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All I Feel is Rivers is a collection of a new hybrid writing that, though spiritually akin to prose poems, retains an essayistic form. After several life-changing trips to Turkey, Robert Vivian took up a deep study of Rumi, the thirteenth-century Sufi mystic, poet, and founder of the religious order that performs the now-famous dervish dance. Vivian’s fascination seeped into his writing, and his newly conceived dervish essays reflect the dynamic movement and ancient symbolism of the ritual dance with wild lyricism, sometimes breathless cadences, and mesmerizing unspooling. Utterly fearless in their passionate avowals of life’s many manifestations, these essays showcase the surprising connectivity between the sacred and profane, uncovered by associative drifting. Vivian’s essays take on grief and loss, the natural world and climate, spirituality and ecstasy, all while pushing the boundaries of what prose can do.
A river is a thread, embroidering our world. This non-fiction picture book brings attention to the rivers that stitch and thread our world together.
A man must confront a terrifying evil in this captivating horror novel that's "as much F. Scott Fitzgerald as Dean Koontz."* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate--the Savoyard Plantation--and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols....
A TIME 100 Must-Read Book of 2021 A New York Times Best Science Fiction and Fantasy Book of 2021 The Stonewall Book Award winner of 2022 Named a Best Book of 2021 by NPR, The New York Public Library, Publishers Weekly and more! A triumphant, genre-bending breakout novel from one of the boldest new voices in contemporary fiction. Vern—seven months pregnant and desperate to escape the strict religious compound where she was raised—flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes. To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future—outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it. Rivers Solomon’s Sorrowland is a genre-bending work of Gothic fiction. Here, monsters aren’t just individuals, but entire nations. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction.
David Brower, who has always regretted the Sierra Club's failure to save the Glen Canyon, called it The Place No One Knew. But Katie Lee was among a handful of men and women who knew the 170 miles of Glen Canyon very well. She'd made sixteen trips down the river, even named some of the side canyons. Glen Canyon and the river that ran through it had changed her life. Her descriptions of a magnificent desert oasis and its rich archaeological ruins are a paean to paradise lost.In 1963, the U.S. Government's Bureau of Reclamation (the Wreck-the-nation bureau, Katie calls it) shut off the flow of the Colorado River at Glen Canyon Dam, beginning the process of flooding this natural treasure. Two generations have been born since the dam was built, and in a few more decades there may be no one alive who will have known the place. Katie Lee won't forget Glen Canyon, and she doesn't want anyone else to forget it either. She tells us what there was to love about Glen Canyon and why we should miss it. The canyon had great personal significance for her: She had gone to Hollywood to make her career as an actress and a singer, but the river kept calling her back, showing her a better way to live. She very eloquently weaves her personal story into her breathtaking descriptions of the trips she made down the canyon.In recent years, Katie has found allies in her struggle to restore the canyon. The Glen Canyon Institute has been joined by the Sierra Club in calling for the draining of Lake Powell (Rez Foul, in Katie's words), and the idea is being debated on editorial pages across the country and in congressional hearings. All My Rivers Are Gone celebrates a great American landscape, mournsits loss, and challenges us to undo the damage and forever prevent such mindless destruction in the future.
Dex Pratt’s life has been turned upside down. His parents have divorced and his mother has remarried. When his father attempts suicide and fails, Dex returns to their small town to care for him. But he’s not prepared for how much everything has changed. Gone are the nice house, new cars, fancy bikes and other toys. Now he and his wheelchair-bound dad live in a rotting rented house at the back of a cornfield. And, worse, his father has given up defending marijuana growers in his law practice and has become one himself. Unable to cope, Dex begins smoking himself into a state of surrealism. He begins to lose touch with what is real and what he is imagining. And then there are the aliens...and the girl-of-his-dreams...and the crop circle...
A story about life lived and lost, and what two teens hold onto in the wake of a tragic plane crash, told in a unique voice and style that puts readers directly inside the heroine's mind.
A controversial, award-winning story about the passionate but untenable affair between an Israeli woman and a Palestinian man, from one of Israel’s most acclaimed novelists When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion. Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man. Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderlife) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.” Praise for All the Rivers “Rabinyan’s book is a sort of Romeo and Juliet, a forbidden love affair between a Jewish girl from Tel Aviv and a Palestinian boy from Hebron. . . . [A] beautiful novel.”—The Guardian “A fine, subtle, and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world.”—John Banville, Man Booker Prize–winning author of The Sea “I’m with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers.”—Svetlana Alexievich, winner of the Nobel Prize for Literature “Astonishing . . . [a] precise and elegant love story, drawn with the finest of lines.”—Amos Oz “Rabinyan’s writing reflects the honesty and modesty of a true artisan.”—Haaretz “Because the novel strikes the right balance between the personal and the political, and because of her ability to tell a suspenseful and satisfying story, we decided to award Dorit Rabinyan’s [All the Rivers] the 2015 Bernstein Prize.”—From the 2015 Bernstein Prize judges’ decision “[All the Rivers] ought to be read like J. M. Coetzee or Toni Morrison—from a distance in order to get close.”—Walla! “Beautiful and sensitive . . . a human tale of rapprochement and separation . . . a noteworthy human and literary achievement.”—Makor Rishon “A captivating (and heartbreaking) gem, written in a spectacular style, with a rich, flowing, colorful and addictive language.”—Motke “A great novel of love and peace.”—La Stampa “A novel that truly speaks to the heart.”—Corriere della Sera
Two best friends. The boy who loves them both. What happens when there is only one girl left? Piper and Sloane are best friends. They grew up together, dress alike, and never do anything without each other. To Sloane, Piper has always been extraordinary: fierce and pretty and powerful. The only thing that makes Sloane special is that Piper chose her for a sisterhood that was supposed to last forever. That is, until Piper caught Sloane kissing Piper’s boyfriend, Soup—and the next day, Piper is found dead, washed ashore on a beach. As Sloane and Soup relive their deep, sometimes painful histories with Piper and face a future without her, they are racked by questions: Who is to blame for Piper’s death? How do you make amends for hurting someone you love if that person is no longer around? And how can you ever move on and love again? Told from alternating perspectives in Karen Rivers's signature lyrical prose, All That Was is a story about the complexity of friendships, forgiveness, and growing up.
"McGhee writes confidently as one who remembers the ordinariness of adolescence as well as its angst . . . and compellingly creates a protagonist blindsided by loss." — Publishers Weekly (starred review) For seventeen-year-old Rose, it keeps happening — the car crash. The car crash that put her sister, Ivy, in a coma with only a respirator keeping her alive. While Rose tries to find support from her reticent mother, distraction from the series of boys she meets at the town’s gorge at night, and empathy from her neighbor William T., what she really needs must come from within herself — a release of what’s been welling up inside. Heartrending, honest, and ultimately hopeful, this is the tale of a teenager overwhelmed by trauma and loss, yet steadied by loyal friendship and the solace of first love.