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Just as Russian dancers defected from the former Soviet Union in the 1970s, Cuban dancers are now fleeing Castro's regime in droves. Their unique style of ballet is galvanizing the world of dance. This beautifully illustrated book explores the history of Cuban ballet by focusing on the life and career of the indomitable Alicia Alonso. The author also spotlights many of the young dancers who are now part of the growing Cuban Diaspora and who are changing the face of ballet: Lorena Feijoo, Lorna Feijoo, Joan Boada, Taras Domitro, Jose Manuel Carreno, and Carlos Acosta to name but a few.
Jesus Lara Sotelo ́s literary work, unique and heterogeneous at the same time, showa a tireless fervor and rich inspiration. Without setting limits between amenity and greatness, his lyrical power stands out in the middle of dense forest. Concentrated and austere at times, excessive in others, he takes over himself and others in body and soul and he projects himself as he truly is, while he meditates thoroughly and thinks over and over about the earthly and cosmogonist things, perceiving in them their most active principles, so his compositions are, at the same time, and an act of creation and an act revelation in teh knowledge of new lives, where all spiritual an earthly things are revealed and released. So, it seems that in this way, every moment and every place of nature are willing to welcome the invasion of his opinion, which brings about a confiscation of total condition of the man and his sorrounding, which recognizes him with great jubilation.
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
Written records of Alonso’s work are scarce, yet Toba Singer’s quest to spotlight his seminal role in the development of the modern ballet canon yields key material: pre-blockade tapes from Lincoln Center, Spanish-language sources from the Museum of Dance in Havana, and interviews with the ballet master himself alongside a broad range of friends, relatives, and collaborators from throughout his long career, including his ex-wife, Alicia, a famous ballerina in her own right.
Arranged alphabetically from Adolphe Adam to Jiri Kylian, this reference includes entries on individual artists, individual ballets, and on ballet companies.
Rudolf Nureyev, one of the most iconic dancers of the twentieth century, had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. In this superb biography, Julie Kavanagh deftly brings us through the professional and personal milestones of Nureyev's life and career: his education at the Kirov school in Leningrad; his controversial defection from the USSR in 1961; his long-time affair with the Danish dancer Erik Bruhn; his legendary partnership with Margot Fonteyn at the Royal Ballet in London. We see his fiery collaborations with almost all the major living choreographers including Ashton, Balanchine, Robbins, Graham, and Taylor. And we see Nureyev as he reinvigorated the Paris Ballet Opera in the early 1980s before his death from AIDS complications in 1993. Nureyev: The Life is the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure.
A border is a force of containment that inspires dreams of being overcome and crossed; motivates bodies to climb over; and threatens physical harm. This book critically examines a range of cultural performances produced in relation to the tensions and movements of/about the borders dividing North America, including the Caribbean.
In the early 1990s a combination of circumstances, including a disastrous professional association with out-of-control American skater Christopher Bowman and a lawsuit that dragged on for years (ending in complete victory for Toller), led to a personal crisis from which recovery came slowly. But even in the blackest hours, Toller's humour and creative powers never deserted him.