered extreme hazing at the hands of his Kappa Sigma active brothers at the University of New Mexico; and the arrival of the Beatles in America dashed his dream of having a national, rock-in-roll guitar instrumental hit. All musicians, high profile or not, of this new mainstream music genre that the teens embraced and called their very own, have an interesting story to tell, but most of the wannabe breakout artists just keep putting it off. Well, this writer didn’t. Stewart’s experiences from the moment the Second World War ended in July of 1945 to the beginning of the psychedelic rock period in 1967 are just too powerful, suspenseful, historic, excruciating, humorous, scary, and on occasion, downright life threatening that needs to be told in detail. This is a read that you will have difficulty putting down.
What prompts children to tell stories? What does the word "story" mean to a child at two or five years of age? The Folkstories of Children, first published in 1981, features nearly five hundred stories that were volunteered by fifty children between the ages of two and ten and transcribed word for word. The stories are organized chronologically by the age of the teller, revealing the progression of verbal competence and the gradual emergence of staging and plot organization. Many stories told by two-year-olds, for example, have only beginnings with no middle or end; the "narrative" is held together by rhyme or alliteration. After the age of three or four, the same children tell stories that feature a central character and a narrative arc. The stories also exhibit each child's growing awareness and management of his or her environment and life concerns. Some children see their stories as dialogues between teller and audience, others as monologues expressing concerns about fate and the forces of good and evil. Brian Sutton-Smith discusses the possible origins of the stories themselves: folktales, parent and teacher reading, media, required writing of stories in school, dreams, and play. The notes to each chapter draw on this context as well as folktale analysis and child development theory to consider why and how the stories take their particular forms. The Folkstories of Children provides valuable evidence and insight into the ways children actively and inventively engage language as they grow.
When murder stalks St. Merryn, no secrets are safe… A forbidden romance… Set in 1820 Cornwall, Charity Perrow lives a sheltered life in the village of St. Merryn. When she meets and falls for Jethro Ennor, they soon learn their families are bitter enemies, and Charity finds herself torn between remaining loyal to her family and giving into her growing desire for a man they hate. A village with hidden secrets… A battle-scarred redcoat is lurking In Greenoak Woods. Struggling to keep his grip on sanity, he’s come home to settle the score with those responsible for the heavy burden he’s been carrying all these years. An innocent man accused… When a villager is murdered, the suspicion falls on Jethro. Now Charity must risk everything, including being disowned by her family, to prove his innocence and save him from the gallows. But as Charity hunts for the truth, she begins to uncover secrets over a decade old—secrets that will change everything.