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An encyclopaedic exploration into the graffiti writing movement, which focuses specifically on the exportation of the style from its New York origins across the Atlantic to Europe, where the scene is now thriving and growing in new directions. Beautifully executed, All City Writers is produced to be the archive of the transitory and temporary work that would otherwise be lost. Included are the first hand-made maps, over 300 articles and interviews, over 30 illustrations and hundreds of full-colour photographs - a must-have for any graffiti fan.
“We could have been called a lot of things: brazen vandals, scared kids, threats to social order, self-obsessed egomaniacs, marginalized youth, outsider artists, trend setters, and thrill seekers. But, to me, we were just regular kids growing up hard in America and making the city our own. Being ‘writers’ gave us something to live for and ‘going all city’ gave us something to strive for; and for some of my friends it was something to die for.” In the age of commissioned wall murals and trendy street art, it’s easy to forget graffiti’s complicated and often violent past in the United States. Though graffiti has become one of the most influential art forms of the twenty-first century, cities across the United States waged a war against it from the late 1970s to the early 2000s, complete with brutal police task forces. Who were the vilified taggers they targeted? Teenagers, usually, from low-income neighborhoods with little to their names except a few spray cans and a desperate need to be seen—to mark their presence on city walls and buildings even as their cities turned a blind eye to them. Going All City is the mesmerizing and painful story of these young graffiti writers, told by one of their own. Prolific LA writer Stefano Bloch came of age in the late 1990s amid constant violence, poverty, and vulnerability. He recounts vicious interactions with police; debating whether to take friends with gunshot wounds to the hospital; coping with his mother’s heroin addiction; instability and homelessness; and his dread that his stepfather would get out of jail and tip his unstable life into full-blown chaos. But he also recalls moments of peace and exhilaration: marking a fresh tag; the thrill of running with his crew at night; exploring the secret landscape of LA; the dream and success of going all city. Bloch holds nothing back in this fierce, poignant memoir. Going All City is an unflinching portrait of a deeply maligned subculture and an unforgettable account of what writing on city walls means to the most vulnerable people living within them.
This compelling look at graffiti explores the many aspects of this shocking, raw, and often vulgar art form that are not typically discussed. The hearts and minds of obsessive graffiti writers are revealed, and a range of controversial topics are addressed. What motivates them? How do they live? Why and how do they become interested in what many see as vandalism? The techniques and tools of the trade are examined, and interviews with notorious graffiti writers from around the world are included. Filled with stunning and rare color photographs of some of the deadliest tags, throw-ups, cross-outs, and burners from the private collections of graffiti legends, this book will be treasured by graffiti writers, those fascinated by hip-hop culture, and individuals interested in urban art and the lives and motives of obsessive vandals.
In a near-future New York City in which both global warming and a tremendous economic divide are making the city unlivable for many, a huge superstorm hits, leaving behind only those who had nowhere else to go and no way to get out. Makayla is a twenty-four-year-old woman who works at the convenience store chain that’s taken over the city. Jesse, an eighteen-year-old, genderqueer, anarchist punk lives in an abandoned IRT station in the Bronx. Their paths cross in the aftermath of the storm when they, along with others devastated by the loss of their homes, carve out a small sanctuary in an abandoned luxury condo. In an attempt to bring hope to those who feel forsaken, an unnamed, mysterious street artist begins graffitiing colorful murals along the sides of buildings. But the castaways of the storm aren’t the only ones who find beauty in the art. When the media begins broadcasting the emergence of the murals and one appears on the building Makayla, Jesse, and their friends are living in, it is only a matter of time before those who own the building come back to claim what is theirs. All City is more than a novel, it’s a foreshadowing of the world to come.
Sutherland captures the gritty glory and glamour of this controversial art form in New York, presenting a unique portrait of the graf scene in the metropolis. He features the work of 53 artists, from the present and past generations.
Should graffiti writers organize to tear up the cities, or should they really be bombing the 'burbs? That's the question posed by William Upski Wimsatt in his seminal foray into the world of hip-hop, rap, and street art, and the culture and politics that surround it. Taking on a broad range of topics, including suburban sprawl, racial identity, and youth activism, Wimsatt (a graffiti artist himself) uses a kaleidoscopic approach that combines stories, cartoons, interviews, disses, parodies, and original research to challenge the suburban mindset wherever it's found: suburbs and corporate headquarters, inner cities and housing projects, even in hip-hop itself. Funny, provocative, and painfully honest, Bomb the Suburbs encourages readers to expand their social boundaries and explore the vibrant, chaotic world that exists beyond their comfort zones.
NATION BU$INE$$ unfolds on the game-saturated streets of Chicago. KASE, a swole brotha covered in tats, with a $30,000 grill, and a fetish for more money and thick women, is a major factor in his mob's lucrative drug trade. Born and bred on the streets, KASE's juice within the Black P. Stones reaches from the corner arab store all the way down state to the max joints behind the walls of Illinois' prison system. While in the joint, KASE drew up a one-year plan to shake the game with enough money to go legit. Well that year has come and gone and KASE still finds himself sitting at the table unable to push his plate away because his plan didn't take into account his greed, or his addiction to the dope dealers' lifestyle. His inability to do so puts not only all he has worked for, but his life in jeopardy.
A sweeping history of Los Angeles told through the lens of the many marginalized groups—from hobos to taggers—that have used the city’s walls as a channel for communication Graffiti written in storm drain tunnels, on neighborhood walls, and under bridges tells an underground and, until now, untold history of Los Angeles. Drawing on extensive research within the city’s urban landscape, Susan A. Phillips traces the hidden language of marginalized groups over the past century—from the early twentieth-century markings of hobos, soldiers, and Japanese internees to the later inscriptions of surfers, cholos, and punks. Whether describing daredevil kids, bored workers, or clandestine lovers, Phillips profiles the experiences of people who remain underrepresented in conventional histories, revealing the powerful role of graffiti as a venue for cultural expression. Graffiti aficionados might be surprised to learn that the earliest documented graffiti bubble letters appear not in 1970s New York but in 1920s Los Angeles. Or that the negative letterforms first carved at the turn of the century are still spray painted on walls today. With discussions of characters like Leon Ray Livingston (a.k.a. “A-No. 1”), credited with consolidating the entire system of hobo communication in the 1910s, and Kathy Zuckerman, better known as the surf icon “Gidget,” this lavishly illustrated book tells stories of small moments that collectively build into broad statements about power, memory, landscape, and history itself.
At its rhythmic, beating heart, Close to the Edge asks whether hip hop can change the world. Hip hop—rapping, beat-making,b-boying, deejaying, graffiti—captured the imagination of the teenage Sujatha Fernandes in the 1980s, inspiring her and politicizing her along the way. Years later, armed with mc-ing skills and an urge to immerse herself in global hip hop, she embarks on a journey into street culture around the world. From the south side of Chicago to the barrios of Caracas and Havana and the sprawling periphery of Sydney, she grapples with questions of global voices and local critiques, and the rage that underlies both. An engrossing read and an exhilarating travelogue, this punchy book also asks hard questions about dispossession, racism, poverty and the quest for change through a microphone.
Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States. According to the latest census data, less than 13 percent of the U.S. population identifies as African American; African Americans are still very much a minority group. Yet African American cultural expression and strong influences from African American culture are common across mainstream American culture—in music, the arts, and entertainment; in education and religion; in sports; and in politics and business. African American Culture: An Encyclopedia of People, Traditions, and Customs covers virtually every aspect of African American cultural expression, addressing subject matter that ranges from how African culture was preserved during slavery hundreds of years ago to the richness and complexity of African American culture in the post-Obama era. The most comprehensive reference work on African American culture to date, the multivolume set covers such topics as black contributions to literature and the arts, music and entertainment, religion, and professional sports. It also provides coverage of less-commonly addressed subjects, such as African American fashion practices and beauty culture, the development of jazz music across different eras, and African American business.