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All Write Already is a daily how-to guide designed to help you write and edit a novel in a year at a manageable pace. With step-by-step instruction, two bestselling authors with over ninety published books will share how to craft your story, utilizing publishing tips and tricks they’ve learned along the way. Unique strategies for plotting your tale, creating a vibrant story world, and breathing life into the characters. Motivation and advice from over twenty-five bestselling authors. Preparing your manuscript for the next stage. Why not begin writing now?
Summer Link Math Plus Reading is designed to be a fun way to help a child prepare for the grade ahead during the summer. Each 320-page book includes fun learning activities covering a range of topics in math and reading. The activities review skills from the previous grade and gradually increasing in difficulty to prepare a child for the grade ahead. Summer Link Math Plus Reading is designed for parents looking for a fun and affordable way to help their children stop the summer learning slide and prepare for the grade ahead during the 10 weeks of summer. The easy-to-use full-color activities review and extend essential skills and increase confidence at school. A Test Practice section at the end of each book provides tips and practice for standardized tests and will allow the child to review the topics covered. A skills checklist for parents, a recommended summer reading list, and an answer key are also included.
In partnership with Dutton Books, Amazon Literary Partnership, and Feminist Press, Girls Write Now On the Other Side of Everything: 2023 Anthology is a multi-genre showcase of the best writing from today’s next-gen voices and leaders. Do you know what it’s like to communicate with your family across a salty ocean’s divide? Do you want the sun and moon to enter your home with stories written in embers? Do you seek voices that will shatter expectations? Welcome to the other side of everything. It’s the other side of silence, the other side of childhood, the other side of hate, the other side of indifference, it’s the other side of sides, where the binary breaks down. It’s a new paradigm, a destination, a different perspective, a mindset, a state of openness, the space between the endless folds in your forehead, hopes for tomorrow, and reflections on the past. This anthology of diverse voices is an everything bagel of literary genres and love songs, secrets whispered in the dark of night, conversations held with ancestors under the sea.
In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.
Ben is struggling to find his way in postmodern society; lost in a blizzard of information, his very identity is fading. As he struggles to find his way THE PLAGIARIST - a mysterious, soluble character, half-real, half-imaginary, ever constant but never the same - acts as a guide who shows Ben to the edge of the precipice. But can he be trusted? This curious anti-novel may have all the answers...A riot of experimentation, THE PLAGIARIST is an example of contemporary theory in practice, melding Bloom's theories on influence to a series of unreliable or schizophrenic narrators against a backdrop created by Frederic Jameson. With a narrative fabricated from the effluvia of the now, whoch continues the work started by Burroughs and developed by contemporaries like Kenji Siratori, this book demonstrates how postmodern society can cause the individual to lose themselves and the plot.
NOTHING Is about you. It helps you to find out who you are, by making you realize that you are Nothing, and that you can achieve all possible through Nothing. With Nothing you can be everything that you can ever imagine yourself to be!
From social media to school success—take student writing to the next level! Text messages, Instagram captions, and Facebook posts...your students are already writers, with skills that serve as a springboard to the formal writing of school, college, and careers. With this book’s customizable strategies, you’ll help students make that transition, providing daily writing practice in your content area. Inside, you’ll find: Engaging exercises based in the kinds of writing students already do Versatile "parachute writings"—quick bursts of practice to drop into a day’s lesson Strategies for introducing academic vocabulary and making it stick Skill-boosting strategies for successful summarizing and using textual evidence Variations specific to all disciplines and content areas
Censored. Repressed. Subdued. Bound. Muted. No more. In a world pushed to the precipice of change, in a society that values the tried and true over the dynamic and new, what does it mean to be unmuted? In this anthology, a chorus of young women and gender-expansive teens give voice to fear and silence, hold nothing back, and demand justice. To be unmuted right now requires a new brand of bravery and these writers show us how it’s done. Using stories, poems, essays, fiction, drama, interviews, and more, they report on a global pandemic, a climate crisis, and the movement for racial equity. They also invite us on their personal journeys through the labyrinth of young adulthood: feeling the rich soil of a neighborhood garden between their fingers; traveling through time in search of their parents; inhaling the charged air where young love is brewing. For twenty-three years, the nationally award-winning nonprofit Girls Write Now has broken down the barriers of gender, race, age, and poverty, elevating the voices of writers who are too often not heard—or worse, silenced. Girls Write Now is the first writing and mentoring organization for girls and gender expansive youth of color, ranking today as one of the top programs nationwide for driving social-emotional growth for youth.
Written and compiled by award-winning novelist Mary Deal, Write it Right - Tips for Authors is a major source of information for breathing life into your prose. Learn how to polish your writing with tips and examples, and make your prose leap off the page. Writing your opus, you may have encountered myriad questions about imperfect areas that you stumble across in the composition. The thoroughly explained tips offered in Write it Right - Tips for Authors clarify these worrisome issues, instead of simply taking a chance they’ll be acceptable. These thorough and often humorous tips were written in response to author queries for articles that explain various problematic aspects, including: - Grammar and punctuation - Narration - Character development and dialogue - Preparing your manuscript for submission - Your public image If your writing hasn't been perfectly smooth, you’ll find answers to your questions in Write it Right - Tips for Authors.
A sweeping history of how writing has preserved cultural practices, traditions, and knowledge throughout human history. In How Writing Made Us Human, 3000 BCE to Now, Walter Stephens condenses the massive history of the written word into an accessible, engaging narrative. The history of writing is not merely a record of technical innovations—from hieroglyphics to computers—but something far richer: a chronicle of emotional engagement with written culture whose long arc intimates why the humanities are crucial to society. For five millennia, myths and legends provided fascinating explanations for the origins and uses of writing. These stories overflowed with enthusiasm about fabled personalities (both human and divine) and their adventures with capturing speech and preserving memory. Stories recounted how and why an ancient Sumerian king, a contemporary of Gilgamesh, invented the cuneiform writing system—or alternatively, how the earliest Mesopotamians learned everything from a hybrid man-fish. For centuries, Jews and Christians debated whether Moses or God first wrote the Ten Commandments. Throughout history, some myths of writing were literary fictions. Plato's tale of Atlantis supposedly emerged from a vast Egyptian archive of world history. Dante's vision of God as one infinite book inspired Borges's fantasy of the cosmos as a limitless library, while the nineteenth century bequeathed Mary Shelley's apocalyptic tale of a world left with innumerable books but only one surviving reader. Stephens presents a comprehensive history of the written word and demonstrates how writing has preserved and shaped human life since the Bronze Age. These stories, their creators, and their preservation have inspired wonder and an endless appetite for historical revelation.