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A collection of poems written from the point of view of a child with a black mother and a white father.
A collection of poems written from the point of view of a child with a black mother and a white father.
Patrice Gopo grew up in Anchorage, Alaska, the child of Jamaican immigrants who had little experience being black in America. From her white Sunday school classes as a child, to her early days of marriage in South Africa, to a new home in the American South with a husband from another land, Patrice’s life is a testament to the challenges and beauty of the world we each live in, a world in which cultures overlap every day. In All the Colors We Will See, Patrice seamlessly moves across borders of space and time to create vivid portraits of how the reality of being different affects her quest to belong. In this poetic and often courageous collection of essays, Patrice examines the complexities of identity in our turbulent yet hopeful time of intersecting heritages. As she digs beneath the layers of immigration questions and race relations, Patrice also turns her voice to themes such as marriage and divorce, the societal beauty standards we hold, and the intricacies of living out our faith. With an eloquence born of pain and longing, Patrice’s reflections guide us as we consider our own journeys toward belonging, challenging us to wonder if the very differences dividing us might bring us together after all.
Of the books authored by Martin R. Delany (1812-1885), The Origin of Races and Color is perhaps the most obscure. Out-of-print until now, it has been available to the public only through select libraries. At the time of its publication in 1879, this valuable resource presented a bold challenge to racist views of African inferiority. Delany wrote in opposition to a developing oppressive intellectualism that used Darwin's thesis, "the survival of the fittest," to support its demented theories of Black inferiority. Skillfully blending biblical history, archaeology and anthropology, Delany offered evidence to the "serious inquirer" suggesting the first humans were African, and that these Africans were ". . . builders of the pyramids, sculptors of the sphinxes, and original god-kings. . . ." With such radical assertions, Delany advanced a model of ancient history that contradicted the very foundation of intellectual racism. He believed knowledge of one's past was essential, and that it could provide Black people with the regenerative force necessary to inspire their self-improvement. Were he alive today, Delany would certainly feel at home with the present generation of Africancentrists, especially since he developed and articulated so many of their arguments more than a century ago.
A collection of poems written from the point of view of a child with a black mother and a white father.
A positive and affirming look at skin color, from an artist's perspective. Seven-year-old Lena is going to paint a picture of herself. She wants to use brown paint for her skin. But when she and her mother take a walk through the neighborhood, Lena learns that brown comes in many different shades. Through the eyes of a little girl who begins to see her familiar world in a new way, this book celebrates the differences and similarities that connect all people. Karen Katz created The Colors of Us for her daughter, Lena, whom she and her husband adopted from Guatemala six years ago.
America's racial odyssey is the subject of this remarkable work of historical imagination. Matthew Frye Jacobson argues that race resides not in nature but in the contingencies of politics and culture. In ever-changing racial categories we glimpse the competing theories of history and collective destiny by which power has been organized and contested in the United States. Capturing the excitement of the new field of "whiteness studies" and linking it to traditional historical inquiry, Jacobson shows that in this nation of immigrants "race" has been at the core of civic assimilation: ethnic minorities, in becoming American, were re-racialized to become Caucasian.
A collection of poems expressing the inner thoughts and feelings of a child whose unique identity springs from a combination of races and cultures.
Joy lives in a diverse world and comes from a multicultural family. It is only natural for her to have some questions. Join Joy as she learns how to describe skin color, and about how her skin color can tell her about where her family is from, but not really about who they are. "Daddy Why Am I Brown?" is a meant to be a starter conversation on how kids can learn to talk about skin color in a way that is kind, thoughtful, and healthy. And in the process, they learn a little bit about how to understand the difference between race, ethnicity, and culture.
2019 First Novelist Award from the Black Caucus of the American Library Association An “urgent and heartrending novel about an America on the brink” (Matt Gallagher, author of Youngblood), They Come in All Colors follows a biracial teenage boy who finds his new life in the big city disrupted by childhood memories of the summer when racial tensions in his hometown reached a tipping point. It’s 1968 when fourteen-year-old Huey Fairchild begins high school at Claremont Prep, one of New York City’s most prestigious boys’ schools. His mother had uprooted her family from their small hometown of Akersburg, Georgia, leaving behind Huey’s white father and the racial unrest that ran deeper than the Chattahoochee River. But for our sharp-tongued protagonist, forgetting the past is easier said than done. At Claremont, where the only other nonwhite person is the janitor, Huey quickly realizes that racism can lurk beneath even the nicest school uniform. After a momentary slip of his temper, Huey finds himself on academic probation and facing legal charges. With his promising school career in limbo, he begins to reflect on his memories of growing up in Akersburg during the Civil Rights Movement—and the chilling moments leading up to his and his mother’s flight north. With Huey’s head-shaking antics fueling this coming-of-age narrative, the novel triumphs as a tender and honest exploration of race, identity, family, and homeland, and a work that is “emotionally acute…eye-opening and rewarding for a wide range of readers” (Library Journal, starred review).