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A collection of engaging and entertaining stories that give Supreme Court rulings a spiritual and religious twist. The progressive Court has pushed religion out of the marketplace of ideas and traditions to protect small groups of citizens who take offense at religious traditions. These protected classes now define a new American tradition that emphasizes sexual freedoms and that runs counter to the Constitution. By creating laws that appear to enhance the lives of women and men, the judiciary has instead created a spiritual vacuum. Almost Redemption provides readers with compelling stories that are crafted from actual, historically authentic circumstances and that will leave them captivated and engaged. These fictional stories are based on real-life events and are written by an author who knows both the law and literature.
A bizarre story that could only happen in America, this is a vivid, eye-opening narrative about a murderer, the Midwestern culture that spawned him, and the Pope who saved his life.
“Set in a world where madness equates to power . . . An alarming, original and compulsive tale laced with a blackly comic sensibility.” —Anthony Ryan, New York Times–bestselling author A darkly imaginative writer in the tradition of Joe Abercrombie, Peter V. Brett, and Neil Gaiman conjures a gritty mind-bending fantasy, set in a world where delusion becomes reality . . . and the fulfillment of humanity’s desires may well prove to be its undoing. Faith shapes the landscape, defines the laws of physics, and makes a mockery of truth. Common knowledge isn’t an axiom, it’s a force of nature. What the masses believe is. But insanity is a weapon, conviction a shield. Delusions give birth to foul new gods. Violent and dark, the world is filled with the Geisteskranken—men and women whose delusions manifest, twisting reality. High Priest Konig seeks to create order from chaos. He defines the beliefs of his followers, leading their faith to one end: a young boy, Morgen, must Ascend to become a god. A god they can control. But there are many who would see this would-be-god in their thrall, including the High Priest’s own Doppels, and a Slaver no one can resist. Three reprobates—The Greatest Swordsman in the World, a murderous Kleptic, and possibly the only sane man left—have their own nefarious plans for the young god. As these forces converge on the boy, there’s one more obstacle: time is running out. When one’s delusions become more powerful, they become harder to control. The fate of the Geisteskranken is to inevitably find oneself in the Afterdeath. The question, then, is: Who will rule there?
In the months after the end of the Civil War, there was one word on everyone’s lips: redemption. From the fiery language of Radical Republicans calling for a reconstruction of the former Confederacy to the petitions of those individuals who had worked the land as slaves to the white supremacists who would bring an end to Reconstruction in the late 1870s, this crucial concept informed the ways in which many people—both black and white, northerner and southerner—imagined the transformation of the American South. Beyond Redemption explores how the violence of a protracted civil war shaped the meaning of freedom and citizenship in the new South. Here, Carole Emberton traces the competing meanings that redemption held for Americans as they tried to come to terms with the war and the changing social landscape. While some imagined redemption from the brutality of slavery and war, others—like the infamous Ku Klux Klan—sought political and racial redemption for their losses through violence. Beyond Redemption merges studies of race and American manhood with an analysis of post-Civil War American politics to offer unconventional and challenging insight into the violence of Reconstruction.
Hayley Blankenship is on a flight to Saskatoon. She is desperate to escape her past and believes that Pastor Dave and Lydia Harris may be the only people who can help her. If she doesn't find a reason to hope, she may give in to the temptation to end it all. On her flight she meets Trevor Hiebert who is on his way back home. He has just interviewed for his dream job in Toronto, but he is torn because his parents need him at home in Saskatoon, and he doesn't want to let them down. Everything changes when he meets Haley, an intriguing, gorgeous redhead with dark secrets of her own.

Report

United States. Securities and Exchange Commission. Special Study of Securities Markets

Published: 1963

Total Pages: 1026


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This book describes a ubiquitous and potent emotion that has only rarely and recently been studied in any systematic manner. The words that come closest to denoting it in English are being moved or touched, having a heart-warming feeling, feeling nostalgic, feeling patriotic, or pride in family or team. In religious contexts when the emotion is intense, it may be labeled ecstasy, mystical rapture, burning in the bosom, or being touched by the Spirit. All of these are instances of what scientists now call ‘kama muta’ (Sanskrit, ‘moved by love’). Alan Page Fiske shows that what evokes this emotion is the sudden creation, intensification, renewal, repair, or recall of a communal sharing relationship – when love ignites, or people feel newly connected. He explains the social, psychological, cultural, and likely evolutionary processes involved – and how they interlock. Kama muta is described as it manifests in diverse settings at many points in history across scores of cultures, in everyday experiences as well as the peak moments of life. The chapters illuminate the occurrence of kama muta in a range of contexts, including religion, oratory, literature, sport, social media, and nature. The book will be of interest to students and scholars from a number of disciplines who are interested in emotion or social relationships. Supplementary notes can be found online at: www.routledge.com/9780367220945
A play is written, faces censorship and is banned in its native country. There is strong international interest; the play is translated into English, it is adapted, and it is not performed. Censoring Translation questions the role of textual translation practices in shaping the circulation and reception of foreign censored theatre. It examines three forms of censorship in relation to translation: ideological censorship; gender censorship; and market censorship. This examination of censorship is informed by extensive archival evidence from the previously unseen archives of Václav Havel's main theatre translator, Vera Blackwell, which includes drafts of playscripts, legal negotiations, reviews, interviews, notes and previously unseen correspondence over thirty years with Havel and central figures of the theatre world, such as Kenneth Tynan, Martin Esslin, and Tom Stoppard. Michelle Woods uses this previously unresearched archive to explore broader questions on censorship, asking why texts are translated at a given time, who translates them, how their identity may affect the translation, and how the constituents of success in a target culture may involve elements of censorship.