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Alice's Adventures in Wonderland is an 1865 English children's novel by Lewis Carroll, a mathematics don at the University of Oxford. It details the story of a girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book.It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had a widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating an era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her name with Alice Liddell, a girl Carroll knewscholars disagree about the extent to which the character was based upon her.
What would you do if you were told you had to save an entire world? Alice discovers her hidden past while entering her horrifying future of the unknown world that lye's before her. Can she save them all, and save herself?
This book examines the many reincarnations of Carroll’s texts, illuminating how the meaning of the original books has been re-negotiated through adaptations, appropriations, and transmediality. The volume is an edited collection of eighteen essays and is divided into three sections that examine the re-interpretations of Alice in Wonderland and Through the Looking-Glass in literature, film, and other media (including the branches of commerce, music videos, videogames, and madness studies). This collection is an addition to the existing work on Alice in Wonderland and its sequels, adaptations, and appropriations, and helps readers to have a more comprehensive view of the extent to which the Alice story world is vast and always growing.
A unique exploration of the character, the author, and the many transformations of Alice in modern culture—often in edgy and menacing ways. The Dark Side of Alice in Wonderland is the first investigation of the vast range of darker, more threatening aspects of this famous story, and the way Alice has been transformed over time. Although the children’s story has been in print for over 150 years, the mysteries and rumors surrounding the story and its creator Lewis Carroll have continued to grow. Alice has been transformed—this is the Alice of horror films, Halloween, murder and mystery, spectral ghosts, political satire, mental illnesses, weird feasts, Lolita, Tarot, pornography, and steampunk. The Beatles based famous songs such as “Lucy in the Sky with Diamonds” and “I am the Walrus” on Alice’s Adventures in Wonderland, and she has even attracted the attention of world-famous artists including Salvador Dali. The Japanese version of Lolita is so different from that of novelist Vladimir Nabokov—yet both are based on Alice. This is Alice in Wonderland as you have never seen her before: a dark, sometimes menacing, and threatening character. Was Carroll all that he seemed? The stories of his child friends, nude photographs, and sketches affect the way modern audiences look at the writer. Was he just a lonely academic, a closet pedophile, a brilliant puzzle maker—or even Jack the Ripper? For a book that began life as a simple children’s story, it has resulted in a vast array of dark concepts, ideas, and mysteries. With this book, you can step inside the world of Alice in Wonderland—and discover a dark side you never knew existed.
Lewis Carroll's Alice has been enchanting children for 150 years. Curious Alice, the bossy White Rabbit, the formidable Queen of Hearts and the Mad Hatter are among the best-loved, most iconic literary creations of all time. In Wonderland: Alice in Poetry, we celebrate the poems of Lewis Carroll, from the sublime to the surreal, including popular favourites such as Jabberwocky , The Walrus and the Carpenter and Tweedledum and Tweedledee. In addition to these classic, beloved poems, this beautiful collection features many contemporary poems from editor Michaela Morgan and a host of popular poets, including Roger McGough, John Agard, Grace Nichols, Rachel Rooney, Tony Mitton, Vivian French, Cheryl Moskowitz, Joseph Coehlo, and Jan Dean, each one putting their own spin on these classic texts.
They were indeed a queer-looking party that assembled on the bank—the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. All of them were covered in Alice's now cold and congealed blood, which made them even tastier looking to poor hungry Alice. When little Alice follows the Black Rat down into the gaping darkness of an open grave, she falls and falls. And soon finds herself in an undead nightmare of rotting flesh and insanity. Venturing further into this land of zombies and monsters, she encounters characters both creepy and madcap along the way. But there's something else troubling poor Alice: her skin is rotting and her hair is falling out. She's cold. And she has the haunting feeling that if she remains in Zombieland any longer, she might never leave. Can Alice escape Zombieland before the Dead Red Queen catches up to her?
The story of Elizabeth Davies, a young Oxford graduate with a sensitive Celtic nature. She attempts to balance romance and a call to the ministry. As a further complication, Elizabeth stumbles onto a crime pointing to someone within the hierarchy of the Church of England. -- from cover.
The Impossible Choice offers readers a narrative of the relationship between a therapist and her patient who desperately wants to discover her past. With no memory and no way of knowing what was real, her long therapeutic journey was to last 26 years, half her lifetime. Her only reality was the life she lived in the presence of her therapist. The narrative unfolds to reveal a story of horrific events that must be hidden, yet can no longer be kept secret. It sheds light on how chronic long-term traumatisation within a closed family circle can create madness in a vulnerable and lonely child, and helps reader gain an understanding of the enigmatic phenomena of Dissociated Identity Disorder. Having been terrorized into silence, destroying her ability to use language in a house of secrets and lies, the therapy reveals how this patient struggles to come out of her autistic-like state in search of ways to find her past, her ‘self’ and her voice. In this struggle, the reader becomes an audience exposed to the birth of dissociative personae who come forth to tell her story. As language slowly unfolds, she begins to share a first-hand account, albeit in written form, of the most complex psychological forces involved in a victim of incest who simultaneously loves, hates and is terrorized by her lover-father. Through live vignettes it demonstrates how external violence can create inner violence that threatens to annihilate the soul, leaving only a body to survive. The book provides an original contribution to our understanding of the complex psychological forces involved in incest, featuring the patient’s own, coherent written texts, mediated by her therapist. The former’s remarkable insights represent essential reading for all readers involved in policy development for the protection of children at high risk of suffering abuse.