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The term "ideology" can cover almost any set of ideas, but its power to bewitch political activists results from its strange logic: part philosophy, part science, part spiritual revelation, all tied together in leading to a remarkable paradox--that the modern Western world, beneath its liberal appearance, is actually the most systematically oppressive system of despotism the world has ever seen. Alien Powers: The Pure Theory of Ideology takes this complex intellectual construction apart, analyzing its logical, rhetorical, and psychological devices and thus opening it up to critical analysis. Ideologists assert that our lives are governed by a hidden system. Minogue traces this notion to Karl Marx who taught intellectuals the philosophical, scientific, moral, and religious moves of the ideological game. The believer would find in these ideas an endless source of new liberating discoveries about the meaning of life, and also the grand satisfaction of struggling to overcome oppression. Minogue notes that while the patterns of ideological thought were consistent, there was little agreement on who the oppressor actually was. Marx said it was the bourgeoisie, but others found the oppressor to be males, governments, imperialists, the white race, or the worldwide Jewish conspiracy. Ideological excitement created turmoil in the twentieth century, but the defeat of the more violent and vicious ideologies--Nazism after 1945 and Communism after 1989--left the passion for social perfection as vibrant as ever. Activist intellectuals still seek to "see through" the life we lead. The positive goals of utopia may for the moment have faded, but the ideological hatred of modernity has remained, and much of our intellectual life has degenerated into a muddled and dogmatic skepticism. For Minogue, the complex task of "demystifying" the "demystifiers" requires that we should discover how ideology works. It must join together each of its complex strands of thought in order to understand the remarkable power of the whole.
The term "ideology" can cover almost any set of ideas, but its power to bewitch political activists results from its strange logic: part philosophy, part science, part spiritual revelation, all tied together in leading to a remarkable paradox--that the modern Western world, beneath its liberal appearance, is actually the most systematically oppressive system of despotism the world has ever seen. Alien Powers: The Pure Theory of Ideology takes this complex intellectual construction apart, analyzing its logical, rhetorical, and psychological devices and thus opening it up to critical analysis. Ideologists assert that our lives are governed by a hidden system. Minogue traces this notion to Karl Marx who taught intellectuals the philosophical, scientific, moral, and religious moves of the ideological game. The believer would find in these ideas an endless source of new liberating discoveries about the meaning of life, and also the grand satisfaction of struggling to overcome oppression. Minogue notes that while the patterns of ideological thought were consistent, there was little agreement on who the oppressor actually was. Marx said it was the bourgeoisie, but others found the oppressor to be males, governments, imperialists, the white race, or the worldwide Jewish conspiracy. Ideological excitement created turmoil in the twentieth century, but the defeat of the more violent and vicious ideologies--Nazism after 1945 and Communism after 1989--left the passion for social perfection as vibrant as ever. Activist intellectuals still seek to "see through" the life we lead. The positive goals of utopia may for the moment have faded, but the ideological hatred of modernity has remained, and much of our intellectual life has degenerated into a muddled and dogmatic skepticism. For Minogue, the complex task of "demystifying" the "demystifiers" requires that we should discover how ideology works. It must join together each of its complex strands of thought in order to understand the remarkable power of the whole.
Today, almost two decades after her death, Margaret Laurence remains one of Canada's best-known and most beloved writers. Twice winner of the Governor General's Award for fiction, she was, as the late William French wrote, "more profoundly admired than any other Canadian novelist of her generation." Lyall Powers is both a respected scholar of literature and a lifelong friend of Laurence's, having met her when they were students together at Winnipeg's United College in the 1940s. Alien Heart is the first full-length biography of Margaret that combines personal knowledge and insights about Laurence with a study of her work, which often paralleled the events and concerns in her own life. Drawing on letters, personal correspondence, journals, and interviews, Lyall Powers discusses the struggles and triumphs Laurence experienced in her efforts to understand herself in the roles of writer, wife, mother, and public figure. He portrays a deeply compassionate and courageous woman, who yet felt troubled by conflicting demands. While Laurence's work is not directly autobiographical, Powers illustrates how her writing expressed many of the same dilemmas, and how the resolution her characters achieved in the novels and stories had an impact on Laurence's own life. Powers provides an in-depth analysis of all Laurence's work, including the early African essays, fiction, and translations, and her books for children, as well as the beloved Manawaka fiction. The study clearly shows the progression and expression of Laurence as a writer of great humanity and conscience.
From Illustrator, Writer, author, and artist Jamuel O Perez comes A Science Fiction 15 years in the making.The first installment: "Version One" Of Alien Superpowers Of the Multiverses, features a Portfolio of stunning science fiction detailed backgrounds from gargantuan space stations/spacedocks, Future Hypercities, Alien cities, Alien Galactic coalition Dysonspheres, covering a red Giant Star, and to Earth's Neo-Zero Order's Moon sized Mech War Carrier Fighting Superfortress. Where the author creates a universe in fully painted background illustrations then story written revolving around humanity's transcendence as Keepers and the Noble guardians/defenders of peace of the galaxy. A Glorified proud race that lives in Utopia where advancement, growth driven, empowerment, betterment, and appreciative of infinite diversities becomes humanity's prime directive.Only to discover overwhelming odds fighting advanced alien savages leading to an Opera of Spacewars to come.
The Moon is not a cold, dead rock but a rich, fascinating world just as alive as Earth • Investigates the Moon as the home of an alien intelligence who controls humanity • Examines several of NASA’s Apollo missions and the findings they concealed • Reveals the many holes in the “Giant Impact” theory about the Moon’s origins and the evidence for a hollow, artificial Moon • Explores the deep influence of the Moon on the collective mind of humanity and occult teachings about the Moon from the Qabbalah, tarot, and other sources Despite being the most prominent celestial body after the Sun, the Moon has many qualities that science has yet to explain. Lunar rock samples reveal the Moon once had a magnetic field like the Earth, and seismic experiments by NASA suggest the Moon is at least partially hollow. For centuries people have observed lights, moving clouds and shadows, and even the disappearance of entire craters via telescope. Apollo astronauts repeatedly felt the presence of a “non-human intelligence” during their Moon visits, and many indigenous traditions speak of malevolent visitors from the Moon. A growing body of astrophysical and geological evidence shows the Moon is not an entirely natural world--that someone or something altered it long ago. Louis Proud explores the phases and movements of the Moon along with its ancient and mysterious features--its craters, maria, rilles, tunnels, and domes. He examines several of NASA’s Apollo missions, showing not that NASA faked the Moon expeditions but that they concealed what the astronauts found there. He explains the many holes in the commonly accepted “Giant Impact” theory of the Moon’s origins and reveals the evidence for a hollow, artificial Moon placed in orbit eons ago to observe Earth. Examining the deep influence of the Moon on the collective mind of humanity, Proud looks at what the Qabbalah, the tarot, and other occult traditions say about the Moon and interprets G. I. Gurdjieff’s teachings that “we are food for the Moon.” He investigates the Moon as a gateway to another realm, as the Purgatory of Christianity, and as the home of an alien intelligence who controls and exploits humanity. Examining the Moon from both scientific and esoteric perspectives, Proud shows the Moon is not a cold, dead rock but a rich, fascinating world just as alive as Earth.
These writings opposed the Alien and Sedition Acts and initiated a debate about the respective powers of the federal government and states. Includes the Virginia Resolutions by James Madison, the Kentucky Resolutions by Thomas Jefferson and more.
Committee Serial No. 18. Considers legislation to establish post-war claims procedures for expropriated alien property.
In the first book of this middle grade sci-fi series, a teen gains alien superpowers that make him popular at school, but put him in mortal danger. Dweeb . . . Dork . . . These are names Ethan Rogers is used to being called in the halls of Metier Junior High. It’s safe to say that he’s an outcast. Outside of a brainy clique of nerds, Ethan doesn’t have many friends. Still, there are advantages to being from his small Wisconsin town, like Metier’s weird history of UFO sightings. For a comic book geek like Ethan, the possibility of seeing an alien is pretty awesome. Until he looks in the mirror on his thirteenth birthday and discovers he is an alien. At first, it’s not as bad as it seems. Ethan suddenly has powers greater than some of his favorite superheroes. Beating the school bully in a fight is pretty rad. And when Ethan foils a robbery attempt, he becomes a local hero. But being in the spotlight isn’t easy for Ethan, especially when he learns his kind has been targeted for termination . . .
The alien abduction phenomenon is one of the enduring enigmas of our time. While the reality of alien abductions is a hotly debated topic among UFO researchers, scientists, skeptics and true believers alike, the phenomenon indisputably exists as an artifact of popular culture. This book analyzes more than 75 films that draw their inspiration from allegedly fact-based accounts of alien contact, from 1951's The Man from Planet X to Contactee in 2021. These films are examined in terms of both their cinematic qualities and their exploration of thematic elements derived from abduction reports. Abduction motifs that appear in science fiction classics such as The Day the Earth Stood Still, 2001 and Close Encounters are analyzed, as well as those in lesser-known films like The Stranger Within, Starship Invasions, Dark Skies and Proximity. Special attention is given to movies based on the famed experiences of abductees Betty and Barney Hill, Whitley Strieber and Travis Walton. The book also addresses skeptical theories about the origins of the phenomenon in science fiction and examines an uncanny prescience that appears to anticipate these inexplicable occurrences.
"This is a work of meticulous logic and vast erudition. It provides an invaluable resource for anyone who has wondered why European elites embarked upon their disastrous cultural revolution in pursuit of abstract internationalist idealism, destroying in the process their intellectual land cultural heritage."-David Martin Jones, Associate Professor, Political Science and International Studies, University of Queensland, Brisbane, Australia --