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The first monograph on the influential 20th-century artist Alighiero e Boetti and his groundbreaking works
"The conditions for a life of passion were there, but I had to destroy them in order to salvage them." --Alighiero Boetti, 1969 Through previously unpublished works, this book offers a sophisticated portrait of a man who first and foremost was a philosopher of depth, subtlety and irony. Alighiero e Boetti invented and reinvented the world via the freest of artistic intervention, ever subverting its conventions. Included are his graphite reproductions of magazine covers from 1986, his postal works and his always astonishing maps.
The term mantle has inspired philosophers, geographers, and theologians and shaped artists’ and mapmakers’ visual vocabularies for thousands of years. According to Veronica della Dora, mantle is the “metaphor par excellence, for it unfolds between the seen and the unseen as a threshold and as a point of tension.” Featuring numerous illustrations, The Mantle of the Earth: Genealogies of a Geographical Metaphor is an intellectual history of the term mantle and its metaphorical representation in art and literature, geography and cartography. Through the history of this metaphor from antiquity to the modern day, we learn about shifting perceptions and representations of global space, about our planetary condition, and about the nature of geography itself.
La mostra e il catalogo illustrano il metodo creativo di Alighiero Boetti (1940-1994), un artista "singolare" che nel tempo à ̈ riuscito a diventare "plurale", cambiando nel 1972 il proprio nome in Alighieroamp;Boetti. Torinese d'origine, à ̈ stato tra i piÃ1 importanti esponenti del movimento Arte povera e dell'Arte Concettuale. Nel corso della sua vita si avvicina a molteplici discipline dalla musica alla matematica, dalla filosofia all'esoterismo, dalle culture africane a quelle del Medio ed Estremo Oriente, verso le quali compie molti dei suoi viaggi. Ogni progetto artistico ha sempre al centro un primo momento di ideazione, svolto singolarmente dell'artista, e poi concretizzato, materializzato e diffuso attraverso un'elaborazione a piÃ1 mani nella quale gli esecutori non sono semplice manovalanza ma artefici. Boetti dà vita a un concetto di creatività diffusa: l'artista dà i suoi input al corpo sociale che raccogliendoli si fa artefice, confermando un rapporto di scambio e di complice dignità . Il percorso della mostra intende sottolineare il nomadismo culturale ed esistenziale di un artista che à ̈ riuscito a sdoppiarsi iconograficamente in Alighieroamp;Boetti e attraverso l'opera, mediante il momento esecutivo, a ricongiungersi con il mondo. Per questo il titolo della mostra à ̈ "Mettere all'arte il mondo": indica l'attitudine di un grande artista che ha voluto far socializzare la propria creatività , sviluppando come metodo l'interattività e la comunicazione dell'arte nella società di massa. Annotation Supplied by Informazioni Editoriali
Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign colour decisions to chance, readymade source or arbitrary system. Midway through the 20th century, long-held convictions regarding the spiritual truth or scientific validity of particular colours gave way to an excitement about colour as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol's 'I want to be a machine'; the artistry of mixing pigments was eclipsed by Frank Stella's 'Straight out of the can; it can't get better than that'. This book, and the exhibition it accompanies, is the first devoted to this pivotal transformation, and features work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
The text in this book is in fact a dialogue which is perhaps the best way to critically approach suc h a difficult work, also because it fully respects one of the standard practices invented by Boetti. The conversation is between three people.