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"Published to accompany the first large-scale retrospective of Alighiero Boetti's work outside Italy in over a decade, this volume presents the most comprehensive overview of the artist's career to date. Covering all periods of Boetti's broad oeuvre--including early sculptural experiments associated with Arte Povera, ephemeral Conceptual projects of the 1970s, and monumental embroideries and tapestries fabricated up to his death in 1994--this richly illustrated catalogue brings together leading international critics and curators, each examining a different aspect of Boetti's achievements, together helping to explain why he remains both influential and inspiring nearly two decades after his death." -- Publisher's description.
Issued in connection with an exhibition held February 26-July 29, 2012, Fowler Museum at UCLA.
Xavier Hufkens is pleased to present a two-venue exhibition of new paintings and collages by Los Angeles-based artist Sterling Ruby.0Ruby?s DRFTRS and WIDW series are two ever-evolving bodies of work that bear witness to the artist?s intense relationship with materials and his interest in issues such as sociocultural evolution, popular culture, and violence. 0The WIDW paintings (an acronym for ?window?), are executed in acrylic, oil paint, and collaged fragments of cardboard and textile on canvas. In their composite nature, they closely relate to the DRFTRS works on paper. But the materials used in this series reflect yet another form of archaeology: the excavation of the artist?s studio.00Exhibition: Xavier Hufkens Gallery, Brussels, Belgium (07.09.-20.10.2018).
This memoir is both a private testimony and a critical study, written by the woman who was Boetti's companion during the first 20, and most decisive, years of his career. It is also an album of photographs and drawings, many of them never before published. Witness the very individual journey of the "shaman/showman," as Boetti referred to himself, evoked through images and words that recall the key events, times, and places of the 1960s and 70s generation of artists. Boetti's artistic output spanned 30 years, from 1964 until his death in 1994, and he was prolifically inventive. He graduated from Arte Povera to Conceptualism with an enchanting playfulness, but also with powerful philosophical and geopolitical intuitions that only now fully reveal their prophetic nature.
The text in this book is in fact a dialogue which is perhaps the best way to critically approach suc h a difficult work, also because it fully respects one of the standard practices invented by Boetti. The conversation is between three people.
Edited by one of the world’s foremost authorities on the subject, Arte Povera is the most complete overview of this movement ever published.
Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign colour decisions to chance, readymade source or arbitrary system. Midway through the 20th century, long-held convictions regarding the spiritual truth or scientific validity of particular colours gave way to an excitement about colour as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol's 'I want to be a machine'; the artistry of mixing pigments was eclipsed by Frank Stella's 'Straight out of the can; it can't get better than that'. This book, and the exhibition it accompanies, is the first devoted to this pivotal transformation, and features work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.
The term Arte Povera was coined in 1967 by the critic Germano Celant to describe a group of Italian artists making work that used the simplest means to create poetic statements based on events of everyday life. Seen as a reaction against the commercialism of the art market and the dominance of American Minimalist and Pop art, the work demonstrated a keen hunger to explore new materials. In this fully illustrated survey, Robert Lumley provides a concise and highly readable interpretation of Arte Povera informed by extensive interviews with the artists themselves.