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The first book to pair the story of a Holocaust victim with that of a liberator, All the Horrors of War compels readers to consider the full, complex humanity of both.
Battlefields have traditionally been considered places where the spirits of the dead linger, and popular culture brings those thoughts to life. Supernatural tales of war told in print, on screen, and in other media depict angels, demons, and legions of the undead fighting against—or alongside—human soldiers. Ghostly war ships and phantom aircraft carry on their never-to-be-completed missions, and the spirits—sometimes corpses—of dead soldiers return to confront the enemies who killed them, comrades who betrayed them, or leaders who sacrificed them. In Horrors of War: The Undead on the Battlefield, Cynthia J. Miller and A. Bowdoin Van Riper have assembled essays that explore the meaning and significance of these tales. Among the questions that the volume seeks to answer are: How do supernatural stories engage with cultural attitudes toward war? In what ways do these stories reflect or challenge the popular memories of particular wars? How do they ask us to think again about battlefield heroism, military ethics, and the politics of sacrifice? Divided into four sections, chapters examine undead war stories in film (Carol for Another Christmas, The Devil’s Backbone), television (The Twilight Zone), literature (The Bloody Red Baron, Devils of D-Day), comics (Weird War Tales, The Haunted Tank), graphic novels (The War of the Trenches), and gaming (Call of Duty: World at War). Featuring contributions from a diverse group of international scholars, these essays address such themes as monstrous enemies and enemies made monstrous, legacies and memories of war, and the war dead who refuse to rest. Drawing together stories from across wars, branches of service, and generations of soldiers—and featuring more than fifty illustrations—Horrors of War will be of interest to scholars of film, popular culture, military history, and cultural history.
The first book to pair the story of a Holocaust victim with that of a liberator, All the Horrors of War compels readers to consider the full, complex humanity of both.
In Horrors of War, Tudjman combines his first-hand war-torn Yugoslavian experience with a vast knowledge of history, philosophy and literature to prove that violence and retribution are not new to this world, and unfortunately show no sign of abatement. As part of his review of violence in history, and it's political uses, Tudjman examines the Yugoslav Communist creation of a croation 'black legend', attempting to fix the blame for the world war II crimes of Croatia's Ustasha puppet government on the entire Croation people. In particular, he assesses the nature and scope of the crimes committed by the Ustasha government, particularly at the Jasenovac death camp. He concludes that, although Jasenovac was a cruel and terrible place where tens of thousands were murdered, it does not and cannot justify the delegitimization of the Croatian nation. He chronicles the systematic use by the Yugoslav regime of Jasenovac and the ustasha terror as a tool in it's attempt to eliminate Croatian aspirations towards independence. He brings up the fact that the anti-fascist movement in Croatia was one of the strongest anti-fascist movements not only in Yugoslavia but also in Europe. Franjo Tudjman is the president of the Republic of Croatia and a signer of the Dayton Accords.
Only once in a lifetime does a war so brutal erupt. A war that becomes an official genocide, causes millions to run from their homes, compels the slaughtering of thousands in the most horrific of ways, and inspires terrorist attacks to transpire across the world. That is the chilling legacy of the ISIS onslaught, and Only Cry for the Living takes a profoundly personal, unprecedented dive into one of the most brutal terrorist organizations in the world. Journalist Hollie S. McKay offers a raw, on-the-ground journey chronicling the rise of ISIS in Iraq—exposing the group’s vast impact and how and why it sought to wage terror on civilians in a desperate attempt to create an antiquated “caliphate.”
A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November "Now, thanks to Hilsum’s deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York Times The inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed in Syria in 2012, and whose life story also forms the basis of the feature film A Private War, starring Rosamund Pike as Colvin. When Marie Colvin was killed in an artillery attack in Homs, Syria, in 2012, at age fifty-six, the world lost a fearless and iconoclastic war correspondent who covered the most significant global calamities of her lifetime. In Extremis, written by her fellow reporter Lindsey Hilsum, is a thrilling investigation into Colvin’s epic life and tragic death based on exclusive access to her intimate diaries from age thirteen to her death, interviews with people from every corner of her life, and impeccable research. After growing up in a middle-class Catholic family on Long Island, Colvin studied with the legendary journalist John Hersey at Yale, and eventually started working for The Sunday Times of London, where she gained a reputation for bravery and compassion as she told the stories of victims of the major conflicts of our time. She lost sight in one eye while in Sri Lanka covering the civil war, interviewed Gaddafi and Arafat many times, and repeatedly risked her life covering conflicts in Chechnya, East Timor, Kosovo, and the Middle East. Colvin lived her personal life in extremis, too: bold, driven, and complex, she was married twice, took many lovers, drank and smoked, and rejected society’s expectations for women. Despite PTSD, she refused to give up reporting. Like her hero Martha Gellhorn, Colvin was committed to bearing witness to the horrifying truths of war, and to shining a light on the profound suffering of ordinary people caught in the midst of conflict. Lindsey Hilsum’s In Extremis is a devastating and revelatory biography of one of the greatest war correspondents of her generation.
Chronicles the Civil War using photographs taken by Mathew Brady and his employees.
Unsealing the hatch of a rusty old WWII tank will unleash a demonic nightmare in this novel by “the master of modern horror” (Library Journal). Thirty-five years have passed since the Allied invasion of Normandy on D-Day turned the tide of World War II against Adolf Hitler and the Nazi Reich, and it’s been more than three decades since the residents of the tiny French village of Le Vey witnessed the horrific slaughter of hundreds of German soldiers by thirteen black tanks. One of the tanks remains on the outskirts of town—its hatch mysteriously sealed, trapping its controller inside—only to be discovered by American surveyor and cartographer Dan McCook. Driven by curiosity and an inexplicable compulsion, McCook is about to do the unthinkable and release what lives within the tank upon an unsuspecting world. And once the monstrous occupant reunites with others of its demonic kind, a new world war will begin, one that threatens to wash the earth in blood and drag every man, woman, and child through the fiery gates of hell. A chilling and ingeniously original tale of demonic possession and apocalyptic possibilities, The Devils of D-Day is classic horror at its best, from the award-winning author of The Manitou.
The Confederate prison known as Andersonville existed for only the last fourteen months of the Civil War―but its well-documented legacy of horror has lived on in the diaries of its prisoners and the transcripts of the trial of its commandant. The diaries describe appalling conditions in which vermin-infested men were crowded into an open stockade with a single befouled stream as their water source. Food was scarce and medical supplies virtually nonexistent. The bodies of those who did not survive the night had to be cleared away each morning. Designed to house 10,000 Yankee prisoners, Andersonville held 32,000 during August 1864. Nearly a third of the 45,000 prisoners who passed through the camp perished. Exposure, starvation, and disease were the main causes, but excessively harsh penal practices and even violence among themselves contributed to the unprecedented death rate. At the end of the war, outraged Northerners demanded retribution for such travesties, and they received it in the form of the trial and subsequent hanging of Captain Henry Wirz, the prison’s commandant. The trial was the subject of legal controversy for decades afterward, as many people felt justice was ignored in order to appease the Northerners’ moral outrage over the horrors of Andersonville. The story of Andersonville is a complex one involving politics, intrigue, mismanagement, unfortunate timing, and, of course, people - both good and bad. Relying heavily on first-person reports and legal documents, author Catherine Gourley gives us a fascinating look into one of the most painful incidents of U.S. history.
Now in a significant new edition, this landmark book documents little-known wartime Japanese atrocities during World War II, including cannibalism; the slaughter and starvation of prisoners of war; the rape, enforced prostitution, and murder of noncombatants; and biological warfare experiments.