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Adaptation of Shakespeare's Anthony and Cleopatra.
Immerse yourself in a timeless tale of love, sacrifice, and the profound tragedies that unfold when passion knows no bounds. All for Love or The World Well Lost: A Tragedy by John Dryden: Immerse yourself in the poetic tragedy penned by the illustrious John Dryden with All for Love or The World Well Lost. This timeless play weaves a tale of passion, sacrifice, and the inexorable forces of fate. Dryden's eloquent verses and profound exploration of human emotion make this tragedy a compelling journey into the complexities of love and loss. Why This Book? All for Love or The World Well Lost invites readers to delve into the intricacies of love's triumphs and tragedies, as envisioned by John Dryden. The play unfolds a gripping narrative that resonates with the enduring themes of devotion, betrayal, and the ephemeral nature of worldly pursuits. John Dryden, the eminent English poet and playwright, leaves an indelible mark with his poignant portrayal of human passion. Explore the profound depths of emotion and the human experience in All for Love or The World Well Lost, a tragic masterpiece by a literary luminary.
This is a laugh-out-loud exploration of sexuality, family, female friendship, grief, and community. With the heart and hilarity of Netflix's critically-acclaimed Sex Education, Wibke Brueggemann's sex positive debut Love Is for Losers is required reading for Generation Z teens. Did you know you can marry yourself? How strange / brilliant is that? Fifteen-year-old Phoebe thinks falling in love is vile and degrading, and vows never to do it. Then, due to circumstances not entirely in her control, she finds herself volunteering at a local thrift shop. There she meets Emma . . . who might unwittingly upend her whole theory on life.
All for Love; or, the World Well Lost, is a 1677 heroic drama by John Dryden which is now his best-known and most performed play. It is a tragedy written in blank verse and is an attempt on Dryden's part to reinvigorate serious drama. It is an acknowledged imitation of Shakespeare's Antony and Cleopatra, and focuses on the last hours of the lives of its hero and heroine. Although it ostensibly deals with the same topic as Shakespeare's Antony and Cleopatra, Dryden confines the action to Alexandria and focuses on the end of their doomed relationship. It first appeared in 1677, was revived in 1704 and performed 123 times between 1700 and 1800, becoming the preferred version of the story; Shakespeare's play did not reappear on the London stage until 1813. The original 1677 production by the King's Company starred Charles Hart as Marc Antony and Elizabeth Boutell as Cleopatra, with Michael Mohun as Ventidius and Katherine Corey as Octavia. The play was revived at Lincoln's Inn Fields in February 1704, with Betterton as Antony, Mrs. Barry as Cleopatra, Wilks as Dolabella, and Mrs. Bracegirdle as Octavia; at Drury Lane in December 1718, with Booth as Antony, Mrs. Oldfield as Cleopatra, and Mrs. Porter as Octavia. (wikipedia.org)
This books looks at Antony and Cleopatra in performance from 1606 to 2018, examining how actors, directors and designers pick up the play's themes of desire and delinquency, exoticism and erotic politics to locate the most ambituous love story ever told in a new present. Is the play tragedy? Comedy? Farce? Rutter shows it's all three.