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Winner of the Children's Choice Book Awards' Teen Choice Debut Author Award Everyone knows Alice slept with two guys at one party. When Healy High star quarterback, Brandon Fitzsimmons, dies in a car crash, it was because he was sexting with Alice. Ask anybody. Rumor has it Alice Franklin is a slut. It's written all over the "slut stall" in the girls' bathroom: "Alice had sex in exchange for math test answers" and "Alice got an abortion last semester." After Brandon dies, the rumors start to spiral out of control. In this remarkable debut novel, four Healy High students tell all they "know" about Alice--and in doing so reveal their own secrets and motivations, painting a raw look at the realities of teen life. But in this novel from Jennifer Mathieu, exactly what is the truth about Alice? In the end there's only one person to ask: Alice herself. This title has Common Core connections.
Arden of Feversham is an Elizabethan play that depicts the real-life killing of Thomas Arden by his wife Alice Arden and her paramour, and their subsequent discovery and punishment. Excerpt: "Sweet love, thou knowest that we two, Ovid-like, Have often chid the morning when it 'gan to peep, And often wished that dark night's purblind steeds Would pull her by the purple mantle back, And cast her in the ocean to her love. But this night, sweet Alice, thou hast killed my heart: I heard thee call on Mosbie in thy sleep."
Elizabethan domestic tragedies depicted the workings of Fortune in the lives of ordinary people, telling stories of sin, discovery, punishment and divine mercy, with their settings and characterization often enhanced by a highly entertaining blend of realism and sensationalism. Only some half-dozen survive to offset the dramas of kings and nobles in the tragedies of Shakespeare and his peers. They combined journalism and entertainment with a didactic concern, and their plots were often derived from contemporary events. Arden of Faversham (1592) and A Yorkshire Tragedy (1608) are both based on chronicles or pamphlets describing authentic murders, while A Woman Killed with Kindness (1603) by Thomas Heywood is a fictional creation, considered his masterpiece.
We think we know the story of Eleanor Roosevelt--the shy, awkward girl who would marry Franklin Roosevelt and redefine the role of First Lady, becoming a civil rights activist and an inspiration to generations of young women. As legend has it, the bane of Eleanor's life was her demanding and domineering mother-in-law, FDR's mother Sara Delano Roosevelt. Biographers have overlooked the complexity of a relationship that had, over the years, been reinterpreted and embellished by Eleanor herself. Through diaries, letters, and interviews with Roosevelt family and friends, Jan Pottker uncovers a story never before told. The result is a triumphant blend of social history and psychological insight--a revealing look at Eleanor Roosevelt and the woman who made her historic achievements possible.
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346
Based on the true story of the murder of Thomas Arden by his wife, her lover and accomplices in 1551, Arden of Faversham is one of the earliest domestic tragedies and a play which has continued to thrill audiences since its first staging. This comprehensive edition situates the play in its social, cultural and political context while exploring its performance and critical history through a range of historical and contemporary productions, including William Poel's Lilies That Fester (1897) and the Royal Shakespeare Company's 2014 production. Throughout, the edition aims to reanimate the play's engagement with the material culture of domestic life, using little-known evidence for the objects and spaces implicated in the murder. The introduction also accounts for recent new thinking about the play's likely authorship, including claims that Shakespeare was a key co-author. The comprehensive, illustrated introduction combined with detailed on-page commentary notes and glosses make this an ideal edition for students and teachers.
After a failed dig in Honduras, aspiring archaeologist Casper Christiansen heads home to Minnesota to face his unresolved feelings for Raina Beaumont, the woman of his dreams. But when he arrives unannounced on her doorstep, he receives the shock of a lifetime: Raina is pregnant with someone else’s baby. Heartbroken, especially when he discovers the identity of the baby’s father, Casper tables his dreams and determines to be dependable for once, helping his older brother, Darek, prepare the family resort for its grand reopening. Casper longs to be the hero of at least one family story, but a never-ending Deep Haven winter and costly repairs threaten their efforts—and the future of the resort. Worse, one of Casper’s new jobs constantly brings him into contact with Raina, whom he can’t seem to forget. A tentative friendship begins to heal fresh wounds, but can they possibly overcome past mistakes and current choices to discover a future together?
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.