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"Five mutant alien outcasts have been recruited by the evil outlaw Kaos to destroy the galaxy... Half hideous alien, half deadly robot - these are the toughest enemies Cosmo has ever faced. Will the young Earthling be able to defeat the Invaders and save the galaxy? Join Cosmo, Nuri and Brain-E on another whirlwind adventure through space... The power of the universe is in YOU!"
Cosmo discovers the truth about his father's mysterious past, and takes up his role as a defender of the galaxy. When the mighty alien Rockhead is sent to destroy G-Watch headquarters, only Cosmo has the power to stop him. But will the young Earthling be able to defeat the monstrous mountain alien?
The World Fantasy Award–winning anthology featuring an original Game of Thrones novella and new stories from Diana Gabaldon, Jim Butcher, and many more. The twenty-one stories in Dangerous Women showcase some of the best and bravest female characters from across genre fiction—from women warriors and fighter pilots to female serial killers, superheroes, wizards, and bandits. With work from twelve New York Times bestsellers, readers will discover a new Outlander story by Diana Gabaldon, a tale of Harry Dresden’s world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and an original novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones. Also included are original stories of dangerous women—heroines and villains alike—by Brandon Sanderson, Joe Abercrombie, Sherrilyn Kenyon, Lawrence Block, Carrie Vaughn, S. M. Stirling, Sharon Kay Penman, and many others.
On a distant asteroid, Teggs and his team discover the creepy castle hideout of super-scientist Dr Frankensaur. Soon the astrosaurs are plunged into a sinister mystery, where deadly robots, headless horrors and mutant monsters lie in wait.
This beautiful gold 40th-birthday edition of the bestselling Hairy Maclary Treasury is a complete collection of Hairy Maclary's adventures, and includes a reading of the stories by Lynley Dodd. Out of the gate and off for a walk went Hairy Maclary from Donaldson's Dairy . . . Ever since 1983, when Hairy Maclary first trotted out of the gate and off for a walk, he has been adored by millions of children and adults all over the world. To celebrate the 40th anniversary of Hairy and his gang, Lynley Dodd's ten classic stories starring Hairy Maclary have been brought together in this very special gift treasury. It also includes a link to download the audio stories, introduced by Lynley Dodd herself. The complete collection of Hairy Maclary stories is as follows- Hairy Maclary from Donaldson's Dairy; Hairy Maclary's Bone; Hairy Maclary Scattercat; Hairy Maclary's Caterwaul Caper; Hairy Maclary's Rumpus at the Vet; Hairy Maclary's Showbusiness; Hairy Maclary, Sit; Hairy Maclary and Zachary Quack; Hairy Maclary's Hat Tricks; Hairy Maclary, Shoo. Read all the Hairy Maclary and Friends books by Lynley Dodd! www.hairymaclary.com
"In this compendium of 5-minute really true stories about bedtime, you can go on a journey of wonder and learning to find out the answers to all these questions, and many more! Travel to Ancient Egypt to explore the beds of Tutankhamun, jet off into space to see how astronauts get ready for bed, or even plunge underwater to learn how hibernating turtles breathe through their bottoms!"--Back cover.
In the past fifty years, port cities around the world have experienced considerable changes to their morphologies and their identities. The increasing intensification of global networks and logistics, and the resulting pressure on human societies and earthly environments have been characteristic of the rise of a »planetary age«. This volume engages with contemporary artistic practices and critical poetics that trace an alternate construction of the imaginaries and aspirations of our present societies at the crossroads of sea and land - taking into account complex pasts and interconnected histories, transnational flux, as well as material and immaterial borders.
Quinn Latimers arresting writings find expression in literature and theory as well as contemporary art and its history. Moving from Southern California to Europe, crossing geographies and genres, her texts record specters and realities of culture, migration and displacement, compounding the vagaries of rhetoric and poetics with those of personal history and criticism. Composed in the space between the page and live performance, Latimers recent essays and poems examine issues of genealogy and influence, the poverty and privilege of place, architectures relationship to language, and feminist economies of writing, reading and art making. Shifting between written language and live address, between the needs of the internal and the external voice, Like a Woman is refrain, litany and chorus. Latimer is a California-born poet and critic with writings and readings featured internationally including REDCAT, Los Angeles; Qalandiya International, Ramallah/Jerusalem, and Venice Architecture Biennale. Latimer is editor in chief of publications for dOCUMENTA (14) (2017).
This publication emerges from Uriel Orlow's Theatrum Botanicum (2015-18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge--exploring the variety of curative, spiritual, and economic powers of plants. The project addresses "botanical nationalism" and "flower diplomacy" during apartheid; plant migration; the role and legacies of the imperial classification and naming of plants; bioprospecting and biopiracy; and the garden planted by Nelson Mandela and his fellow inmates at Robben Island prison. This publication is made up of two intertwining books: one documents the works of Theatrum Botanicum, including the scripts for two films; the second is a compendium of brief, commissioned essays that aims to offer an accessible snapshot of the complex and multifaceted issues that inform and are raised by the artworks. The independent but interrelated essays, which either speak directly to the artworks or follow lines of inquiry alongside them, cover perspectives from postcolonial cultural studies; art criticism and art history; natural history, botany (including ethnobotany and economic botany), and conservation; jurisprudence and critical legal studies; and critical race studies.