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This book considers the relationship between the Fasti, Ovid's long poem on the Roman calendar, and the calendar itself, conceived of as consisting both in the rites and commemorations it organizes and in its graphic representation. The Fasti treats the calendar, recently revised by Caesar and Augustus, as its most important cultural model and as a quasi-literary 'intertext': the poem simultaneously reshapes and is itself shaped by the calendar. The study includes chapters on Book 4 and the rites of April, on the addition of Julio-Claudian holidays to the calendar, and on the final two books of the poem as shaped by the renaming of the months Quintilis and Sextilis for Julius Caesar and Augustus.
This groundbreaking book, the first to examine Milton's thinking about matter and substance throughout his entire poetic career, seeks to alter the prevailing critical view that Milton was a monist-materialist--one who believes that all things are composed of material and all phenomena (including consciousness) are the result of material interactions. Based on her close study of the philosophical movements of Milton's mind, Sugimura discovers the "fluid intermediaries" in his poetry that are neither strictly material nor immaterial. In doing so, Sugimura uses Paradise Lost as a fascinating window into the intersection of literature and philosophy, and of literary studies and intellectual history. Sugimura finds that Milton displays a tense and ambiguous relationship with the idealistic dualism of Plato and the materialism of Aristotle and she argues for a more nuanced interpretation of Milton's metaphysics.
By examining some early poetic understandings of what it might have meant to be Vergil, Ovid, and Tibullus, this volume explores what those authors meant to near-contemporaries, and what the construction of authorship they were a part of meant to the later western tradition.
"This volume contains sixteen essays on various aspects of Ovid's engagement with philosophical trends and topics. Ovid has long been celebrated for the versatility of his poetic imagination, the diversity of his generic experimentation throughout his long career, and his intimate engagement with the Greco-Roman literary tradition that precedes him; but what of his engagement with the philosophical tradition? Ovid's close familiarity with philosophical ideas and with specific philosophical texts has long been recognized, perhaps most prominently in the Pythagorean, Platonic, Empedoclean, and Lucretian shades that color his Metamorphoses. This philosophical component, however, has often been perceived as a feature subordinate to Ovid's larger literary agenda; and because of the controlling influence conceded to that literary impulse, readings of the philosophical dimension have often focused on the perceived distortion, ironizing, or parodying of philosophical sources and ideas. This book counters this tendency by (i) considering Ovid's seriousness of engagement with, and his possible critique of, the philosophical writings that inform his works; (ii) questioning the feasibility of separating out the categories of the "philosophical" and the "literary" in the first place; (iii) exploring the ways in which Ovid may offer unusual, controversial, or provocative reactions to received philosophical ideas; and (iv) investigating the case to be made for viewing the Ovidian corpus not just as a body of writings that are often philosophically inflected, but also as texts that may themselves be read as philosophically adventurous and experimental"--
Preliminary material /J. GWYN GRIFFITHS -- INTRODUCTION /J. GWYN GRIFFITHS -- SIGLA /J. GWYN GRIFFITHS -- TEXT AND TRANSLATION /J. GWYN GRIFFITHS -- COMMENTARY /J. GWYN GRIFFITHS -- ADDENDA /J. GWYN GRIFFITHS -- A SELECT BIBLIOGRAPHY OF WORKS CONSULTED /J. GWYN GRIFFITHS -- GENERAL INDEX /J. GWYN GRIFFITHS.
Ursachen erzählen – von Ursachen erzählen: Unser Band vereint Untersuchungen zu Texten aus ganz verschiedenen Bereichen. Altes und Neues Testament, Fachschriften, literarische, historiographische und urkundliche Texte von der Antike bis zur Neuzeit und sogar die Marseillaise kommen zur Sprache. Alle Interpreten haben sich folgende Fragen gestellt: Wie werden Ursprungsgeschichten erzählt? Lassen sich in einzelnen Gattungen, Textsorten, Bildern, wissenschaftlichen und literarischen Kontexten gemeinsame Strukturen feststellen, wie Aitien eingesetzt und gestaltet werden? Bildet sich eine eigene Systematik aus, die sich von anderen Erzählungen abhebt? Welche Erkennungsmuster bieten die Ursprungsgeschichten, seien sie in wissenschaftlichen, in fiktionalen, in bildlichen Zusammenhängen präsent, ihren intendierten Rezipienten an? Mythos, Überzeugung, Historie, Sprechen und Wissen: In jedem dieser Bereiche erweist sich die Frage nach dem aitiologischen Kern als fruchtbar. Telling origins and telling of origins – our volume brings together studies of a wide range of texts: the Old and New Testaments, technical writing, literary, historiographical and documentary texts from antiquity to the modern age, and even the Marseillaise. All contributors deal with the following questions: how are stories about origins told? Can we identify common patterns for the ways in which aitia are established and shaped in individual genres, types of texts, images, scientific and literary contexts? Can we distinguish the development of narrative structures specific to aetiology? Which patterns of recognition do stories of origins, whether in scientific, fictional or visual contexts, offer to their intended recipients? Myth, persuasion, history, speech and knowledge: in each of these spheres the search for an aetiological core proves fruitful.