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As a didactic explanation of pagan ancient Greek culture to Orthodox Christians, John Tzetzes's Allegories of the Iliad is deeply rooted in the mid-twelfth-century circumstances of the cosmopolitan Comnenian court. As a critical reworking of the Iliad, it is part of the millennia-long global tradition of Homeric adaptation.
The twelfth-century Byzantine scholar, poet, and teacher John Tzetzes composed the verse commentary Allegories of the Odyssey to explain Odysseus's journey and the pagan gods and marvels he encountered. This edition presents the first translation of the Allegories of the Odyssey into any language alongside the Greek text.
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. How Philosophers Saved Myths also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance; after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well.
Placing homer -- Homer and the divine -- The golden verses -- Homer among the scholars -- The pleasures of song
In this perceptive retelling of The Iliad, a young Greek teacher draws on the enduring power of myth to help her students cope with the terrors of Nazi occupation. Bombs fall over a Greek village during World War II, and a teacher takes her students to a cave for shelter. There she tells them about another war—when the Greeks besieged Troy. Day after day, she recounts how the Greeks suffer from thirst, heat, and homesickness, and how the opponents meet—army against army, man against man. Helmets are cleaved, heads fly, blood flows. And everything had begun when Prince Paris of Troy fell in love with King Menelaus of Sparta's wife, the beautiful Helen, and escaped with her to his homeland. Now Helen stands atop the city walls to witness the horrors set in motion by her flight. When her current and former loves face each other in battle, she knows that, whatever happens, she will be losing. Theodor Kallifatides provides remarkable psychological insight in his version of The Iliad, downplaying the role of the gods and delving into the mindsets of its mortal heroes. Homer's epic comes to life with a renewed urgency that allows us to experience events as though firsthand, and reveals timeless truths about the senselessness of war and what it means to be human.
This book seeks to restore Homer to his rightful place among the principal figures in political and moral philosophy.
"Brill's Companion to the Reception of Homer from the Hellenistic Age to Late Antiquity presents a comprehensive account of the afterlife of the Homeric corpus. Twenty chapters written by a range of experts in the field show how Homeric poems were transmitted, disseminated, adopted, analysed, admired or even criticized across diverse intellectual environments, from the 3rd century BCE to the 6th century CE. The volume explores the impact of Homer on Hellenistic prose and poetry, the Second Sophistic, the Stoics, some Christian writers and the major Neoplatonists, showing how the Greek paideia continued to flourish in new contexts. Contributors are: Gianfranco Agosti, John Dillon, Mark Edwards, Christos Fakas, Jeffrey Fish, Luis Arturo Guichard, Malcolm Heath, Ronald E. Heine, Lawrence Kim, Robert Lamberton, Jane L. Lightfoot, Enrico Magnelli, Antony Makrinos, Diotima Papadi, Robert J. Penella, Aglae Pizzone, Ilaria Ramelli, Anne Sheppard, Georgios Tsomis, Cornelia van der Poll, Sarah Klitenic Wear"--
The World of Odysseus is a concise and penetrating account of the society that gave birth to the Iliad and the Odyssey--a book that provides a vivid picture of the Greek Dark Ages, its men and women, works and days, morals and values. Long celebrated as a pathbreaking achievement in the social history of the ancient world, M.I. Finley's brilliant study remains, as classicist Bernard Knox notes in his introduction to this new edition, "as indispensable to the professional as it is accessible to the general reader"--a fundamental companion for students of Homer and Homeric Greece.