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Michael Williams, in Melbourne’s The Age, wrote of this award-winning, dazzling debut collection, “By turns horrific and beautiful . . . Humanity at its most fractured and desolate . . . Often moving, frequently surprising, even blackly funny . . . Things We Didn’t See Coming is terrific.” This is just one of the many rave reviews that appeared on the Australian publication of these nine connected stories set in a not-too-distant dystopian future in a landscape at once utterly fantastic and disturbingly familiar. Richly imagined, dark, and darkly comic, the stories follow the narrator over three decades as he tries to survive in a world that is becoming increasingly savage as cataclysmic events unfold one after another. In the first story, “What We Know Now”—set in the eve of the millennium, when the world as we know it is still recognizable—we meet the then-nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown. The remaining stories capture the strange—sometimes heartbreaking, sometimes funny—circumstances he encounters in the no-longer-simple act of survival; trying to protect squatters against floods in a place where the rain never stops, being harassed (and possibly infected) by a man sick with a virulent flu, enduring a job interview with an unstable assessor who has access to all his thoughts, taking the gravely ill on adventure tours. But we see in each story that, despite the violence and brutality of his days, the narrator retains a hold on his essential humanity—and humor. Things We Didn’t See Coming is haunting, restrained, and beautifully crafted—a stunning debut.
All families have secrets but what if your father was hiding a secret that was destroying him – and the rest of the family? An emotional story of family perfect for all fans of The Memory Keeper’s Daughter.
A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person. Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a good person to commit a terrible act? Jeannie interviews Mark, exploring how rape has impacted his life as well as her own. Unflinching and courageous, Things We Didn’t Talk About When I Was a Girl is part memoir, part true crime record, and part testament to the strength of female friendships—a recounting and reckoning that will inspire us to ask harder questions, push towards deeper understanding, and continue a necessary and long overdue conversation.
In this epistolary novel from the WWII home front, Johanna Berglund is forced to return to her small Midwestern town to become a translator at a German prisoner of war camp. There, amid old secrets and prejudice, she finds that the POWs have hidden depths. When the lines between compassion and treason are blurred, she must decide where her heart truly lies.
A “big-hearted, lively, and expansive portrait of a family” that follows a neurodivergent father, his nonbinary teenager, and the sudden, catastrophic reappearance of the woman who abandoned them (Claire Lombardo, New York Times bestselling author). Morgan Flowers just wants to hide. Raised by their neurodivergent father, Morgan has grown up haunted by the absence of their mysterious mother Zoe, especially now, as they navigate their gender identity and the turmoil of first love. Their father Julian has raised Morgan with care, but he can’t quite fill the gap left by the dazzling and destructive Zoe, who fled to Europe on Morgan’s first birthday. And when Zoe is dumped by her girlfriend Brigid, she suddenly comes crashing back into Morgan and Julian’s lives, poised to disrupt the fragile peace they have so carefully cultivated. Through it all, Julian and Brigid have become unlikely pen-pals and friends, united by the knowledge of what it’s like to love and lose Zoe; they both know that she hasn’t changed. Despite the red flags, Morgan is swiftly drawn into Zoe’s glittering orbit and into a series of harmful missteps, and Brigid may be the only link that can pull them back from the edge. A story of betrayal and trauma alongside queer love and resilience, ALL THE THINGS WE DON’T TALK ABOUT is a celebration of and a reckoning with the power and unintentional pain of a thoroughly modern family.
The new gripping YA thriller from online sensation Savannah Brown, author of The Truth About Keeping Secrets, Graffiti, and Sweetdark. Perfect for fans of Karen McManus, Holly Jackson's A Good Girl's Guide to Murder and E. Lockhart's We Were Liars. When fledgling singer Roxy Raines vanishes from the tiny resort of Sandown, the island's locals refuse to talk about it to any outsiders, dismissing Roxy as a teenage runaway. Thirty years later, seventeen-year-old Mona Perry is convinced there's something more sinister at play. Armed with a suitcase and a microphone - to record her findings for her podcast's listeners - the troubled teen is on a deadline: one hot summer is all she has to get to the bottom of Roxy's story. But as Mona gets drawn into the strange goings on of this isolated community, it becomes clear that nothing is as it seems. Least of all Mona's own past, and the disappearance of someone else, someone much closer to her... How far will she go to uncover the truth? Praise for The Things We Don't See: 'A propulsive mystery driven by beautifully raw narration . . . Brown's prose reads like a live wire.' Rory Power, author of Wilder Girls 'A beautifully written mystery with a host of fascinating characters' Vincent Ralph, author of Are You Watching?
Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.
“Things We Didn’t Say is impossible to put down, and even harder to let go of.” —Julie Buxbaum, author of The Opposite of Love Kristina Riggle’s star continues to rise. Tiffany Baker, the New York Times bestselling author of The Little Giant of Aberdeen County, says that Riggle, “writes women’s fiction with soul.” In her novel Things We Didn’t Say, the acclaimed author of Real Life & Liars and The Life You’ve Imagined (an Indie Next Notable Book) explores the messiness of life’s love stories, especially those involving teenage almost-stepchildren, a unreliable ex-wife, and the words no parent ever wants to hear: “Your child is missing.” A poignant, honest, and unforgettable novel that fans of Katrina Kittle and Elin Hildenbrand will take into their hearts, Things We Didn’t Say is exactly the sort of well-written, complex relationships story that women love to read, discuss, and share with their friends.
"Even as a reporter, Sheila Hamilton missed the signs as her husband David's mental illness unfolded before her. By the time she had pieced together the puzzle, it was too late. Her once brilliant, intense, and passionate partner was dead within six weeks of a diagnosis of bipolar disorder, leaving his nine-year-old daughter and wife without so much as a note to explain his actions, a plan to help them recover from their profound grief, or a solution for the hundreds of thousands of dollars in debt that they would inherit from him. All the Things We Ner Knew details the unsettling descent from ordinary life into the world of mental illness, and examines the fragile line between reality and madness." --
In this poignant and introspective dual memoir, Marion Garrard Barnwell embarks on a deeply personal journey. Inspired by the memoir of her maternal grandmother, Mary DuBose Trice Clark, affectionately known as “Ganny,” the narratives, though separated by decades, are brought together to offer readers a unique and moving exploration of growing up in Mississippi and the intersections of family, motherhood, and self-discovery. Clark’s memoir, penned in 1956, offers readers a glimpse into the past, telling the story of her life in Mississippi with unwavering commitment to “just plain facts.” Her narrative traverses the landscapes of Okalona, Nettleton, Verona, and Tupelo, revealing their histories and the vibrant tapestry of her life while artfully sidestepping the complexities of her relationships and emotional vulnerabilities. Reflecting on an era when discussions of emotion and self-awareness were often shrouded in reticence, Clark’s story leaves a void in which Barnwell seeks to uncover the unspoken truths that shaped their family dynamics. Written at the age of seventy-seven, the same age as her grandmother when she wrote her memoir, Barnwell’s writing emerges as a response to the enigmatic silence within her grandmother’s narrative. It paints a vivid and expansive picture of her own life in the Mississippi Delta while also addressing profound themes of alcoholism, racism, shared family history, and the intricate dynamics between generations of women. As Barnwell weaves her own memoir into the fabric of this book, she takes readers on her emotional journey of self-discovery and truth-telling that leads to healing. All the Things We Didn’t Say: Two Memoirs is a testament to the power of storytelling and a captivating ode to the enduring human spirit and the timeless pursuit of understanding the intricate threads that connect us across generations.