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Allegory Studies: Contemporary Perspectives collects some of the most compelling current work in allegory studies, by an international team of researchers in a range of disciplines and specializations in the humanities and cognitive sciences. The volume tracks the subject across disciplinary, cultural, and period-based divides, from its shadowy origins to its uncertain future, and from the rich variety of its cultural and artistic manifestations to its deep cognitive roots. Allegory is everything we already know it to be: a mode of literary and artistic composition, and a religious as well as secular interpretive practice. As this volume attests, however, it is much more than that—much more than a sum of its parts. Collectively, the phenomena we now subsume under this term comprise a dynamic cultural force which has left a deep imprint on our history, whose full impact we are only beginning to comprehend, and which therefore demands precisely such dedicated cross-disciplinary examination as this book seeks to provide.
"A tightly argued and comprehensive treatment of an important area of New Testament studies." -- The Christian Century "By distinguishing oral from written modes of transmission, Kelber skillfully unlocks new doors for biblical interpretation." -- Theology Today What happens when speech turns into text? Spoken words, operating from mouth to ear, process knowledge differently from writing which links the eye to the visible, but silent letters on the page. Based on this premise, Werner Kelber discusses orality and writing, and the interaction between the two, at strategic points in the early Christian traditions. In digressing from conventional literary criticism, the book offers new, and often startling insights into the origins of Christianity.
This book is a study of the parables unique to the Third Gospel, aiming in particular to establish a link between Luke's choice of these parables and his overall purpose in writing. In comparison to the synoptic kingdom parables, one distinguishing feature of the Lukan parables is their more personal portrait of the character and the nature of God himself. Luke's desire is to demonstrate to his readers, whoever they are, that in Christianity the realization of the Jewish hope has occurred. The parables promote this idea by offering both continuity (OT) and contrast (contemporary Judaism) in their portrait of God. Thus, as well as operating in a parenetic sense, the parables also help to legitimize Luke's argument regarding fulfilment.
Craig Blomberg surveys the contemporary critical approaches to the parables--including those that have emerged in the twenty years since the first edition. This widely used text has taken a minority perspective and made it mainstream, with Blomberg ably defending a limited allegorical approach and offering brief interpretations of all the major parables.
This volume offers critical assessments of Life of Jesus research in the last generation, with special emphasis on work that is quite recent. It will introduce graduate students to the field and will provide the veteran scholar with current bibliography and discussion of the issues. Topics treated include Jesus and Palestinian politics, Jesus tradition in Paul, Jesus in extracanonical Gospels, and Jesus' parables, miracles, death, and resurrection. The contributors are among the most widely recognized and respected Life of Jesus scholars. They include Marcus J. Borg, James H. Charlesworth, James D.G. Dunn, Sean Freyne, Richard Horsley, and Helmut Koester.
Since the late nineteenth century, New Testament scholars have operated on the belief that most, if not all, of the narrative parables in the Synoptic Gospels can be attributed to the historical Jesus. This book challenges that consensus and argues instead that only four parables—those of the Mustard Seed, the Evil Tenants, the Talents, and the Great Supper—can be attributed to the historical Jesus with fair certitude. In this eagerly anticipated fifth volume of A Marginal Jew, John Meier approaches this controversial subject with the same rigor and insight that garnered his earlier volumes praise from such publications as the New York Times and Christianity Today. This seminal volume pushes forward his masterful body of work in his ongoing quest for the historical Jesus.
From his first comic-book appearance in 1939 through his many incarnations on the big screen, the archetypal superhero known as The Batman has never been far from the American consciousness. The character shaped the way we read comics and graphic novels, view motion pictures, and analyze the motifs of the Hero, the Anti-Hero and the Villain. He has also captured the scholarly imagination, telling us much about our society and ourselves. These essays examine how Batman is both the canvas on which our cultural identity is painted, and the Eternal Other that informs our own journeys of understanding. Questions relating to a wide range of disciplines--philosophy, literature, psychology, pop culture, and more--are thoroughly and entertainingly explored, in a manner that will appeal both to scholars and to fans of the Caped Crusader alike.
How do we perdure when we and everything around us are caught up in incessant change? But the course of this change does not seem to be haphazard and we may seek the modalities of its Logos in the transformations in which it occurs. The classic term 'Metamorphosis' focuses upon the proportions between the transformed and the retained, the principles of sameness and otherness. Applied to life and its becoming, metamorphosis pinpoints the proportions between the vital and the aesthetic significance of life. Where could this metaphysical in-between territory come better to light than in the Fine Arts? In this collection are investigated the various proportions between the vital significance of the constructivism of life and a specifically human contribution made by the creative imagination to the transformatory search for beauty and aesthetic values. Papers by: Lawrence Kimmel, Mark L. Brack, Sheryl Tucker de Vazquez, William Roberts, Jadwiga Smith, Victor Gerald Rivas, Max Statkiewicz, Matti Itkonen, George R. Tibbetts, Linda Stratford, Jorella Andrews, Ingeborg M. Rocker, Stephen J. Goldberg, Leah Durner, Donnalee Dox, Catherine Schear, Samantha Henriette Krukowski, Gary Maciag, Kelly Dennis, Wanda Strukus, Magda Romanska, Patricia Trutty-Coohill, Ellen Burns, Tessa Morrison, Sabine Coelsch-Foisner, Gary Backhaus, Daniel M. Unger, Howard Pearce.
Striking toward peace and harmony the human being is ceasely torn apart in personal, social, national life by wars, feuds, inequities and intimate personal conflicts for which there seems to be no respite. Does the human condition in interaction with others imply a constant adversity? Or, is this conflict owing to an interior or external factor of evil governing our attitudes and conduct toward the other person? To what criteria should I refer for appreciation, judgment, direction concerning my attitudes and my actions as they bear on the well-being of others? At the roots of these questions lies human experience which ought to be appropriately clarified before entering into speculative abstractions of the ethical theories and precepts. Literature, which in its very gist, dwells upon disentangling in multiple perspective the peripeteia of our life-experience offers us a unique field of source-material for moral and ethical investigations. Literature brings preeminently to light the Moral Sentiment which pervades our life with others -- our existence tout court. Being modulated through the course of our experiences the Moral Sentiment sustains the very sense of literature and of personal human life (Tymieniecka).