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When Steve, a hapless school teacher, consults a hypnotherapist to solve his personal problems, he "remembers" being abducted by aliens. When he starts attending sessions of Alien Abductees Anonymous (AlAbAn), he sees a pattern in the stories being told, and thinks his own experiences might provide a key. While his love life continues to deteriorate, Steve must grapple with questions of where the aliens might originate, and what their activities portend for the future of the human race. A remarkably original science-fiction comedy.
Asgard's not an easy world to get away from. Mike Rousseau only wants to take a vacation in his home system, but he's back before he has time to draw breath, and he's been drafted into the Space Force once again. His new mission is even more dangerous than the last one, the number of his enemies has increased vastly, and his friends haven't improved at all. By way of compensation, he has another chance to get closer to the mystery at Asgard's heart--but the inhabitants of the megaplanet's core are no longer content to sit quietly and wait to be found. They've discovered the outside universe, and are trying to decide what to do about it--but they have problems of their own. Only Rousseau can cross the boundaries between species, and offer each of the races a possible solution. Another great entry into an exciting SF series!
At an 1847 revival of Meyerbeer’s opera Robert le Diable, the ghost of Blaise Thibodeaux, the author of La Résonance du temps, appears in one of the boxes, just as Thibodeaux had predicted to Auguste Dupin that it would, thirteen years before. Unfortunately, Dupin is unable to attend the performance, leaving his uninformed friend and narrator Reynolds to try to make sense of the apparition and all the confusing circumstances surrounding it. Once Dupin has returned to the intellectual fray, however, and pulled the multitudinous threads of possibility together, seven individuals must set forth for the forest of Fontainebleau in the dead of night in order to bring the "temporal resonance" that Thibodeaux had earlier attempted to produce to its full fruition, hoping at least to understand why he wanted to do so--although the Comte de Saint-Germain, apparently in control for once, has much greater ambitions than that... Another riveting entry in this ongoing historical fantasy series.
The people of the Euchronian Millennium had been reminded of the Underworld that existed beneath the platform on which they had constructed their better, cleaner, safer world--leaving the original surface of Earth a dark, dreary, and forgotten place. That awareness had become a political pawn, which many different people were trying to manipulate in their own interests. In the meantime, the search for more information about what actually existed in the Underworld went on, tentatively and ineptly. The hunter sent to help clarify the situation brought back a sensational prize, and revealed it to the world--but in so doing, he triggered an unexpected and unprecedented reaction, which changed the whole nature of the game, gave the people of Heaven a vision of Hell, and threw the fate of both worlds into the balance. The second novel in the exciting Realms of Tartarus series!
Decadent literature is intrinsically and proudly a literature of moral challenge; it is sceptical, cynical, and satirical. It recognizes that everyday morality does not work either in practical or in psychological terms, and is therefore a sham, but that ideal morality is -- not necessarily unfortunately -- unattainable. This volume collects the best of Brian Stableford's decadent work, including: "Salome," "O For a Fiery Gloom and Thee," "The Last Worshipper of Proteus," "The Evil That Men Do," "Ebony Eyes," "The Fisherman's Child," "The Storyteller's Tale," "The Unluckiest Thief," "The Flowers in the Forest," "The Mandrake Garden," and "Chanterelle."
Eight essays on science fiction and fantasy: "Narrative Strategies in Science Fiction," "Immortality in Science Fiction," "Why There Is (Almost) No Such Thing as Science Fiction," "Perfectibility and the Novel of the Future," "In Search of a New Genre," "Ecology and Dystopia," "Cosmic Horror," and "Growing Up as a Superhero." Complete with bibliography and index.
During an August heat-wave, the Comte de Saint-Germain seeks the help of detective Auguste Dupin. Someone--or someTHING--is trying to kill him! The Comte has inherited a magical cello and a mysterious sealed box. A psychic vampire (an "egregore") intends to use the cello and a magical musical composition to steal another soul. Can Dupin and his faithful companion unravel the puzzle in time to save the Comte?
They call them the "rat-catchers." They're the crew of the spaceship Daedalus, which an economically destitute Earth has dispatched on a mission to re-establish contact with its far-flung, long-lost space colonies. Alex Alexander, ship's biologist, must help solve the mysteries of human and alien ecosystems that he encounters light-years from home. The planet Floria initially appears to be one of the few Earth colonies that's actually prospered since its initial settlement. But underneath the surface of the society, the "Planners" keep a strict, repressive rule over the Florians, while the police are apparently attempting to assert their own authority. But is either group actually what they seem? Daedalus Mission, Book One.
Sheena is a vampire from Leeds who works in a call center, and has a dark secret that even she doesn't know about. Her boyfriend has to discover it the hard way, alas. Like the other two vampire stories included in the book, both of which feature vampire babies, "Sheena" is a love story, which shares the life-enhancing attributes common to all love stories. Here are ten tales of the fantastic, the horrific, and the gothic, including: "Rose, Crowned with Thorns," "Rent," "Tenebrio," "Behind the Wheel," "Innocent Blood," "Emptiness," "The Woman in the Mirror," "Regression," "Heartbreaker," and "Sheena." Great reading by a great writer!
In a galactic culture that extends from quasi-utopian worlds like New Alexandria to the vermin-infested slums of Old Earth, the Star-Pilots are the great heroes of the day, and Grainger has become a legend in his own time. Pharos is paradise--or so it appears. But the champions of commerce want to package and sell the planet, and the conservationists want to stop them. Grainger's employer, Titus Charlot, is enlisted to negotiate a settlement, but the game is rigged. Charlot needs the Star-Pilot's help, but there seems to be nothing he can do--until the planet's ecosystem takes a hand, and "paradise" suddenly turns deadly! Hooded Swan, Book 4.