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In-depth coverage of popular percussion instruments, including history, tuning, maintenance, techniques, exercises, ensembles, and more, from a world-renowned educator and performer, Kalani. Each book comes with an enhanced CD featuring additional multimedia content, including demonstrations of all rhythms and techniques and tuning instructions.
In-depth coverage of popular percussion instruments, including history, tuning, maintenance, techniques, exercises, ensembles, and more, from a world-renowned educator and performer, Kalani. Each book comes with an enhanced CD featuring additional multimedia content, including demonstrations of all rhythms and techniques and tuning instructions.
A complete study, including illustrations, on all the Latin rhythms.
Basic rhythms, variations, fill-ins, short solos for the bolero, cha-cha, merengue, mambo, guaracha, rumba, modern jazz and more.
This book and accompanying audio are a perfect introduction to the conga drum. The book includes lessons on music notation, posture, positioning, tuning, and hand strokes. There are also many exercises, examples of Latin rhythms, andeven some history of the instrument. Written by best-selling Mel Bay author Trevor Salloum, this method is all you need to start playing the conga today!
Play Congas Now is a step-by-step method that teaches all the fundamentals of conga playing. You will learn hand positions and techniques, basic reading skills, different styles of rhythms and patterns, tuning and maintenance, drum set and school jazz band applications, and a brief history of the conga drums. The accompanying CD includes all exercises and has play-along tracks to practice with. The styles covered in the book are Afro-Cuban, Puerto Rican, Dominican, pop, rock, funk, and R & B rhythms. Play Congas Now is a must for the beginner who wants to get started on congas or an intermediate player who wants an excellent practice tool to refine his or her skills. Book jacket.
This book--which won the 2000 DRUM Magazine Readers' Poll for "Best Instructional Book"--is a complete, step-by-step course on conga drumming. It's the book we looked for but couldn't find when we were first learning to drum. We did everything we could to make it user-friendly, so even non-musicians could understand it. The book teaches families of drum parts for several authentic Afro-Caribbean rhythms, including rumba, bomba, calypso, conga, and bembe. The instruction is clear and step-by-step, and the writing creates the intimate feel of private lessons. The charts are big and easy to read. Life-like illustrations clearly demonstrate proper technique for each stroke. Please note: audio files of the CD that comes with the print version of this book are not included in this ebook version (but are available separately).
The first book ever published on how to play the conga and bongo drum in jazz. This text is an essential tool for band teachers and drummers playing LatinPercussion in jazz with special emphasis on swing. Includes chapters on history,description, tuning, position/posture, notation, strokes, rhythms, etc. Completewith photos, interviews, music transcriptions and video links. This much-needed text fills a niche in the application of the conga and bongo drum in jazz. Special features include archival photos, a rare interview with legendary jazz guitaristKenny Burrell, online companion video with Candido and Bobby Sanabria and the most comprehensive discography ever complied on the use of conga and bongo drums in jazz with over 100 listings and commentary including Candido, Ray Barretto, Armando Peraza, Willie Bobo, Luis Miranda, Patato Valdez, Willie Rodriguez, Tata Guines and many more
Pop music does not define a fixed musical style. It is a musical genre with many influences. It can be inspired by all existing musical styles: African music, Brazilian music but why not Indian music etc. Without being a specialist in all these musics, the percussionist playing a repertoire of Pop music must have notions of Jazz, R&B, Funk, Rock and World Music as broad as possible. He may need to imitate this music. This constitutes a know-how in its own right. The conga player must have many qualities in addition to adaptability. He must be versatile and multi-percussionist with the practice of as many instruments as possible. It must be open to world music because today, music mixes and merges more and more. In conclusion, this book offers a number of patterns in various styles noted over time. It is up to you to adapt them to your taste, your needs and your style.