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Author of the Nebula Award winning Timescape, Benford's first collection of short stories demonstrates the extraordinary range of his imagination. The stories contained within are a perfect introduction to the work of one of our greatest SF novelists and thinkers.
Long before Under the Dome, this novel of a town trapped within an invisible force field earned a Nebula Award nomination for the author of Way Station. Nothing much ever happens in Millville, a small, secluded Middle-American community—until the day Brad Carter discovers he is unable to leave. And the nearly bankrupt real estate agent is not the only one being held prisoner; every resident is confined within the town’s boundaries by an invisible force field that cannot be breached. As local tensions rapidly reach breaking point, a set of bizarre circumstances leads Brad to the source of their captivity, making him humanity’s reluctant ambassador to an alien race of sentient flora, and privy to these jailers’ ultimate intentions. But some of Millville’s most powerful citizens do not take kindly to Carter’s “collaboration with the enemy,” even under the sudden threat of global apocalypse. Decades before Stephen King trapped an entire town in Under the Dome, science fiction Grand Master Clifford D. Simak explored the shocking effects of communal captivity on an unsuspecting population. Nominated for the Nebula Award, All Flesh Is Grass is a riveting masterwork that brilliantly reinvents the alien invasion story.
SHOCKING. CONTROVERSIAL. UNPRECEDENTED. A CASE LIKE UNLIKE ANY OTHER IN THE ANNALS OF UFO INVESTIGATION, DNA RESEARCH, OR ALIEN ABDUCTION. Sydney, Australia. July 23, 1992. Twenty-eight-year-old Peter Khoury was awoken by what appeared to be two females—both striking and unearthly—kneeling on his bed. What transpired between them was a physical assault as bizarre and disorienting as it was unnatural. Then, as quickly as they had arrived, they vanished. Khoury had become one of a legion of alien abductees with inexplicable experiences, but this particular incident stood apart from all the others. This time, there was evidence—two strands of white-blond hair from one of the females. Khoury’s case would result in the very first forensic DNA analysis of “alien abduction” evidence and revealed an extraordinary biological anomaly—one genetically close to human yet almost impossibly far from the human mainstream. A gripping account of one of the great mysteries of our time, Hair of the Alien, brings us closer than ever before to understanding our past, our origings, and our place in the universe.
Flesh and Body, originally released in French in 1981, is a pioneering study that provides both a close reading of Husserl's phenomenology of relationship between flesh and body as well as Didier Franck's own highly original account of flesh. Husserl's work on the body influenced many phenomenologists, including Merleau-Ponty, Ricoeur, Henry, and Levinas, to name just a few. But his work was often misunderstood. Franck thus guides the reader carefully through Husserl's multi-layered and complex observations about the notions of on the flesh and the body. Franck shows that the flesh is never entirely one's own, instead it is always situated in relation to a prior alterity, principally the other ego. This book is thus a vital contribution to current debates over the themes of embodiment, temporality and intersubjectivity.
John and Melissa Winters think that learning their baby’s sex will be the happiest day of their lives. They are wrong. Instead, they spend it running from an alien race hell-bent on claiming Earth for itself. With thousands of satellite-like weapons strategically positioned around the planet, the aliens obliterate the world’s communication systems, militaries, and transportation systems within minutes. There the satellites remain, monitoring Earth for any signs of human technology that could be used against them. Earth is plundered for its resources, and man is hunted by a species far more advanced, technologically, with speed and reflexes five times faster than any human and deadly tentacles that extend from their forearms at will. Lacking the means to fight back, man has but one option—run! John and Melissa journey to their mountain home, where they live out each day, hoping to see the next. Their plans are tested when an injured alien finds its way into their home and beats Melissa’s pregnant body within inches of death. The human population is dwindling and in time will become extinct, but there are some who refuse to let that happen. Some fight back against an opponent most feel they cannot beat in a battle they cannot win. But these freedom-fighters have one thing the others do not—they have Hope.
For those who undertake a serious investigation of unidentified flying objects (UFO), there can be no questioning their reality. Still, our government would have people believe UFOs are natural earthly phenomenon. Ancient alien theorist, however, claim unidentified flying objects are highly advanced alien mechanical devices. Furthermore, the theorist would have us believe aliens are associated with the genesis of mankind, and during our formative years, they guided us with both technology and the teaching of civil/moral standards. On the one hand, we have our government saying it is nothing, and on the other hand, we have ancient alien theorists saying ancient aliens were the gods we used to worship. We cannot help but wonder why the government denies alien existence and, at the same time, ancient alien theorists preach a coming alien salvation. It is only when the ancient alien theory is decoded that elements of truth are revealed.
Discusses the themes of the male body, war, and homosexual love in poetry, and analyzes the poetry of D.H. Lawrence, Hart Crane, W.H. Auden, Allen Ginsberg, and Thom Gunn.
Alien Hearts was the last book that Guy de Maupassant finished before his death at the early age of forty-three. It is the most original and psychologically penetrating of his several novels, and the one in which he attains a truly tragic perception of the wounded human heart. André Mariolle is a rich, handsome, gifted young man who cannot settle on what to do with himself. Madame de Burne, a glacially dazzling beauty, wants Mariolle to attend her exclusive salon for artists, composers, writers, and other intellectuals. At first Mariolle keeps his distance, but then he hits on the solution to all his problems: caring for nothing in particular, he will devote himself to being in love; Madame de Burne will be his everything. Soon lover and beloved are equally lost within a hall of mirrors of their common devising. Richard Howard’s new English translation of this complex and brooding novel—the first in more than a hundred years—reveals the final, unexpected flowering of a great French realist’s art.
Introducing a dazzling new literary voice--a wholly original novel as groundbreaking as the works of Eimear McBride and Max Porter. Something has happened to Peach. Staggering around the town streets in the aftermath of an assault, Peach feels a trickle of blood down her legs, a lingering smell of her anonymous attacker on her skin. It hurts to walk, but she manages to make her way to her home, where she stumbles into another oddly nightmarish reality: Her parents can't seem to comprehend that anything has happened to their daughter. The next morning, Peach tries to return to the routines of her ordinary life, going to classes, spending time with her boyfriend, Green, trying to find comfort in the thought of her upcoming departure for college. And yet, as Peach struggles through the next few days, she is stalked by the memories of her unacknowledged trauma. Sleeping is hard when she is haunted by the glimpses of that stranger's gaping mouth. Working is hard when her assailant's rancid smell still fills her nostrils. Eating is impossible when her stomach is swollen tight as a drum. Though she tries to close her eyes to what has happened, Peach at last begins to understand the drastic, gruesome action she must take. In this astonishing debut, Emma Glass articulates the unspeakable with breathtaking verve. Intensely physical, with rhythmic, visceral prose, Peach marks the arrival of a visionary new voice.