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ItÕs one of the most famous sports images of all time. Former heavyweight boxing champion Sonny Liston is sprawled on his back in the boxing rim. Muhammad Ali stands over Liston, holding his right hand as if ready to throw another punch. The reigning world champion had just thrown a short, right-handed punch to the side of ListonÕs head. In a flash, Liston had gone down. The photo of the angry Ali standing over the fallen challenger was taken in an instant by photojournalist John Rooney, but the controversy over the 1965 fight lingers to this day.
Can a photograph change the world? The answer is yes! Captured History explores how a single moment captured on film can influence society and change the course of history. Combining art, history, and media literacy, this series looks at some of the most famous photographs and details how and why these images resonate today and what effect they had when they were published.
Based on more than 500 interviews, including Muhammad Ali's closest associates, and enhanced by access to thousands of pages of newly released FBI records, this is a thrilling story of a man who became one of the great figures of the twentieth century.​
The two bouts between Cassius Clay and Sonny Liston are widely considered the most anticipated and controversial fights in heavyweight boxing. Cassius Clay won the first bout in Miami Beach in February 1964, when Liston refused to come out for the seventh round. The second fight took place in Lewiston, Maine, fifteen months later in May 1965. Halfway through the first round, Ali countered a left from Liston with a fast right, knocking Liston down. He did not get up. Ali’s right was so fast many spectators never even saw it. It was quickly dubbed the Phantom Punch and rumors began to swirl that Liston had thrown the fight. Many who believed Liston—a brutal fighter who picked up boxing in prison—had also thrown the first fight the year before in Miami were now vindicated. Journalist and sports historian Rob Sneddon takes a fresh look at the infamous Muhammad Ali–Sonny Liston fight of May 25, 1965, which ended in chaos at a high school hockey rink in Lewiston, Maine. Sneddon digs deep into the fight’s background and comes up with fascinating new takes on boxing promotion in the 1960s; on Ali’s rapid rise and Liston’s sudden fall; on how the bout ended up in Lewiston —and, of course, on Ali’s phantom punch. That single lightning-quick blow triggered a complex chain reaction of events that few people understood, either then or now. Even if you’ve seen films of the fight and think you know what happened, this book will change your perspective on boxing’s greatest controversy.
ItÕs one of the most famous sports images of all time. Former heavyweight boxing champion Sonny Liston is sprawled on his back in the boxing rim. Muhammad Ali stands over Liston, holding his right hand as if ready to throw another punch. The reigning world champion had just thrown a short, right-handed punch to the side of ListonÕs head. In a flash, Liston had gone down. The photo of the angry Ali standing over the fallen challenger was taken in an instant by photojournalist John Rooney, but the controversy over the 1965 fight lingers to this day.
The anti-Ali, Sonny Liston represents everything that is compelling and terrifying about boxing. An overwhelmingly powerful fighter, Liston rose from a desperately poor childhood to street criminal to world heavyweight champion. He then became the pawn of a series of criminal organizations and was shadowed throughout his life by government investigations, arrests, and the rumor of corruption. The Devil and Sonny Liston is not just the biography of a boxer; it is one of the greatest organized-crime stories ever told and confirms Toschess place as one of the most powerful and original writers of our time. Toschess acclaimed biography of Dean Martin, Dino, sold more than 110,000 copies From the rappers Wu-Tang Clan to writer Thom Jones, people are fascinated by Sonny Liston and by boxing in general. King of the World by David Remnick sold more than 100,000 copies. Tom Cruises Cruise/Wagner Productions is at work on a movie based on this book. A collection of Toschess best writing, The Nick Tosches Reader, is due out in 2000. Tosches is a contributing editor of Vanity Fair.
Named one of the "40 Best Books of 2016" by The New York Post "Inoki can use his bare fists. He can use karate. This is serious. There's $10 million involved. I wouldn't pull a fraud on the public. This is real. There's no plan. The blood. The holds. The pain. Everything is going to be real. I'm not here in this time of my life to come out with some phony action. I want you to know this is real." —Muhammad Ali, June 14, 1976, The Tonight Show On June 26, 1976, Muhammad Ali fought in a mixed-rules contest against iconic pro wrestling champion Antonio Inoki for the so-called "martial arts championship of the world." Broadcast from Tokyo to a potential audience of 1.4 billion in 34 countries, the spectacle foreshadowed and, in many ways, led to the rise of mixed martial arts as a major sport. The unique contest was controversial and panned by wrestling and boxing supporters alike, but the real action was behind the scenes. Egos, competing interests, and a general sense of apprehension over what would happen in the ring led to hodgepodge rules thrown together at the last minute. Bizarre plans to "save" Ali if the fight got out of hand were even concocted. In Ali vs. Inoki, author Josh Gross gets inside Ali's head leading up to the match by resurrecting pre-fight interviews. Gross also introduces us to Inoki, the most famous face in Japan who was instrumental in shaping modern mixed martial arts.
Writers have long been attracted to boxing. Hemingway, Mailer, Algren, Plimpton, Oates, and many others have stepped into the ring?at least in spirit?to give voice to an otherwise wordless sport, to celebrate that ?sweet science,? and to bear witness to its romance and tragedy. In this acclaimed book, hailed by Norman Mailer as an ?impressive event,? we are brought for the first time into the ring for a close-up look at the ?manly art? through the eyes of Josä Torres, a man who was a great boxer himself. When former light-heavyweight world champion Torres traded in his gloves for a typewriter, boxing finally found its eyewitness. In the classic Sting Like a Bee, Torres turns his well-trained eye on one of the most celebrated and controversial athletes of all time: Muhammad Ali. In this penetrating view of Ali and the world of prizefighting, told by a true insider and ?boxing?s Renaissance man,? Torres delivers exciting and explicit accounts of all of Ali?s major fights with the cool authenticity of one who has lived it.
GOAT - GREATEST OF ALL TIME: A Tribute to Muhammad Ali "... the biggest, heaviest, most radiant thing ever printed in the history of civilization. - Der Spiegel, Hamburg, October 6, 2003 Muhammad Ali is one of the most remarkable personalities of our time and the greatest sportsman ever to walk the earth. To honor this living legend, TASCHEN has created a work that is epic in scale and as unique and vibrant as the man himself. A worthy tribute to his life should reflect the scale of his achievements, and GOAT - GREATEST OF ALL TIME is fully up to that task: The Collector's Edition: No. 1,001 - 10,000 The "Collector's Edition" shows Ali's torso with pink lettering. Limited to 9,000 individually numbered copies, each one signed by Muhammad Ali and Jeff Koons. Every "Collector's Edition" comes with the photo-litho Radial Champs by Jeff Koons in the size 50 x 40 cm (20" x 16"). Over 3,000 images - photographs, art and memorabilia, much of it published for the first time - from over 150 photographers and artists. Original essays and the best interviews and writing on the Champ of the last five decades, from hundreds of writers, totaling 600,000 words. XXL-format: 792 pages, including two gatefold sequences measuring 200 cm x 50 cm (80" x 20") and nine gold-metallic double-page spreads printed in silkscreen, open each chapter. Measuring 50 cm x 50 cm (20" x 20"), GOAT tips the scales at 34 kgs (75 lbs). Each copy comes in a silk-covered box illustrated with Neil Leifer's iconic 1966 photo, Ali vs Williams. Bound by the official bindery for the Vatican, in pink leather, the color of Ali's first Cadillac. The bindery, specializing in the most elaborate and oversized editions of the Bible and the Koran, enforces the strictest standards of quality control and only several hundred copies can be assembled per week. Utilizing state-of-the-art digital technology, no expense has been spared to restore the original photographic materials to the highest possible standards. The results of this effort create unparalleled intensity and range in the colors, and exquisite tone and density within the duotone images. Eight-color printing on Galaxi Keramik 200 gsm semi-matte paper with gloss varnish on all images. Prioritized delivery of GOAT has started in the Spring of 2004. As copies are completed they will ship to customers in the order in which the pre-orders were received. "Full of stunning, never seen before photographs and articles, GOAT will fairly take your breath away with its sheer beauty and size. The book is a must-have collector's item." --In Press, Manila, on GOAT
An account of the explosion of the Beatles' popularity in the U.S. includes 450 photos and images from period publications, album art work, merchandising and publicity materials, and documents from various legal tussles between record labels after the Beatles' worth became evident.