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This study examines issues in politics and political theory in selected works of Pedro Calder&ón de la Barca (1600&–1681), the major dramatist of the middle and later decades of the seventeenth century in Spain. By analyzing secular dramas (comedias) and religious plays (autos sacramentales), Stephen Rupp demonstrates Calder&ón's awareness of the ideas and institutions of power in Hapsburg Spain and explores the terms of his intervention in the long debate over the principles of Christian statecraft. Through references to Rivadeneira, Saavedra Fajardo, and Quevedo, Rupp describes the anti-Machiavellian theory of kingship that informs Calder&ón's political theater. Rupp's argument proceeds from abstract principles of political theory to particular institutions and events at the Hapsburg court. Discussion of two comedias (La vida es sue&ño and La cisma de Inglaterra) and five autos (La vida es sue&ño, A Dios por raz&ón de Estado, El maestrazgo del Tois&ón, El nuevo palacio del Retiro, and El lirio y la azucena) demonstrates Calder&ón's assimilation of true reason of state to providence, his attitudes concerning the conciliar system and the regime of the royal favorite or valido, and his allegorical treatment of significant state occasions.
Arguing against historians of Spanish political thought that have neglected recent developments in our understanding of Machiavelli's contribution to the European tradition, the thesis of this book is that Machiavellian discourse had a profound impact on Spanish prose treatises of the sixteenth and seventeenth centuries. After reviewing in chapter 1 Machiavelli's ideological restructuring of the language of European political thought, in chapter 2 Dr. Howard shows how, before his works were prohibited in Spain in 1583, Spaniards such as Fadrique Furi Ceriol and Balthazar Ayala used Machiavelli's new vocabulary and theoretical framework to develop an imperial discourse that would be compatible with a militant understanding of Catholic Christianity. In chapters 3, 4 and 5 he demonstrates in detail how Giovanni Botero, Pedro de Ribadeneyra, and their imitators in the anti-Machiavellian reason-of-state tradition in Spain, attack a straw figure of Machiavelli that they have invented for their own rhetorical and ideological purposes, while they simultaneously incorporate key Machiavellian concepts into their own advice. Keith David Howard is an Assistant Professor of Spanish at Florida State University.
This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.
Looking at late medieval Scottish poetic narratives which incorporate exploration of the amorousness of kings, this study places these poems in the context of Scotland's repeated experience of minority kings and a consequent instability in governance. The focus of this study is the presence of amatory discourses in poetry of a political or advisory nature, written in Scotland between the early fifteenth and the mid-sixteenth century. Joanna Martin offers new readings of the works of major figures in the Scottish literature of the period, including Robert Henryson, William Dunbar, and Sir David Lyndsay. At the same time, she provides new perspectives on anonymous texts, among them The Thre Prestis of Peblis and King Hart, and on the works of less well known writers such as John Bellenden and William Stewart, which are crucial to our understanding of the literary culture north of the Border during the period under discussion.
Preliminary Material /Editors The Sacral Kingship -- Zum sakralen Königtum in der Forschung der letzten hundert Jahre /Carl-Martin Edsman -- Zur Dialektik des Gottkönigtums /Hans Heinz Holz -- Der religionspsychologische Aspekt des sakralen Königtums /Adolf Allwohn -- Le caractère sacré de la souveraineté à la lumière de la psychologie collective /Edmond Rochedieu -- The High God and the King as symbols of totality /K. A. H. Hidding -- The Sacred Kingship and the priesthood /E. O. James -- Volksreligiöse Herrschaftsformen /Gustav Mensching -- The Sacral Chief among the American Indians /Paul Radin -- La place du roi divin dans les cercles culturels d'Afrique Noire /V. Van Bulck -- Divine Kingship and its partiopation in Ashanti /Rev. Patrick Akoi -- Il sacrificio del vecchio re-mago nella Cina leggendaria /P. Benedetto Fedele -- Le Roi Sacré dans l'ancien Viet-Nam /Nguyen Tran Huan -- Hindu Doctrine of Divine Kingship /A. Basu -- The Sacred Character of Ancient Indian Kingship /J. Gonda -- Le caractère royal et divin du trône dans l'Inde ancienne /Jeannine Auboyer -- La regalità sacra nell'antico Tibet /G. Tucci -- The Notion of Divine Kingship in Tantric Buddhism /D. L. Snellgrove -- La personne sacrée du Roi dans la littérature populaire Cambodgienne /Solange Thierry -- L'origine céleste de la souveraineté dans les inscriptions Paléo-Torques de Mongolie et de Sibérie /Jean-Paul Roux -- The Sacral Kingship of Iran /Geo Widengren -- The Position of the Queen in Ancient Egypt /C. J. Bleeker -- Das Königtum im Mittleren Reich /Günter Lanczkowski -- General Oriental and Specific Israelite Elements in the Israelite Conception of the Sacral Kingdom /Sigmund Mowinckel -- King David and the Sons of Saul /Arvid S. Kapelrud -- Herrschaftsform und Ichbewusstsein /Johannes Hempel -- Das erste Buch des Psalters. Eine Thronbesteigungsfestliturgie /Miloš Bič -- Les apports du psaume CX (vulg. CIX) à l'idéologie royale Israélite /J. Coppens -- Hasidic Conceptions of Kingship in the Maccabean Period /M. A. Beek -- The Consecration in the eighth Chapter of Testamentum Levi /H. Ludin Jansen -- Was there a Sacral Kingship in Minoan Crete? /Arne Furumark -- The Evidence for Divine Kings in Greece /H. J. Rose -- Mission sociale et pouvoirs magiques du poète comparés à ceux du Roi dans le lyrisme de Pindare /Jacqueline Duchemin -- Alexanders Gottkönigsgedanke und die Bewusstseinslage der Griechen und Makedonen /Fritz Taeger -- Le rex et les flamines maiores /Georges Dumézil -- Prodromes sacerdotaux de la divinisation impériale /Jean Bayet -- The Idea of the Kingdom of God in the New Testament /Frederick C. Grant -- Théocratie et monarchie selon l'Évangile /H. Clavier -- Le Conflit entre Dieu et le Souverain divinisé dans l'Apocalypse de Jean /L. Cerfaux -- The Effect of the Destruction of Jerusalem in A.D. 70 on Primitive Christian Soteriology /S. G. F. Brandon -- L'idée de Dieu et la divinité du Roi (résumé) /H. I. Marrou -- Expressions of Cosmic Kingship in the Ancient World /H. P. L'Orange -- Der Abbau des Herrscherkultes im Zeitalter Konstantins /Kurt Aland.
Situating Nima's life firmly within the context of 20th century Iranian history this book contributes to an emerging trend in literary scholarship on Persian literature that views Persian poetry as a living and constantly evolving tradition rather than an icon of some fading glory.
Surveys Iranian history and culture and its contribution to the civilization of the world. Covers religious, philosophical, political, economic, scientific and artistic elements in Iranian civilization.
Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers of the period adopted the female form as the allegorical personification of France itself. Considering the role of female allegorical figures in the works of Eustache Deschamps, Christine de Pizan, and Alain Chartier, as well as in the sermons of Jean Gerson, Daisy Delogu reveals how female allegories of the Kingdom of France and the University of Paris were used to conceptualize, construct, and preserve structures of power during the tumultuous reign of the mad king Charles VI (1380–1422). An impressive examination of the intersection between gender, allegory, and political thought, Delogu’s book highlights the importance of gender to the functioning of allegory and to the construction of late medieval French identity.
?Soul of the age!? Ben Jonson eulogized Shakespeare, and in the next breath, ?He was not of an age but for all time.? That he was both ?of the age? and ?for all time? is, this book suggests, the key to Shakespeare?s comic genius. In this engaging introduction to the First Folio comedies, Paul A. Olson gives a persuasive and thoroughly engrossing account of the playwright?s comic transcendence, showing how Shakespeare, by taking on the great themes of his time, elevated comedy from a mere mid-level literary form to its own form of greatness?on par with epic and tragedy. Like the best tragic or epic writers, Shakespeare in his comedies goes beyond private and domestic matters in order to draw on the whole of the commonwealth. He examines how a ruler?s or a court?s community at the household and local levels shapes the politics of empire?existing or nascent empires such as England, the Holy Roman Empire, Spain, Venice, and the Ottoman Empire or part empires such as Rome and Athens?where all their suffering and silliness play into how they govern. In Olson?s work we also see how Shakespeare?s appropriation of his age?s ideas about classical myth and biblical scriptures bring to his comic action a sort of sacral profundity in keeping with notions of poetry as ?inspired? and comic endings as more than merely happy but as, in fact, uncommonly joyful.