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Seven-year-old Lisa tells 29 happy and satisfying stories about the adventures and celebrations of six children who live side by side in the Swedish village of Bullerby.
Welcome to Noisy Village! Well, it's not really quite what it sounds. Lisa, who tells the story, lives on Middle Farm with her parents and two brothers, Karl and Bill. Britta and Anna live at North Farm and Olaf and Kerstin live at South Farm. It is because the houses are right next door to each other in a clump as they liked to do these things in rural Sweden years ago, and because the because the children make so much racket that the farmhouses came to be so honestly and happily named. A large linden tree grows between Middle and South Farms and so the boys in the two houses visit each other by climbing through the branches--even the girls do it sometimes, like the night they all waited for Olaf to go to sleep so that they could pull out his loose tooth without his knowing it! That is only one of the many escapades designed to make readers young and old wish they could step right into the pages of this little book. Join the fun in this companion volume to The Children of Noisy Village (published by Viking Penguin). Illustrated with delightful line drawings by Ilon Wikland; translated by Florence Lamborn.
This story from the author of Pippi Longstocking tells of the adventures of Lisa, her brothers and their three friends.
The first English†‘language biography of Astrid Lindgren provides a moving and revealing portrait of the beloved Scandinavian literary icon whose adventures of Pippi Longstocking have influenced generations of young readers all over the world. Lindgren’s sometimes turbulent life as an unwed teenage mother, outspoken advocate for the rights of women and children, and celebrated editor and author is chronicled in fascinating detail by Jens Andersen, one of Denmark’s most popular biographers. Based on extensive research and access to primary sources and letters, this highly readable account describes Lindgren’s battles with depression and her personal struggles through war, poverty, motherhood, and fame. Andersen examines the writer’s oeuvre as well to uncover the secrets to the books’ universal appeal and why they have resonated so strongly with young readers for more than seventy years.
Billedbog i farver om Bulderby-børnenes juleforberedelser og jul
This fascinating book examines theories of children's perceptions of space and place and explores how these theories are applied to the world of children. The focus is on children in large real world spaces; places that children live in, explore and learn from. An international team of authors compare the experiences of children from different cultures and backgrounds. This book will appeal t o environmental and developmental psychologists and geographers, and also to planners by linking research on children's understandings and on their daily lives to recommendations for practice.
“Charming and imaginative, and full of endearing characters who excel at kindness as only animals can. With stories that highlight the power of friendship, Heartwood Hotel is sure to leave readers eager to visit again.” —Ashley Spires, author and illustrator of The Most Magnificent Thing “If there’s one thing Vancouver author Kallie George knows, it’s how to create a tale full of whimsy.” —Quill & Quire Downton Abbey meets The Tale of Peter Rabbit in this heartwarming chapter book about a mouse discovering where she belongs. When Mona the mouse stumbles across the wondrous world of the Heartwood Hotel in the middle of a storm, she desperately hopes the staff will let her stay. As it turns out, Mona is precisely the maid they need at the grandest hotel in Fernwood Forest, where animals come from far and wide for safety, luxury and comfort. But it’s not all acorn soufflé and soft, moss-lined beds. Danger lurks nearby, and as it approaches, Mona has to use all her wits to protect the place she’s come to love. Because this hotel is more than a warm shelter for the night. It might also be a home. This delightfully enticing story of friendship, courage and community, sweetly illustrated by Stephanie Graegin, kicks off a new chapter-book series by the author of the Magical Animal Adoption Agency books.
It's a beautiful, sunny Easter Sunday in Sweden. The farmer and his family are having breakfast before going to church and the farm workers are going about their daily chores. But Goran the bull is angry. He breaks loose from his stall, and charges down the barn and out into the yard. People gather from miles around to see the raging bull. But who will dare to cross Goran's path? Will he stay angry forever? Karl, a seven-year-old farm boy, has a plan. Can a very small boy tame a very big bull? A delightful story by acclaimed author Astrid Lindgren. The exquisitely detailed illustrations of wooden houses, farming families in their Sunday best and groves of white birch trees give a vivid sense of springtime on a Swedish farm of long ago. (Ages 4-7)
An Astrid Lindgren bedtime story available for the first time in English
THE COUNTRY CHILD by ALISON UTTLEY - Originally published in 1931. CONTENTS I . DARK WOOD . . I1 . WINDYSTONHEA LL . I11 . IDOLS . . . . IV . SCHOO . L . . . V . SERVING-MEN . . V1 . THE CIRCU . S . . V11 . THE SECRE . T . . V111 . TREES . . . . IX . LANTERNLI GHT . . X . MOONLIGH . T . . XI . DECEMBER . . . XI1 . CHRISTMADSA Y . . XI11 . JANUARY . . . XIV . THE EASTERE GG . XV . SPRING . . . . XVI . THE THREE CHAMBERS XVII. THE GARDEN . . XVIII . THE OATCAKME AN . XIX . MOWING-TIME . . XX . THE HARVEST . . XXI . THE WAKE . S . . vii THE COUNTRY CHILD DARK WOOD THE DARK WOOD WAS GREEN AND gold, green where the oak trees stood crowded together with misshapen twisted trunks, red-gold where the great smooth beeches lifted their branching arms to the sky. In between jostled silver birches - olive - tinted fountains which never reached the light-black spruces with little pale candles on each tip, and nut trees smothered to the neck in dense bracken. he bracken was a forest in itself, a curving verdant flood of branches, transparent as water by the path, but thick, heavy, secret a foot or two away, where high ferny crests waved above the softly moving ferns, just as the beech tops flaunted above the rest of the wood. The rabbits which crept quietly in and out reared on their hind legs to see who was going by. They pricked their ears and stood erect, and then dropped silently on soft paws and disappeared into the close ranks of brown stems when they saw the child. . She walked along the rough path, casting fearful glances to right and left. She never ran, even in moments of greatest terror, when things seemed very near, for then They would know she was afraid and dose round her. Gossamer stretched across the way from nut bush to bracken frond, and clung to her cold cheeks. Spilt acorns and beech mast Iay thick on the ground, green and brown patterns in the upside-down red leaves which made a carpet. Heavy rains had swept the soil to the lower 1eveIs of the path, and laid bare the rock in many places. On a sandy patch she saw her own footprint, a little square toe and a horse-shoe where the iron heel had sunk. That was in the morning when all was fresh and fair. It cheered her to see the homely mark, and she stayed a moment to look at it, and replace her foot in it, as Robinson Crusoe might have done, A squirrel, rippling along a leafy bough, peered at her, and then, finding her so still, ran down the tree trunk and along the ground. Her step was strangely silent, and a close observer would have seen that she walked only on the soil between the stones of the footpath, stones of the earth itself, which had worn their way through the thin layer of grass. Her eyes and ears were as alert as those of a small wild animal as she slid through the shades in the depths of the wood...