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Qora Paunene Zela has never been able to glimpse the future like other Eyes of the Faulfenzair God... but he's always known where he's supposed to be, so powerfully that he never questioned it, even when it took him off-world on the Faulfenza's prototype warship, and from there into captivity and war among aliens. That those aliens should rescue him seemed fair, since they were the ones responsible for the mess they'd made of the galaxy. To a Faulfenzair's way of thinking, anyway. But the God has called Qora abroad again, and this time even a male who knows he's in the right place at the right time isn't sanguine about the journey. It's one thing to wait on history to unfold... another entirely to follow in the footsteps of one of his people's lost prophets, on the trail of the fourth and final messiah. A lifetime of trusting the God may not be enough preparation for the revelations awaiting Qora at journey's end.... Fireborn's Legacy ties together the history of the Faulfenza, as told in Zafiil, and the intertwined Eldritch and Chatcaavan stories from the books of the Fallowtide Sequence. It also sets the stage for the final conflict that will unite the sapient species of the Peltedverse and all its multiple histories. Let the saga commence!
Essays that explore the connections between time, representation, and identity within hip-hop culture. "This book, edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey."--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective.
An official guide to Buffy the Vampire Slayer describes the mythology and influences behind the monsters, ghouls, and characters through interviews with the creators and details of the episodes.
Evidence of Things Not Seen is an interdisciplinary study of blackness in genre literature of the Americas. When mystery, romance, fantasy, mixed-genre, and science fiction writers center fantastical blackness, they make this expressive quality available to a broad audience that uses pop fictions' imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres' imaginable possibilities help us strategize ways that the made up can be made real.
A tale of one man's obsession with rainforest jewels, this is the story of an impossible dream: a quest to see every one of the world's most elusive avian gems--a group of birds known as pittas--in a single year. Insightful, compelling, and laugh-out-loud funny, this is more than a book about birds. It's a true story detailing the lengths to which a man will go to escape his midlife crisis. A travelogue with a difference, it follows a journey from the suburban straitjacket of High Wycombe to the steamy, leech-infested rainforests of remotest Asia, Africa, and Australia. Dangerous situations, personal traumas, and logistical nightmares threaten The Jewel Hunter's progress. Will venomous snakes or razor-clawed bears intervene? Or will running out of fuel mid-Pacific ultimately sink the mission? The race is on. . . . If you've ever yearned to escape your day job, wondered what makes men tick, or simply puzzled over how to make a truly world-class cup of tea, this is a book for you.
A study of race and sexuality and their interdependencies in American literature from 1945 to 1955, Desegregating Desire examines the varied strategies used by eight American poets and novelists to integrate sexuality into their respective depictions of desegregated places and emergent identities in the aftermath of World War II. Focusing on both progressive and conventional forms of cross-race writing and interracial intimacy, the book is organized around four pairs of writers. Chapter one examines reimagined domestic places, and the ambivalent desires that define them, in the southern writing of Elizabeth Bishop and Zora Neale Hurston. The second chapter; focused on poets Gwendolyn Brooks and Edwin Denby, analyzes their representations of the postwar American city, representations which often transpose private desires into a public imaginary. Chapter three explores how insular racial communities in the novels of Ann Petry and William Demby were related to non-normative sexualities emerging in the early Cold War. The final chapter, focused on damaged desires, considers the ways that novelists Jo Sinclair and Carl Offord, relocate the public traumas of desegregation with the private spheres of homes and psyches. Aligning close textual readings with the segregated histories and interracial artistic circles that informed these Cold War writers, this book defines desegregation as both a racial and sexual phenomenon, one both public and private. In analyzing more intimate spaces of desegregation shaped by regional, familial, and psychological upheavals after World War II, Tyler T. Schmidt argues that “queer” desire—understood as same-sex and interracial desire—redirected American writing and helped shape the Cold War era’s integrationist politics.
Weaving a Way Home will appeal to those deeply interested in knowing how we forge relationships with places and how that shapes who we are."--BOOK JACKET.
From the poignant "The Queen's Prayer," written by Hawaii's last reigning monarch, to Ryan Monico's "The Million-Dollar Mango Tree," a tribute to his grandfather's pickled mango, the editors present finely textured narratives of life in Hawaii by some of the state's most respected writers and observers.
Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s. The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century. Citing numerous sources, Simpson argues that serial killers' recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionary, whose murders privately and publicly re-empower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between the extremist philosophies of both the New Right and the anti-New Right. Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of in-depth an analysis of the best American work in the genre. He has chosen novels and films that have at least some degree of public name-recognition or notoriety, including Red Dragon and The Silence of the Lambs by Thomas Harris, Manhunter directed by Michael Mann, Henry: Portrait of a Serial Killer directed by John McNaughton, Seven directed by David Fincher, Natural Born Killers directed by Oliver Stone, Zombie by Joyce Carol Oates, and American Psycho by Bret Easton Ellis.