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"Batman created by Bob Kane with Bill Finger."
ÒTHE OTHER SIDE OF THE PENNY!Ó Alfred Pennyworth has been BatmanÕs most trusted ally and confidant since the Dark Knight first hit the streets of Gotham City. Now, witness BatmanÕs battle for justice from AlfredÕs perspective and learn how harrowing that journey has been as Batman experiences one of the worst nights Gotham City has ever seenÑa night that will push Alfred to the breaking point! Best-selling writer Tom Taylor presents an epic tale that promises to be one of the most Alfred stories ever told!
"Hats and Bats"! Underestimate the Mad Hatter at your own peril. Batman takes on one of his most dangerous and deranged foes in a mind-bending tale from the powerhouse creative team of writer Scott Snyder and artist Giuseppe Camuncoli!
“I AM GOTHAM” part one. No one has ever stopped the Caped Crusader. Not The Joker. Not Two-Face. Not even the entire Justice League. But how does Batman confront a new hero who wants to save the city from the Dark Knight? CAN’T MISS: Superstar artist David Finch returns to Batman alongside writer Tom King for this five-part storyline.
Longtime Batman and Eisner Award-winning writer Scott Snyder co-writes with rising-star writer Tom King! EVIL 365: Gotham City faces the threat of the Calendar Man!
"My Own Worst Enemy" part four! So close and yet so far from his goal, Batman must now wrangle Two-Face out of his own assassin-filled riverboat casino before it plunges over Niagara Falls to their deaths! The Dark Knight will have to go all-in on the most deadly gamble of his life if he intends to make it out alive.
Lex Luthor became the president of the United States. Green Goblin use to lead the Avengers. The Penguin is an expert bare-knuckle boxer. Doctor Doom briefly served as God but gave it up because he "found it beneath me." Darkseid has his own nightclub. Loki claimed to be Deadpool's father. Harley Quinn has two pet hyenas. Carnage was nearly called Chaos or Ravage. Deadshot tried to killed Pope John Paul II. When Peter Parker died, Doctor Octopus became the new Spider-Man. Hugo Strange was supposed to be Batman's nemesis. Ego the Living Planet has a moon called Id who snorts planets. Wolverine has an evil son called Daken. Mister Freeze once escaped Arkham Asylum using a crayon. Thanos has been in a relationship with Hela. The Riddler's hero is Harry Houdini.
Deadpool claims to have a "Chainsaw Sense" that warns him when he is being stabbed with a chainsaw. Superman once turned into a lion. The writer of Games of Thrones wrote several letters to Marvel about the Fantastic Four to point out some plot holes in the stories. Once, Batman turned into a mummy. Apocalypse used to be the leader of the X-Men. The Joker was the ambassador of Iran. George Bush, Oprah, Fidel Castro and Nelson Mandela attended Black Panther's wedding. Wonder Woman moved the Sun with her lasso. Captain America doesn't know how to use a SmartPhone. Marvel and DC Comics were both published by the same person. The Hulk fought a dinosaur in the Wild West. Lex Luthor was one of the first fictional characters to use an atomic bomb. The X-Men were nearly called The Merry Mutants. The Hulk can survive being decapitated. Pink Kryptonite turns Superman gay.
Dave Lizewski has taken a HORRIFYING and EXHILARATING plunge. Armed with minimal combat training and a pair of batons, he donned a mask and set out to become a real superhero, Kick-Ass. And he succeeded. Wildly. Kick-Ass and tween black belt Hit-Girl took on the mafia„and won. But his arch nemesis Red Mist now thinks superheroes are pass_ and has become the world's most notorious super villain. His first target? Dave Lizewski's family. Collects KICK-ASS 2: BALLS TO THE WALL #1-7
This cultural analysis of visual and narrative elements within Batman comics provides an important exploration of the ways readers and creators negotiate gender, identity, and sexuality in popular culture. Thematic chapters investigate how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations by focusing on one of the most popular and heated fictional rivalries ever inked: that of Batman and the Joker. The monograph provides critical insights into ways queer reading practices can open new forms of understanding that have generally remained implicit and unexplored in mainstream comics studies. This accessible and interdisciplinary approach to the Caped Crusader and the Clown Prince of Crime engages diverse fields of scholarship such as Comics Studies, Critical Theory, Cultural Studies, Gender Studies, Literature, Psychoanalysis, Media Studies, and Queer Theory.