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After Carmina blabla (1967), Poems Make Pictures (1971), Arcano (1990) and Moliseide (1992), and now with Alien Cantica it has become very clear that Rimanelli's poetic universe - with its attendant linguistic/experimental roots of meter and rhythm - has gained definitive form and awareness in America: in order to celebrate both this great acquired mother, America, and poetry itself, with its wealth of images and ramifications. The figure of Sonny Boy (Bambolino) in Alien Cantica, who appears as the Author's alter ego, sings with stark restlessness and exultation of freedom and nature in his extraordinary voyage of rediscovery.
Giose Rimanelli and Achille Serrao met for the first time in this scant collection of sonnets written under the aegis of the gaze, of certain thematic and stylistic preferences that include the use of dialect, of a marked experimentation and transgressiveness always undermining the classical model of the sonnet. The "dreamed America" is finally reached with melancholy.
Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan’s Memento, Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg’s The Man Who Fell to Earth and Derek Jarman’s The Garden. Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
After the fascinating liquid novel, Benedetta in Guysterland, which won the American Book Award in 1994, Giose Rimanelli now presents us a new novel about academic life. Accademia deals with the day-to-day angst in a major American university. Stories of love relationships among nymphets wives and student lovers (hetero/homosexual) unfold amid the struggles for personal power in the realm of higher education. Accademia is the book of one who has experienced life at its deepest levels, the book of a moralist. Giose Rimanelli gained international fame with some of his novels during the 1950s, translated from the Italian in many languages and also made into movies and radio plays. He has lived in both the U.S.A. and Canada and has taught in major universities.
Sancti Romani Melodi Cantica: Cantica Dubia.
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Using semiotics as a theoretical foundation, this book reexamines the notion of the hyphenate writer. It argues for an analogous set of categories no longer chronologically or generationally based, but cognitively based, so that the traditionally considered "first-stage" or first-generation hyphenate writer now figures as an "expressive" writer who is not necessarily part of the immigrant or first American-born generations. He or she may actually belong to a later generation and write about his or her ethnicity with those characteristics more readily associated with the first-stage hyphenate writer.
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.