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This book is a study of the parables unique to the Third Gospel, aiming in particular to establish a link between Luke's choice of these parables and his overall purpose in writing. In comparison to the synoptic kingdom parables, one distinguishing feature of the Lukan parables is their more personal portrait of the character and the nature of God himself. Luke's desire is to demonstrate to his readers, whoever they are, that in Christianity the realization of the Jewish hope has occurred. The parables promote this idea by offering both continuity (OT) and contrast (contemporary Judaism) in their portrait of God. Thus, as well as operating in a parenetic sense, the parables also help to legitimize Luke's argument regarding fulfilment.
"A tightly argued and comprehensive treatment of an important area of New Testament studies." -- The Christian Century "By distinguishing oral from written modes of transmission, Kelber skillfully unlocks new doors for biblical interpretation." -- Theology Today What happens when speech turns into text? Spoken words, operating from mouth to ear, process knowledge differently from writing which links the eye to the visible, but silent letters on the page. Based on this premise, Werner Kelber discusses orality and writing, and the interaction between the two, at strategic points in the early Christian traditions. In digressing from conventional literary criticism, the book offers new, and often startling insights into the origins of Christianity.
Craig Blomberg surveys the contemporary critical approaches to the parables--including those that have emerged in the twenty years since the first edition. This widely used text has taken a minority perspective and made it mainstream, with Blomberg ably defending a limited allegorical approach and offering brief interpretations of all the major parables.
Since the late nineteenth century, New Testament scholars have operated on the belief that most, if not all, of the narrative parables in the Synoptic Gospels can be attributed to the historical Jesus. This book challenges that consensus and argues instead that only four parables—those of the Mustard Seed, the Evil Tenants, the Talents, and the Great Supper—can be attributed to the historical Jesus with fair certitude. In this eagerly anticipated fifth volume of A Marginal Jew, John Meier approaches this controversial subject with the same rigor and insight that garnered his earlier volumes praise from such publications as the New York Times and Christianity Today. This seminal volume pushes forward his masterful body of work in his ongoing quest for the historical Jesus.
This volume offers critical assessments of Life of Jesus research in the last generation, with special emphasis on work that is quite recent. It will introduce graduate students to the field and will provide the veteran scholar with current bibliography and discussion of the issues. Topics treated include Jesus and Palestinian politics, Jesus tradition in Paul, Jesus in extracanonical Gospels, and Jesus' parables, miracles, death, and resurrection. The contributors are among the most widely recognized and respected Life of Jesus scholars. They include Marcus J. Borg, James H. Charlesworth, James D.G. Dunn, Sean Freyne, Richard Horsley, and Helmut Koester.
How do we perdure when we and everything around us are caught up in incessant change? But the course of this change does not seem to be haphazard and we may seek the modalities of its Logos in the transformations in which it occurs. The classic term 'Metamorphosis' focuses upon the proportions between the transformed and the retained, the principles of sameness and otherness. Applied to life and its becoming, metamorphosis pinpoints the proportions between the vital and the aesthetic significance of life. Where could this metaphysical in-between territory come better to light than in the Fine Arts? In this collection are investigated the various proportions between the vital significance of the constructivism of life and a specifically human contribution made by the creative imagination to the transformatory search for beauty and aesthetic values. Papers by: Lawrence Kimmel, Mark L. Brack, Sheryl Tucker de Vazquez, William Roberts, Jadwiga Smith, Victor Gerald Rivas, Max Statkiewicz, Matti Itkonen, George R. Tibbetts, Linda Stratford, Jorella Andrews, Ingeborg M. Rocker, Stephen J. Goldberg, Leah Durner, Donnalee Dox, Catherine Schear, Samantha Henriette Krukowski, Gary Maciag, Kelly Dennis, Wanda Strukus, Magda Romanska, Patricia Trutty-Coohill, Ellen Burns, Tessa Morrison, Sabine Coelsch-Foisner, Gary Backhaus, Daniel M. Unger, Howard Pearce.
Striking toward peace and harmony the human being is ceasely torn apart in personal, social, national life by wars, feuds, inequities and intimate personal conflicts for which there seems to be no respite. Does the human condition in interaction with others imply a constant adversity? Or, is this conflict owing to an interior or external factor of evil governing our attitudes and conduct toward the other person? To what criteria should I refer for appreciation, judgment, direction concerning my attitudes and my actions as they bear on the well-being of others? At the roots of these questions lies human experience which ought to be appropriately clarified before entering into speculative abstractions of the ethical theories and precepts. Literature, which in its very gist, dwells upon disentangling in multiple perspective the peripeteia of our life-experience offers us a unique field of source-material for moral and ethical investigations. Literature brings preeminently to light the Moral Sentiment which pervades our life with others -- our existence tout court. Being modulated through the course of our experiences the Moral Sentiment sustains the very sense of literature and of personal human life (Tymieniecka).
"Does the World exist?" There would be no reason to resurrect this question of modernity from its historical oblivion were it not for the fact that recent evolution in science and technology, impregnating culture, makes us wonder about the nature of reality, of the world we are living in, and of our status as living beings within it. Thus great metaphysical subjacent queries are forcefully revived, calling for new investigations to proceed in the light of the innumerable novel insights of science. This collection presents a wealth of material toward an elaboration of a new metaphysical groundwork of the ontopoiesis/ phenomenology of life sought to effect such investigations. The classic postulates of the metaphysics of reality, those of necessity and certainty here find a new formulation. Away from sclerotized ontological and cognitive assumptions and congenial with the views of contemporary science, the understanding of reality, of our world of life, and of ourselves within it is to be sought in the existential/ontopoietic ciphering of life (Tymieniecka).
In a crisp, original style the author approaches the crucial question of moral theory, the `is--ought' problem via communicative argumentation. Moving to the end of Habermas's conception of the communicative action, he introduces the concept of `radical choice' as the key to the transition from the descriptive to the normative. Phenomenological subjectivity of the intersubjective life-world is being vindicated as the `arch-value' of all derivative values, or the first principle for all normative precepts. With exceptional acumen and mastery of the philosophical argument, the author -- a young native Chinese lately trained in a Western university -- delineates a fascinating route along which the philosophical question of justification raised in the analytic tradition can be answered on the basis of phenomenology. A noteworthy contribution to the interplay between the Anglo--American and Continental schools of philosophy.