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Alien Bodies is a fascinating examination of dance in Germany, France, and the United States during the 1920s and 1930s. Ranging across ballet and modern dance, dance in the cinema and Revue, Ramsay Burt looks at the work of European, African American, and white American artists. Among the artists who feature are: * Josephine Baker * Jean Borlin * George Balanchine * Jean Cocteau * Valeska Gert * Katherine Dunham * Fernand Leger * Kurt Jooss * Doris Humphrey Concerned with how artists responded to the alienating experiences of modern life, Alien Bodies focuses on issues of: * national and 'racial' identity * the new spaces of modernity * fascists uses of mass spectacles * ritual and primitivism in modern dance * the 'New Woman' and the slender modern body
YA. Featuring the eighth Dr Who on an island in the East Indies in a lost city. 11 yrs+
Alien Bodies is a fascinating examination of dance in Germany, France, and the United States during the 1920s and 1930s. Ranging across ballet and modern dance, dance in the cinema and Revue, Ramsay Burt looks at the work of European, African American, and white American artists. Among the artists who feature are: * Josephine Baker * Jean Borlin * George Balanchine * Jean Cocteau * Valeska Gert * Katherine Dunham * Fernand Leger * Kurt Jooss * Doris Humphrey Concerned with how artists responded to the alienating experiences of modern life, Alien Bodies focuses on issues of: * national and 'racial' identity * the new spaces of modernity * fascists uses of mass spectacles * ritual and primitivism in modern dance * the 'New Woman' and the slender modern body
For use in schools and libraries only. In the fourth installment of Rod Allbright's adventures with the Galactic Patrol, Rod tries to retrieve his body from an alien without revealing the secrets stored in his brain.
Jake Sherman has switched bodies - again. And this time with an alien. A funny-looking alien. From a planet where aliens sit around and watching TV and eating junk food all day long. Sounds good to Jake but the alien has run off with Jake's body. Does Jake really want to be a couch potato ... forever?
Body Snatchers in the Desert reveals the events that really happened in the New Mexico desert in 1947 that birthed the Rosewell Myth. "RAAF captures flying saucer on ranch in Roswell region." Ever since this provocative headline appeared on July 8, 1947, conspiracy theorists have sincerely believed that the U.S. government has maintained an extensive operation of cover-up-and-denial regarding its knowledge of alien life. But there was, in fact, no UFO crash with dead alien bodies. What really happened on that fateful day is much more sinister. The persistent rumors surrounding the UFO crash in Roswell, New Mexico, are part of a bigger conspiracy—one orchestrated and fostered by the government itself as a smokescreen to bury a truth that is much darker, and disturbingly, far more believable. Now, through never-before-revealed testimony from military whistleblowers, eyewitness intelligence reports, and an astonishing body of corroborative evidence, Nick Redfern lays out a shockingly plausible new theory on the Roswell incident: that the crash-site discovery of prototype military aircraft would expose a damning secret—a highly confidential, U.S. government-sanctioned program to conduct medical experiments on deformed, handicapped, disfigured, and diseased Japanese POWs, exploited as "expendable" victims by their captors. An important account that forces us to take a closer look at both the Roswell story and post-war American history, Body Snatchers in the Desert casts a startling, new light on a shocking conspiracy more than half a century in the making.
In the finale of this popular series, BKR, the most fiendish villain in the galaxy, is determined to get at the world-destroying secret locked in Rods brain. Little does Rod know hes being drawn into a web of alien plots that will test his courage. Illustrations.
Exposes the agenda behind the bio-robotic grey aliens’ genetic manipulation of certain human races • Reveals the Grey’s nature as sophisticated self-aware machines created by a long vanished extraterrestrial civilization • Explains how their quest to capture human souls appears in the historical record from biblical times • Explains how the phenomenon of racism is a by-product of their genetic tampering In 1997 Nigel Kerner first introduced the notion of aliens known as Greys coming to Earth, explaining that Greys are sophisticated biological robots created by an extraterrestrial civilization they have long since outlived. In this new book Kerner reveals that the Greys are seeking to master death by obtaining something humans possess that they do not: souls. Through the manipulation of human DNA, these aliens hope to create their own souls and, thereby, escape the entropic grip of the material universe in favor of the timeless realm of spirit. Kerner explains that genetic manipulation by the Greys has occurred since biblical times and has led to numerous negative qualities that plague humanity, such as violence, greed, and maliciousness. Racism, he contends, was developed by the aliens to prevent their genetic experiments from being compromised by breeding with others outside their influence. Examining historical records, Kerner shows that Jesus, who represented an uncorrupted genetic line, warned his disciples about the threat posed by these alien interlopers, while Hitler, a pure product of this alien intelligence, waged genocide in an attempt to rid Earth of all those untouched by this genetic tampering. Despite the powerful grip the Greys have on humanity, Kerner says that all hope is not lost. Greys exist wholly in the material world, so if we follow the spiritual laws of reincarnation and karma, aiming for enlightenment and rising above the material--a state the Greys are unable to reach--we can free ourselves from their grasp.
Examines the accounts of people who believe they have been abducted by aliens and looks at the possible existence of extraterrestrials.