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Alice's Adventures in Wonderland began as a tale told by Reverend Charles Lutwidge Dodgson to three young girls (Lorina, Alice, and Edith Liddell) as the group took a rowing expedition up the Thames River. Enthralled by the story, Alice Liddell asked Dodgson to write it down for her, and he eventually did. In 1865, three years after their initial boat trip, Dodgson published Alice's Adventures in Wonderland under the pen name Lewis Carroll. Like its sequel, Through the Looking Glass, Alice is a story filled with imagery, symbolism, and unforgettable characters. As the critics in this volume attest, Alice's Adventures in Wonderland has sparked the imagination of countless children and adults alike, and has served as an influence to storytellers the world over. The critical essays in this volume reflect a variety of schools of criticism accompanied by notes on the contributing critics. Lewis Carroll's Alice's Adventures in Wonderland is an essential resource for those interested in the interpretations of top scholars in the literary field.
After a tumble down the rabbit hole, Alice finds herself far away from home in the absurd world of Wonderland. As mind-bending as it is delightful, Lewis Carroll's 1865 novel is pure magic for young and old alike.
With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever. “Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason. Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams!
What's at the bottom of the rabbit hole? Wonder! Adventure! Confusion! Cake! Join Alice as she tumbles into a strange world where curious things are normal, and normal things are . . . curiouser! Oxford Children's Classics present not only the original and unabridged stories of Alice in Wonderland and Through the Looking-Glass in one beautiful new edition, but also help you to discover a whole world of new adventures with an amazing assortment of recommendations and activities.
Delve into this stunning gift edition boasting the complete collection of Alice's Adventures in Wonderland and Other Tales and original, iconic illustrations by John Tenniel. The next edition in the Knickerbocker Classic series, Alice's Adventures in Wonderland and Other Tales features the writings of Lewis Carroll, the master of puns, puzzles, and fantasy that have been delighting adults and children alike for over 150 years.This volume is comprised of both Alice books (Alice's Adventures in Wonderland and Through the Looking-Glass); the nonsense poems, including "The Hunting of the Snark" and "Jabberwocky"; the novels Sylvie and Bruno and Sylvie and Bruno Concluded; and essays and other miscellaneous writings of this prolific writer. For Lewis Carroll fans worldwide, this stunning gift edition with an elegantly designed cloth binding features a slipcase, ribbon marker, and a new introduction by Lori Campbell.
Alice's Adventures in Wonderland, widely beloved British children's book by Lewis Carroll, published in 1865. With its fantastical tales and riddles, it became one of the most popular works of English-language fiction. It was notably illustrated by British artist John Tenniel.The story centres on Alice, a young girl who falls asleep in a meadow and dreams that she follows the White Rabbit down a rabbit hole. She has many wondrous, often bizarre adventures with thoroughly illogical and very strange creatures, often changing size unexpectedly (she grows as tall as a house and shrinks to 3 inches [7 cm]). She encounters the hookah-smoking Caterpillar, the Duchess (with a baby that becomes a pig), and the Cheshire Cat, and she attends a strange endless tea party with the Mad Hatter and the March Hare. She plays a game of croquet with an unmanageable flamingo for a croquet mallet and uncooperative hedgehogs for croquet balls while the Queen calls for the execution of almost everyone present. Later, at the Queen's behest, the Gryphon takes Alice to meet the sobbing Mock Turtle, who describes his education in such subjects as Ambition, Distraction, Uglification, and Derision. Alice is then called as a witness in the trial of the Knave of Hearts, who is accused of having stolen the Queen's tarts. However, when the Queen demands that Alice be beheaded, Alice realizes that the characters are only a pack of cards, and she then awakens from her dream.
Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.
Reproduction of the original: The Admiral ́s Caravan by Charles E. Carryl, Reginald B. Birch
Several years after the events of Alice's Adventures in Wonderland and Through the Looking Glass, Alice finds herself back in Wonderland and called upon to save the world of playing cards and talking animals from the increasingly deranged Queen of Hearts. But all is not as it first appears in the fluctuating dream world and soon Alice is battling to save herself from the nightmare that is rapidly overtaking the realm. Have you ever wondered what would have happened if Alice hadn't drunk from the bottle labelled 'Drink Me', or if she hadn't joined the Hatter, the March Hare, and the Dormouse for tea? Well now you can find out. In Alice's Nightmare in Wonderland, YOU decide which route Alice should take, which perils to risk, and which of Wonderland's strange denizens to fight. But be warned - whether Alice succeeds in her quest or meets a dire end as the nightmare escalates will be down to the choices YOU make. Are you ready to go back down the rabbit-hole? This luxury illustrated cloth-bound Demy hardback is an unnumbered limited edition of just 80 copies, and features ruby-red endpapers front and back, gold stamped foil on white cloth on front, back and spine, saddle-stitched binding with head and tail bands, and Kev Crossley's sketchbook including sketches that did not appear in the main edition as an additional 23-page illustrated section.