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This book is a collection of inspirational poems of all occasions throughout the year. The reader will receive a wonderful blessing in reading this book because the poems are loving and heartfelt. They can be read, or recited at many different functions, or programs.
This long awaited book proves true that some things are indeed worth the wait. This book promises to motivate, educate, direct, make you smile and most of all make you think. With high demands and great reviews, this is poetry with a meaning. It will brighten your days and enlighten your nights. It touches on some of the storms of life that we must all go through and at the same time it provides comfort. The author states, "I feel as though I was being dictated to from beginning to the very end of this book." He goes on to say, "Advice I know I couldn't have given verbally, in ink I speak." This is a book for all and for all occasions. For those who say don't read poetry, a few lines from this book will likely change your mind. This book is one you will enjoy reading over and over again. It will also be one you'll want to keep close when certain situations arise. There is one thing we can say, "Trying to choose a favorite will be a tough task." The entire book, including songs added as an extra bonus, was magnificently done. The author has stated on certain occasions he has recited some of these poems and is always more than happy to do so. Do yourself a favor and learn some of them as well. Our prediction is this will be a best seller. To book for recitals email [email protected]
"There is always tomorrow" is something that I try to remind myself every day. My heavenly father has given me a faith that I rely on daily to make it through the challenges of life. We all have challenges we must face. Many times, the challenges and burdens we face can make me or you feel as if there is no way out. When you look to God and the strength inside yourself, there is always a way through all the storms of life. We all have an inner strength that oftentimes we don't know we have until we need it. Heavenly father never leaves us alone. He is always with you or me. We all have a spirit of a warrior inside us all. Having a warrior spirit does not mean that you will not be hurt or scarred by the trials of life. Usually, the opposite is true if we pray and listen to our hearts and do what God wants us to do. Then we will be able to navigate through the storms of life. God has given us this life and as part of it has given us the tools to make it through the journey we call life. When you feel as if you can't handle one more thing that life can throw at you, remember to look to God and there is always tomorrow. Never give up on life or yourself. There is always a reason to look toward tomorrow. We are all special.
These are real-life situations and never before have you heard love, reality, motivation, inspiration, A-A, special occasions, life and death expressed in this way. The reader will automatically find their situations on numerous pages, and hopefully this book will inspire them to rise to the occasion. Hopefully the reader will be able to rebuild broken relationships, and give thanks to God. He is the one that made it possible for you to read this book right now (March 19, 2011) This is a different kind of book than you have read in the past because I'm a different kind of person. I've experienced life on many different walks of life. I've had several different situations, relating to those walks of life. So, in this book, you will surely find a poem that fits your situation, or someone's situation that is near and dear to you. The poems were written in relationship to real-life experiences. No fiction is necessary, because reality itself sometimes doesn't seem real. These poems came from my heart and I'm sure they'll reach yours, especially if it's a present situation that you're going through.
To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
Cinepoiesis, or cinema of poetry, strikes us as a strange combination, a phrase we initially read as an oxymoron. Poetry is often associated with the abstract and the evocative, while cinema suggests the concrete and the visible. Yet, various visual media use strong and often contradictory images, whose symbolic force and visual impact stimulate the public’s attention. Abstract and emblematic images surround us, and the poetic nature of these images lies in the way they speak beyond their apparent limits and stimulate connections on a subjective level. A prosaic world like the contemporary one, though, no longer seems to hold a place for poetry. We are inundated by the need to tell and to be told, the need to build our lives through narratives. But it is precisely here, in this contemporary landscape, that the cinema of poetry attempts to establish a space for itself, exchanging the productive and industrial apparatus for the poetic stimulus of a sensory experience. A Grammar of Cinepoiesis is a theoretical and practical guide to the cinema of poetry, to its tools and forms. It examines how the language of a “cinema of poetry” works both in its theoretical foundations and in its modes of representation, and how it takes shape in the exemplary practice of Italian authors such as Pier Paolo Pasolini, Michelangelo Antonioni, Federico Fellini, and the more recent Franco Piavoli and Matteo Garrone.