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Matthew Lewis (17775-1818), author of The Monk—one of the most famous of gothic novels—is attracting increasing attention for his own talent and his pre-eminence in the gothic school. The gothic mode, aside from its intrinsic interest, is important because of its distinct influence in British, continental, and American literature. Yet a full-length biography of Lewis has not appeared since 1839. For the nonspecialist seeking an introduction to Romanticism and the Regency, Lewis is a valuable man to know, with his varied literary interests—poetry, the novel, drama—and his wide acquaintance: royalty, the peerage, literary celebrities like Byron, Scott, Shelley, Sheridan, and the theatrical world. As a writer he showed uncanny anticipation of popular literary trends and a talent for the spectacular. This new biography, based on information which has appeared since 1839 and on new material, presents the whole man, not a selection of eccentricities. It includes treatment of all his works and a section of newly edited correspondence.
This study is the first full-length study of the Gothic chapbook It contains a list of 400 Gothic chapbooks. The list provides bibliographical information as well as the location of the text. It provides biographical information on the publishers and booksellers involved in the development, production and dissemination of the Gothic chapbook.
What do we mean by the term 'Gothic'? How does it differ from such classifications as 'terror' and 'horror' and where do its parameters lie? In an attempt to define such an elusive term, this A-Z unearths the terminologies associated with Gothic through a variety of short essays written by leading scholars. Not only does it plot the national characteristics of Gothic as in the French school of terror, Frenetique to American Gothic, but it also spans the period from Ann Radcliffe to Anne Rice.
Through the Pale Door is a bibliographical guide to the primary sources and central texts of American Gothic literature. It surveys and defines the Gothic achievements of approximately 200 American writers who were working in and were influenced by various modes of Gothicism from 1798 to 1982. The book collects, selects, identifies, and classifies all specimens of American Gothic literary activity from its initial expression at the end of the 18th century in the novels of Charles Brockden Brown, to the writings of the modern masters such as H.P. Lovecraft, Shirley Jackson, Joyce Carol Oates, and Stephen King. The historical introduction explains and emphasizes those special characteristics, tendencies, and directions taken by the shapers of an American Gothic tradition which made it different from the British model form. The core bibliography brings together 509 entries selected to suggest the development and variety of American Gothic endeavor in both its popular and more serious manifestations. Each item in the bibliography is analytic and critical as well as synoptic in its substance with each item assigned a single number for instantaneous referencing and cross-referencing. An appendix citing the important secondary studies of American Gothicism and three indexes, an author-and-title index and an index of critics and subjects, are provided to enhance the researcher's task and to give immediate access to all of the materials of Through the Pale Door. This book is suitable for any library and can be read in its entirety by general students as a bibliographical chronicle of the American Gothic movement.