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Finalmente, nell'autunno del 1957, per Ingmar Bergman arrivò il momento di dedicarsi alla ...nascita della vita. Sebbene c'è da dire che, contrariamente a quanto troppo frettolosamente si è indotti a pensare, in Ingmar Bergman vita e morte non sono mai momenti così radicalmente distinti e il momento della nascita non può essere considerato mai troppo lontano dal momento del trapasso.
Philosophers have long struggled to reconcile Martin Heidegger's involvement in Nazism with his status as one of the greatest thinkers of the twentieth century. The recent publication of his Black Notebooks has reignited fierce debate on the subject. These thousand-odd pages of jotted observations profoundly challenge our image of the quiet philosopher's exile in the Black Forest, revealing the shocking extent of his anti-Semitism for the first time. For much of the philosophical community, the Black Notebooks have been either used to discredit Heidegger or seen as a bibliographical detail irrelevant to his thought. Yet, in this new book, renowned philosopher Donatella Di Cesare argues that Heidegger's "metaphysical anti-Semitism" was a central part of his philosophical project. Within the context of the Nuremberg race laws, Heidegger felt compelled to define Jewishness and its relationship to his concept of Being. Di Cesare shows that Heidegger saw the Jews as the agents of a modernity that had disfigured the spirit of the West. In a deeply disturbing extrapolation, he presented the Holocaust as both a means for the purification of Being and the Jews' own "self-destruction": a process of death on an industrialized scale that was the logical conclusion of the acceleration in technology they themselves had brought about. Situating Heidegger's anti-Semitism firmly within the context of his thought, this groundbreaking work will be essential reading for students and scholars of philosophy and history as well as the many readers interested in Heidegger's life, work, and legacy.
Written as a kind of historical narrative in verse, the poems in this collection depict the coming of age and sexual awareness of the great Italian writer and film director, Pier Paolo Pasolini. The time of this story is World War II; the place is German-occupied northern Italy. Unlike his younger brother, Guido, who took up arms to fight in the resistance, Pasolini chose to help his mother set up a school for the boys too young to fight or be conscripted. The situation ignited an internal war for the young Pasolini that nearly eclipsed the historical moment: a battle within between his desire for boys and his Catholic faith and culture. In addition to the poems that juxtapose Pasolini’s struggle against the backdrop of political and cultural fascism, the book also includes a prologue and an epilogue that details the author’s pilgrimage to the site and her research into the time that shaped Pasolini as a man and as an artist.
- This edition brings together three of Strindberg's classic plays Miss Julie, Master Olaf and There Are Crimes and Crimes. Miss Julie - In one of the Swedish playwright's best-known works, Miss Julie exerts power over Jean because of her upper class background. But Jean is not impressed by her social status. On the evening in question, their flirtation escalates into something more serious - but is it love or lust? Each of the characters battle for control throughout the play. Master Olaf - This five-act drama concerns the reformer Olaus Petri and his battle against the Catholic Church in the 16th century. It was written by Strindberg in 1872 and staged in 1881 over five hours to warm reviews. There Are Crimes and Crimes - Maurice is a Parisian playwright on the brink of success in this 1899 play. On the day Maurice's drama is to debut, he proposes marriage to Jeanne but then encounters the beautiful Henriette, his friend's mistress. Tragedy strikes.
A pioneering scholarly investigation into the intersection of personality and cultural history, this study asserts that Freudian psychology is rooted in Judaism — particularly, in the mysticism of the Kabbalah. It examines how Freud's Jewish heritage contributed, either consciously or unconsciously, to his psychological theories and clarifies the foundations of modern psychoanalysis.
From the first, Debussy's music lent itself to all kinds of convenient critical labels, of which the most fashionable has always been 'impressionist'. In this book the doyen of Polish musicologists examines Debussy's output against the twin backgrounds of his upbringing and of contemporary movements in the other arts besides music. He concludes that the 'impressionist' analogy between music and painting has been too deceptively obvious, and that the movement with which Debussy's art is most deeply impregnated is Symbolism. This he shows by a review of the general aesthetic ferments of this age, by close analysis of Debussy's music, his early works in particular, and by well-directed quotation from Debussy's own many writings on the subject. In the course of his argument he leads the reader down many unexpected bypaths in aesthetics; his book is both an original contribution to musicology and a philosophical meditation on the whole of the art of this unusually fertile and adventurous period.
Takhyil is a term from Arabic poetics denoting the evocation of images. It has a broad spectrum of connotations throughout classical philosophical poetics and rhetoric, and it is closely linked to the Greek concept of phantasia. This volume is comprised of annotated translations of key texts on this topic from major philosophers and literary theoreticians, including Alfarabi (al-Farabi), Avicenna (Ibn Sina), Averroes (Ibn Rushd), and 'Abd al-Qahir al-Jurjani. In her preface, the classicist Anne Sheppard relates takhyil to Greek poetics, and in his introduction, Wolfhart Heinrichs traces the development of the term in the Arabic tradition. The second part of the book contains eight studies on takhyil and various aspects of image-evocation and how it relates to musical theory, literary criticism and rhetoric. The opening essay is by Katrin Kohl, a specialist in European poetics, who places takhyil in the wider context of poetic universals.
Partial Contents: (1) Remembering Maurice Samuels (2) Justice to Feminism.