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A trip to the beach leads to a holiday at the hot springs - two prime locations full of temptation for pervy Lapan! But above the idyllic, carefree summer fun, storm clouds are brewing! Alice is kidnapped by a renegade shinigami who awakens Lapan to his past. Will the truth force Lapan to turn on his friends?
Panty-thieving! Murderous cats! A villainous, self-proclaimed shibito king with a taste for bones and marriage! All this and Ume popping up in the unlikeliest of places in his quest for love! Beleaguered, beskeletoned Alice and shinigami Lapan face off against lecherous foes that give even our resident perverted shinigami a run for his money. Some days it just doesn't pay to be a girl trapped in the body of a skeleton. . .
As punishment for slacking on the job, the shinigami Lapan is ordered to go to the Human Realm in the body of a skeleton to retrieve a wandering soul. However, much to Lapan's lecherous delight, a slip-up lands his soul in the body of the young Alice, a buxom student at a local all-girls' school. With the skirt-chasing shinigami (as Alice) leaving a storm of sexual harassment allegations in his wake, whatever is poor, beskeletoned Alice to do?!
Siblings! Brainwashing! True love?! It's Christmas Eve, but Lapan has nothing saintly in mind for Alice and company! When back-to-back battles cut his pervy party short and members of Tsurukame descend upon the scene, will Lapan finally repent his skirt-chasing ways? And as Alice tries to come to grips with a revelation about Lapan's past, will she be able to break out of her shell (with the help of Lapan's groping hands)? Find out in the exciting conclusion of Alice on Deadlines 4!
An ancient evil has returned to earth after being banished for a millennia. Now, the old gods who thought they had defeated Evil millennia ago have found new young protectors earth: Yuko, 14, of Japan, Parvati, 12, of India, Amir, 11, of Egypt, Abigail, 15, of Germany, Miguel, 13, of Mexico, and Neo, 16, of Greece... After narrowly escaping from their first encounters with Evil, these six young Mythics, still learning how to harness their new powers and weapons, must leave behind their homes as their fight goes global! Now, the children will meet for the first time, and they might just save the world yet, if they don’t end up destroying each other first! These children are Earth’s last hope in the war against Evil. Using their powers and strengths, they might just have what it takes to be the new Gods of today.
This text reprints selected non-fictional works by Haywood, with particular attention to the journalism, criticism, and "conduct and advice" material. Here, Haywood explicates and defends ideas on gender and culture that she develops obliquely elsewhere.
Appropriate for any public library collection, this book provides a comprehensive readers' advisory guide for Japanese manga and anime, Korean manhwa, and Chinese manhua. Japanese manga and anime, Korean manhwa, and Chinese manhua are Asian graphic novels and animated films that have gained great popularity in the last ten years and now are found in most public library collections. Mostly Manga: A Genre Guide to Popular Manga, Manhwa, Manhua, and Anime is the first readers' advisory guide to focus on this important body of literature. This guide provides information on all of the major manga and anime formats and genres, covering publications from the early 1990s to the present. It identifies important titles historically and provides a broad representation of what is available in each format. Selected major titles are described in detail, covering the general plot as well as grade level and pertinent awards. The author also discusses common issues related to manga and anime, such as terminology, content and ratings, and censorship.
An anthology of 31 essays by the philosophically gifted selected by the editors as historically significant to the "post" in postmodernism, exhibiting the shift away from documentation and interpretation to an exploration of significance. The collection begins with Francis Bacon and Rene Descartes, traveling into 19th century social theory with Marx and Nietzsche, the challenges to those theories presented by Dewey and Kuhn, and the deconstruction of modernity with Foucault, Derrida, and Cornel West. In the final section, Habermas and Benhabib (among others) respond to postmodernism, taking us into the post postmodern contexts of the future. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR